This is probably the longest-running project I’ve done since my epic wedding gown refashion, but I’m really proud of the results and the fact that I can finally show them off after much hinting and whispering round these parts. This would’ve never happened at all without the spark from Charlie, the founder of Run dem Crew (the Tuesday night running family that has utterly transformed my life in the past year I’ve been a member). When he found out I sewed, he raised the idea of a refashioning project, then proceeded to gather together all the pieces to make it happen.
The idea was simple – start with 19 pieces of running clothing – some used, some promotional, and some brand new with tags on (including some ££££ Gyakusou designer gear!), and refashion them.
I started this project back in April, but stalled during the 5 weeks our boat was in drydock and I was without access to my overlocker and sewing room. Happily, I got some fantastic help with ideas from fellow RDC runner Jennie, who’s worked for years as a product designer for a well-known clothing company, and came over to sift through the clothes and it really helped for me to bounce ideas off her and vice-versa.
So her reward was some enforced modelling when the project was finished! Ha!
From the initial bag of clothes, I made 8 garments – tops and bottoms for two ladies and two men. I’ve been promised some modelled shots of the men’s clothing coming up soon, but here are the two ladies’ outfits, modelled by Jennie and I….
I had the fore-thought to take images of all the Before clothing, so I was able to do a nice collage like this, showing you what the various pieces turned into:read more >>
I gave you a sneak peek of these yesterday, but I doubt any of you were looking at the leggings!! You’re forgiven, though!
This design is from the third Pattern Magic book, and was super easy for me because I didn’t have to draft anything! I already had a great legging pattern to start with, from an old KnipMode magazine I’ve made a few times before. Note that you need a legging pattern with a separate front and back pieces, so the two recent Burda magazine leggings (in the June and January 2012 issues if I remember correctly) won’t work as a starting point. Or you can just draft one from scratch as the book suggests.
All the work here is in the measuring, slicing, and spreading of the pattern pieces – I very cleverly wrote the size of the spread between each of the pieces, so when it came time to do the other pattern piece, I could easily make it the same amount so everything matched up.read more >>
I don’t buy sewing books very often these days, usually preferring to get my information and inspiration from the internet and sewing pattern magazines, but I’ve found so much inspiration from the Japanese design schools lately that I just can’t say no when these are translated into English.
If you recall, I reviewed the first two Pattern Magic books here, and then, just recently the first Drape Drape book was also released in English (with the second coming out later this year).
Drape Drape uses included patterns which you trace off and sew, but the Pattern Magic books all rely on instructions for altering your existing sloper, so they can work for pretty much any size or shape person.
The big difference in this third book is that all the patterns here are designed for stretch fabrics, which adds a whole new level of fun! But of course, this doesn’t mean you can’t use stretch fabrics for the designs in the first two books – I’ve already made the flip-turned top twice as teeshirts, though I did have a great boost in understanding the Pattern Magic instructions on the Morley College “Pattern Magic” course I took earlier this year (I’m eagerly awaiting the new course guide so I can sign up for the rumoured class on this new book next year!).
So enough intro, let’s have a look at some of the wonderful (and weird!) designs in this instalment!read more >>
In addition to my exercise gear you saw yesterday, I actually made another top and trousers the weekend I got back from Montreal! Since I wasn’t in a fit state for a photoshoot until now, I kinda feel like I’m clearing out the cobwebs here…
This top is another “Flip turned for a draped effect” top from Pattern Magic 2 (drafted on my Morley College course!), this time using the tulip sleeves from Jalie 2806 for a more Spring/Summer look. This is the third time I’ve used these tulip sleeves and I really love the look and love wearing them – they really make a top much more special than just your average short sleeve! I used a lovely orange marl viscose jersey from Tia Knight here that’s just sooooo soft and lovely to wear! Hurrah for an impulse purchase!
The trousers are from the March Burda magazine (#126), using some stretch cotton sateen I bought at Tissues Dreyfus in Paris last month. It looked black in the dark lighting of the shop, but I got it home to realise it’s actually dark brown, which was fairly annoying, as I wouldn’t have bought 3m of brown had I known!read more >>
Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.
The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.
Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?
OMG a toile for a fashion college dressform fits me!! :O :D
Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.
One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.
To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)read more >>
This weekend was my eagerly-awaited “Creative Pattern Cutting 2” course at Morley College in London, which was a two day class based entirely on the second “Pattern Magic” book. I’ve owned the Pattern Magic books for a while, but I’ve only tried one design (with discouraging results), so I was really excited to have the opportunity to explore them further.
I’d have no idea this course was even offered if it wasn’t for Tracy blogging about attending the course on the first book, either. So a big THANK YOU to her for bringing it to wider attention!
And seriously, this course was FANTASTIC! The tutor, Moni, was simply amazing, I can’t say enough good things about her – she does a lot of other Fashion/Sewing courses at Morley and I’d sign up for one of her other classes in a heartbeat (and I see she’s doing one on the Colette Wolf book “The Art Manipulating Fabric” soon, too, which sounds very cool)!
The facilities at Morley were great, too – lots of room to spread out, domestic Berninas and ironing stations, plenty of cross paper and cheap calico/muslin, and it was super easy for me to get to, and easy walking distance from Waterloo Station and surrounded by great pubs for lunch, too. It really was jawdropping that the whole weekend course only cost £48, especially when you consider most sewing courses in London are a) on the same old three dull topics over and over again and b) usually in the range of £300-400!
Believe it or not, this was also my first “formal” training ever in sewing!
We ended up with only eight students in the class so we all got a lot of individual help, which was great. I never really felt like there was any point where I was struggling and I couldn’t ask the tutor – she really did a fantastic job at spreading her time evenly amongst us. We also got to choose which projects we wanted to work on, which was ideal because it meant there wasn’t the usual classroom thing where some people were too fast and others too slow, etc. All the students there was really sharp with their sewing and drafting so I think everyone got a lot out of the class, too.read more >>
My first gift is a very special one, because it’s from all of you!
I recently received a Google Adsense payment, and I always try to spend these exclusively on sewing supplies to feed back into this site. The last payment bought me four Patrones issues and some Spoonflower knits, for example! But I’m trying to pare down my fabric to fit in my tiny sewing room, and I already have more patterns than I can sew, so I thought I’d spend the windfall on some really nice interfacings from Fashion Sewing Supply!
You bought me:
- 2 yards Pro-Weft fusible interfacing, Natural
- 2 yards Pro-Weft fusible interfacing, Black
- 2 yards Pro-Tailor Deluxe fusible Interfacing, Dark Grey
- 2 yards Pro-Woven Fusible Interfacing, White
- 2 yards Pro-Woven Fusible Interfacing, Black
This should be enough to keep me in interfacing for a year years, and this stuff just feels incredible – the Pro-Tailor stuff especially feels so silky soft! I can’t wait to try this stuff out…
For my birthday, I received some sewing books that I requested!read more >>