The grey marl Manequim big shirt

I chose the title “big shirt” as an homage to Burda’s strange predilection for calling any oversized top a “big shirt”. Looking at the size of this top, I think it definitely applies here!

This Manequim top was printed twice, as July 2010 #307 and again as May 2011 #259. I liked it enough the first time around to trace it off Susannah’s copy, but then when I saw it the second time, I knew it must be a keeper to be repeated and be in my size, so I gave this a go in some drapey, viscose grey marl jersey I’d bought from Totally Fabrics a while back.

You can see it’s a roomy fit from both magazine photos, but you can’t really tell exactly how large this runs – I measured the hem circumference at over 150cm!! I always make Manequim size 44, but this is over 50cm of ease! OMG! I’d say that if you are usually a Manequim 46, 48, or even a 50 or 52, you’d be absolutely fine in sewing this up, even though it’s marked as size 44.

Manequim say to pull the hem in with elastic in a casing, but I chose to apply inch-wide waistband elastic instead. I measured the elastic to my hips and then stretched it as much as humanly possible and it only just stretched to the fabric hem.

But the adventure doesn’t stop there – I had to introduce gathers in several places not indicated on the pattern in order to get pieces to line up. Namely, the bottom edge of the sleeve where it meets to sleeve band, and also around the neck edge. So in reality, I gathered all four edges of that sleeve piece. With all the gathers plus the bubbled hem, it’s vital that you have a lightweight, drapey knit for this top.

Manequim magazine May 2014

It is an excellent time to be a pattern magazine subscriber, and I think this week’s posts on the June Burda, April Manequim, and now this May issue are a great illustration on the variety and fashion forward elements that just aren’t being seen in the Big Four right now.

The other two issues this week have been fantastic, but this May issue may just top them all… I don’t think I’ve ever scanned so many pages from one magazine before!

First up are the Plus offerings for this issue – three different dresses all with illusion-type colourblocking made popular by Stella McCartney recently.

As you may have guessed from the cover, there are maternity patterns included this month for the first time that I’ve ever seen! The cover blouse is the nicest IMHO, but there’s also patterns for a skirt, trousers, and a caftan-like dress, too.

The designer style patterns this month use Jason Wu as their inspiration and we get a really intricate jacket with wide lapels but loads of the sleeve details are just swallowed by the floral print. There’s also a cutaway shoulder blouse with a wide hem in multiple sizes, and also a dress with some stunning lace appliques. It might be difficult to source a similar lace, but the dress pattern is offered in a whopping 6 sizes, so it’s a great pattern to have as a jersey base for comparing against & modifying to become other styles not in your size.

I stopped buying Patrones magazine a while back as I only ever really liked the winter issues anyway, and I was getting a bit bored of their styles. But to me, Patrones really made the best coat patterns ever. Let me tell you, this coat feature here is enough to make me burn all my back issues of Patrones and sew all of these instead.

Take this pink coat for starters – immaculate clean lines – the princess seam goes straight into that angle to form the pocket. The raglan seams draw the eye to the face, and there’s no collar in the way to distract from the simplicity. YES.

This pattern appears to have everything I’d ever want from a motorcycle jacket, and sewn in coating rather than leather. Again, the attention to detail here is great – I only wish I could see more clearly what’s going on with that right side (as worn) pocket…

Again with the crazy amount of details and fabric mixing – is it a trench coat? Is it a biker jacket? It’s apparently made with faux leather, coating, and a polyester (presumably the fabric with the holes) and you know how much I love to mix different textures in the same colour!

And lastly in the coat feature, I adore this colourblock coat with the stripe running through just above the waist. Very striking but very classic at the same time.

Now some of my long-time readers may recall that in the very first issue of Manequim I ever had there was a feature on chic uses for sweatshirt and I squealed with delight. OMG IT’S ANOTHER CHIC SWEATSHIRTING FEATURE. And this time it’s even better. I had to restrain myself to even leave one pattern out of my picks.

This dress! You could totally leave the lower sleeves off and it’d work well with cap sleeves, too!

Manequim magazine August 2013

I’ve got so much going on right now to show you all in good time, like some new tutorials, site features, and more, but in the meantime let’s have a look at the latest Manequim magazine.

The downside is that they removed the little tech drawings next to the fashion photoshoots so not only do I now have to keep flipping back and forth to the instructions at the back to see the pattern lines (extra annoying since they’re not in numerical order in the magazine) but I’ve also got to do extra image editing work to show you the tech drawings, dear readers!

But the upside is that at least there’s a lot of great patterns this month, cough unlike Burda cough

In the soap star style section, this little black dress and chiffon blouse both caught my eye. The dress in particular looks like something I’d totally wear!

This men’s yoked & lined jacket looks really nice! They say the pattern is online, though but I don’t see it in the list of free patterns (totally worth checking out though anyway!)? Can anyone find it on the site?

This issue apparently apparently celebrates Manequim’s 54 years as “the best fashion magazine in Brazil”. Seems an arbitrary number of years for a celebration, but no matter. I like seeing the original first issue cover, but I’d have liked it more had they given us some vintage reprint patterns!

Manequim magazine March 2013

Greetings readers! I’m still away on holiday, meeting cool people, (hopefully) photoshooting my new Easter makes, and eating my bodyweight in crab cakes, but here’s something to tide you over til I’m back… the latest issue of the Brazilian pattern magazine Manequim!

I think this sleeveless blouse with neck tie looks like a really classy blouse for the office, and it’d be great paired with a skirt and nice jacket, though it’d be a shame to hide that back yoke. I only wish this one was in my size!

Here’s another look at that lace dress from the cover – it’s almost a skater style with that short, full skirt, and a nice surprise V neck in the back.

oh my god, you guys – this cropped trench coat is so me! And it’s in my size!

Grey Pattern Magic "Flip Turn" top

Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.

The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.

Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?

OMG a toile for a fashion college dressform fits me!! :O 😀

Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.

One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.

To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)