Search Results for: little shoots of spring

Little shoots of Spring

Like little green shoots poking through the earth as the warmth of Spring approaches, I feel like my sewing productivity and creativity is just pushing through from all angles at the moment. I’m so proud that so many of you love my Steeplechase Leggings pattern as much as I do (and I’ve got loads more to share!) but I wanted to share a bunch of smaller things I’ve been getting on with…

Have you ever heard of Sock Stop? It’s a bit like puffy paint we used in the 90s, but it’s intended to paint onto the bottoms of socks and slippers to prevent slips and falls. I bought
some from Guthrie & Ghani recently to see if it helps keep activewear hems in place without requiring silicone elastic (which can be a bit fiddly to sew on). I’ve tried it out on the hems of my Steeplechase capris (which you’ll see soon) and I want to test them out on my next cycle ride…

I can’t believe my birthday’s nearly here again – it seems like I only just made my galaxy-print sheath dress! I celebrated early with my BFF Pip, and she very kindly bought me this Secrets of Sewing Lingerie book and a metre of gorgeous silk chiffon from Dalston Mills! I’m super impressed by the variety and styles of panties, bras, camisoles, garter belts, and accessories in the book, but I want to try out a few patterns before I post a review.

Happy 2019! (My year in review)

Happy new year! It’s traditional for me to reflect on the year that’s just finished on the first of a new year, and this year’s a weird one because I’d love to just say “this year sucked”, but there were some fantastic things that happened this year amoungst all the sickness, disappointment, frustration, and hard work. So let’s try and focus on those.

Patrones 56 magazine

It’s been a while since I had a Patrones magazine to share, but I kept an eye out for them while we were in Malaga last month. Eventually I found one on a newsstand in the centre of Malaga, but they certainly weren’t as easy to find there was they were in Argentina, which is more than a little odd considering it’s a Spanish magazine. It comes sealed so the pattern sheets don’t get separated or lost (as they’re not stapled in place like Burda), but it also means you can’t peek at the styles before you buy.

Anyway, if you’ve been following along with my reviews over the years, you might recall that they used to do knockoff patterns of seriously high fashion designers, then there was a fallout and they stopped being able to name any non-Spanish designers (so no more Gucci, Prada, Paul Smith, etc), and around the same time they also started to produce compilation magazines made up of a bunch of old patterns and photos lumped together. The only way you could tell the difference between the latest styles and the “latest” compilation was to look at the issue number, as the “new new” were in the 4-500s and the “not really new” had very low issue numbers.

Designer colourblocking inspiration

My next pattern is off with the pattern testers right now and I’m frantically sewing up final samples for photoshoots, filling in missing illustrations, and responding to comments as they come in, but I’ve managed to occupy my brain with the thought of things I might sew for fun next!

I did indeed wear my traced-from-RTW mustard yellow sheath dress to Number 10 Downing Street last week, and even managed to get some photos with the famous door(!) afterwards, but you’ll have to wait for those until the proper photoshoot is done showing the rest of the dress details in some decent lighting.

But I can say already that I love the dress! It needs some slight tweaking to the shoulder area, but apart from that, my tracing was spot-on, and I’m so chuffed it turned out so well without a muslin.

The crazy seaming really started getting my brain thinking about all the ways it could be colourblocked, though, and I looked up and suddenly found inspiration from a magazine photo I’d cut out years ago and had hanging on my sewing cave wall!

So I rummaged through my ponte scraps and realised that I had the most perfect shade of teal viscose ponte leftover from a client commission, and together with the leftover mustard scraps (and some newly-bought white ponte), I could make my very own Chalayan-inspired sheath dress!

I whipped up a tech drawing in Illustrator so I could play with the different colourblocking combinations, and I’m not sure which I should go for.

I’ve only got 1.2m of the teal and even less of the mustard, but I could buy whatever white I need to make up the rest. I think I have enough to make any of these combos, but I will of course double-check with my pieces before I order the white.

I also finally sewed up a muslin of this short coat from the Sept 2010 Burda (also known as one of my favourite issues Of. All. Time.):

Roundup of updates

I appear to have found myself again in the position where I’ve been doing an extreme amount of sewing and sewing-related activity, but I can talk about only a small portion of it, and I don’t have any proper photoshoots for the things I can talk about… Bad, Melissa, very bad!

So consider this a little roundup post to let you know what I’ve been up to, until I can get my act together properly…

Silver cowl top

I cut out this MyImage cowl top pattern before we went to Mexico, thinking I might have enough time to quickly sew it up before we left. I would’ve, too, if I hadn’t decided I needed to make a quick travel bag. So it was waiting for me when I got back to cold, grey London, mocking me with its sleeveless-ness. I finally just sewed it up so I could have the space back in my sewing room, though I’m afraid I won’t really get to wear this until next year.

I made it out of some absolutely glitter-tastic jersey I bought at Tissue Reine in Paris a few years back, and I recall it was on the pricey side. It also left a trail of silver all over my sewing room… Boo.

My sparkly StyleArc Marie jacket

Right – where were we? I mean, I know I’ve been away so my brain is fuzzy and perhaps a little jet-lagged… Right! Easter weekend sewing! I had a four day weekend and most of it was spent in my sewing cave, so I’ve got an awful lot to show you, starting with my Stye Arc Marie jacket, which I made in that gorgeous black and silver heavy jersey from Minerva. It’s hard to tell from the description, but this is a little heavier than a ponte, with good stretch and recovery, and a slight rib to it. The exterior have little silver lurex threads running through it, and the reverse is a simple grey and black stripe (and, as you recall, Minerva kindly sent this to me as a gift).

I was really surprised with the shape of the pattern pieces when I opened it up – it’s not obvious from the tech drawings but this has a shawl collar and the centre fronts also double as the facing pieces, meaning you get a lovely turn on that cowl neckline, too, but the shoulder is kept nice and fitted. Genius drafting from Style Arc again!

I took the opportunity to use some different locations for photoshoots while we were away, so these were taken at my cousin’s house in Baltimore. Down there, it’s really popular to build a deck over the roof of your house, but it does mean you get the wind as well as the views!

I wasn’t really in a wind tunnel, but it certainly felt like it that evening!

I really like that this is a perfect spring-weight, unlined knit jacket which can be worn open or closed. With this fabric, I wore it over jeans during the day, and then again over dresses at night, too. The only downside to this pattern is that there are no pockets (nor really anywhere to add your own), which I really kinda need in a jacket.

Silver tweed jacket

It’s time now to turn our attention to the upper half of this silver tweed Planned Partnership, the little boxy cropped jacket (#18) from Patrones 272:

You saw the jacket as part of a classy suit, but how does it work with jeans?, I hear you ask.

As it turns out, even better!

I actually prefer this jacket hanging open instead of buttoned up (which is why I left off the button loop at the very top of the collar stand and the small button hidden under the collar that the pattern suggested).