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Silver tweed suit

Last week I finished the first half of my second Planned Partnership, so I think that makes me exactly one half finished (right, Sharon, resident maths professor?). Though I suppose if you’re counting individual garments, I’d be slightly over halfway finished…

But I digress. You remember the silver tweed fabric and my plans to make a cropped jacket that I could wear with either a matching skirt or with a nude sheath dress (yet to come)?

Well, I’m so delighted with the way both the jacket and skirt turned out that I couldn’t wait to show you! So in the tradition of that other tweed suit, you get a sneak preview!

A blue and white jumpsuit

As you may recall, I spent quite a lot of time last year working behind the scenes on the Great British Sewing Bee, first for the third series, then for the Children in Need specials, and finally, for the book which accompanies the series. I personally worked on about 60% of the patterns in the Great British Sewing Bee: Fashion with Fabric book, either by sewing up early samples, measuring yardages or trims, or assisting the illustrators with the construction. So it’s probably quite funny that the first pattern I make from the finished book (not counting the green pencil skirt, which I made from the book before release!) isn’t one I really worked on at all – just one I admired across the studio while others made adjustments.

It’s a pattern for a jumpsuit with an elasticated waist and spaghetti straps with a flounced neckline edge. There’s no fussy closures – you just pull it on and off by stepping into it, and I’d definitely say it’s beginner-friendly, especially since the instructions are fully illustrated. The bonus is that you can also make a pair of casual trousers or a camisole top using the same base jumpsuit pattern (also explained in the book).

In my experience, the trickiest part of this entire jumpsuit was finding the right fabric! It needed to be something hefty enough for the trousers, but also lightweight enough to drape nicely at the neckline frill, and I eventually found this blue & white crepey viscose from Ditto Fabrics that’s the perfect weight and resists wrinkling so it should be perfect for travelling. It did fray like crazy though, so I constructed this mostly on the overlocker (serger).

Doesn’t this just scream summer?? In terms of size, I made Size 14 according to my measurements, and it fits really well – no alterations needed (I should point out that the top/camisole has bust darts so should be easy to do an FBA if you need one).

I wore this out to a pub lunch with friends on Sunday, followed by a little walk in St James’s Park (where these photos were taken) and then more pubbing! It was a little chilly, so I layered a grey cropped jacket over top.

A Green Skirt Suit

Happy Christmas! While not a holiday-specific make, I thought the colour of this outfit alone was rather festive and worthy of posting on Christmas Day itself. Enjoy! -melissa

Remember back in the summer when I made that cropped Manequim blazer with the matching wristlet to attend a friend’s wedding?

Well, I had a small amount of the textured green fabric leftover and I thought it might be nice to make a simple skirt to add to the jacket and bag so I could wear it as a smart skirt suit. Simple skirt patterns are a dime a dozen, but I really wanted to try out one in particular as it has a completely flat front and only two darts and an invisible zipper in the back. The only issue is that it’s unreleased, so I can’t tell you where it’s from yet, but I promise I’ll remind you and link back here when you’re able to buy it.

I don’t have many skirt suits as I don’t have much cause for business-wear, but I when I was making the jacket, I fondly recalled the silver cropped jacket and matching skirt I made back in 2010, and thought it might be a look worth recreating in green!

Silver tweed skirt

You’ve seen the jacket, and a peek of the skirt as part of the suit, but now it’s the skirt’s time in the spotlight!

(Dutch readers – who is Odette Simons, anyway? Dutch celebrity? Fashion designer? Stylist? She’s appearing in most issues these days and it’s bugging me…)

I just loved the shape of the yoke and pockets on skirt #7 from the January 2010 KnipMode. Essentially they’ve just drawn a bunch of lines onto an A-line skirt pattern which you then cut apart to be the wide yoke, the main skirt body, the pocket backing, and the pocket facing. All that pattern piece reusing means you actually only end up tracing 3 pattern pieces (front, back, and pocket) because you cut up the pieces as you go along. So the top of the skirt back pattern gets cut off for the facing, the skirt front gets cut apart for the yoke, the pocket back, and the facing, etc.

Silver tweed jacket

It’s time now to turn our attention to the upper half of this silver tweed Planned Partnership, the little boxy cropped jacket (#18) from Patrones 272:

You saw the jacket as part of a classy suit, but how does it work with jeans?, I hear you ask.

As it turns out, even better!

I actually prefer this jacket hanging open instead of buttoned up (which is why I left off the button loop at the very top of the collar stand and the small button hidden under the collar that the pattern suggested).

Silver Tweed beginnings…

With the first Planned Partnership done & dusted in the form of my techno skirt and sequin top, it’s been time to start concentrating on another pairing – the pale silver tweed to go with the nude stretch suiting…

I decided to go with the bottom jacket seen above, so I traced all the pieces of it and the skirt pattern, playing it very carefully and was able to fit BOTH the cropped jacket and the skirt out of the 1.5m of tweed I’d bought! Woohoo! It was by no means certain, but my powers of fabric Tetris prevailed and I’m rather proud.

La Mia Boutique turtleneck

Before I tackle the Vogue sheath dress that will marry happily with my tweed jacket, I made a quick diversion in the form of a simple wintry knit top from the February 2010 La Mia Boutique magazine:

It’s a classic turtleneck pattern with a little bit of neckline gathering at the centre front, so there were only four pieces to trace (front, back, sleeve, and collar) and it was ridiculously quick to sew on the overlocker/serger and coverstitch. We’re talking a single evening in between preparing dinner here, folks!

Turning to the back…

Happy 2020! (My year in review)

Happy new year! I always like to take the opportunity on the start of a bright new year to look back on the year that was – what I made and loved, what I made and swore at, and other big life milestones that will make 2019 stand out in my mind. And because I love stats, I also like to take a step back and get an overview of what I’ve been making to get an eye for any trends that may have escaped me at the time…

Patrones magazine 342

While we were in Argentina in August, I kept my eyes peeled for Patrones issues whenever we passed a newsagent. It didn’t take long before I found this one on a newstand in Mar del Plata (and 343, which I already own), likely from last winter but who cares? Patrones do the best coat patterns, and this is a Coats Special!! I’ve made so many of theirs in in the past, most notably my winter coat (still my main winter coat several years later!), the silver tweed jacket I throw on in summers, and my duffle coat, which I wore until it was literally in tatters. I’ve got some wool coating burning a hole in my stash right now, so it’s likely I’ll look to Patrones for this coat, too.

I was mostly drawn to the top, but the Armani blazer is also worth a note for its razor-sharp lapels! On first glance, the top has a shape very similar to a lot of other patterns (like that Lekala top I made a few years back) but a closer look reveals it’s actually got two layers – a satin layer underneath and a gauze layer on top.

This menswear-inspired sheath dress would be a great alternative to the clichéd skirt suit for business meetings! Apart from the curved waist seaming, I love the waist-lapel – it feels more like a blazer than a peplum (which we’re all so over by now, right?). This also reminded me of Charity Shop Chic’s recent spectacular Dior-inspired refashion, too.

Ok, now on to the coats feature, and, ignoring the bubblegum pink colour, I just love this dolman sleeved cocoon coat! It fastens with a hidden zipper placket and only uses 2m of wool, which is conveniently the exact amount of my navy wool coating… This is now top of my list to muslin!

A wool maternity coat – basting and buttonholes

If you recall from last week, my next project is this maternity coat from the August 2008 issue of Burda, which I promised a very good friend:


(The issue date is still wrong above – it is indeed in the 2008 issue…)

After we sorted out the fitting and design alterations (including a second, quick muslin fitting of just the upper bodice in the pub toilets on Saturday night!), my first step was to cut out all the pieces in the green wool and then again in the black cotton flannel I’d bought to underline the spongey wool coating and give it a bit more structure. The coating is wonderful, but I’m a bit concerned about it bagging out in places, and I wanted to give it some added stability as well as a bit of extra warmth (though if warmth were my primary concern, I’d call it “interlining” and attach it a bit differently!).

Here’s all the pieces hanging on the line in my tiny sewing room:

I then hand basted all the layers together around the edges of the pieces, plus through the darts, and then also marked out the placement lines for the five bound buttonholes: