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Catwalk this way

The first ever Fehr Trade catwalk show on Sunday was a massive success! The four designs I showed went down really well with the crowd and with the backstage ladies alike (who couldn’t keep their hands off that gorgeous silk!). I’m so pleased with how everything went, from the models to the music, to the organisation (by La Geneve North and Fat Talent), and most of all, by those of you who took time out of your Sunday to come down!

Unfortunately, my photos from the catwalk itself didn’t turn out too great, owing from my camera’s autofocus delay “feature”, but luckily the backstage shots did. You’ll just have to imagine these ladies strutting to the dulcet bleeps of The Blow‘s “Pile Of Gold”…

Project Catwalk

No, this has nothing to do with the tv show. But I am going to a catwalk show at London Fashion Week tomorrow morning! It all transpired last weekend on our mooring’s First Annual Boat Crawl and BBQ… One of my neighbours is quite big in the fashion industry, and as I was showing her around our boat and my sewing room, she asked which shows I was going to. To which a I replied “Shows?” “You know – Fashion Week, which shows are you going to?” And at this point I admitted I’d never been to a catwalk show, and she was so flabbergasted she promised then and there to get me on this list.

Dutch sewing pattern magazine roundup

A few weeks ago J and I took a long weekend away in Amsterdam, but the majority of these patterns actually came from a different trip he’d made for work a few weeks earlier. It turns out that the newsagent inside Rotterdam station is a haven of sewing pattern magazines, who knew?? So rather than do a post on each of these, I thought I’d pull out my highlights, and take the chance again to explain how accessible the pattern sheets and instructions are for non-Dutch speakers…

Manequim magazine September 2015

This Manequim magazine arrived a few weeks ago but got a little buried under the others in my magazine pile, to be honest. There are a few interesting patterns in it, but nothing that particularly screams “Make me!”, though some of that may be just seeing lots of shorts when we’re thinking about winter in this part of the world.

I’m digging the Frida Kahlo-influenced cover though!

In the celebrity style section I was drawn to the surplice-back shirt – it’s a look I’ve seen a fair amount of in RTW this year, but not very many patterns have used this detail (apart from the other view in the Sew Simple pattern I sewed recently, of course)

There’s only one page of Plus patterns this month, but you get a shift dress, some basic shorts, and panelled skirt that is so similar to Muse Patterns Tahi Skirt pattern!

I’m not sure I quite understand the point of a “blazer cape” hybrid, but the double exposure photo is cool I guess?

Manequim magazine November 2014

Manequim magazine have had the unique tradition of offering two November issues each year – some sort of weird reasoning like “there’s too much summer to be contained in one issue!”, but this year for some reason there’s only one November issue (yes, I double checked the numbering with October and December’s issues to make sure it just wasn’t lost in the post!).

It may appear at first glance that I’ve not pulled out many garments here, but the ones I’ve chosen are amazing and therefore this cranks my overall rating of this issue up a notch!

The Plus sized garments this issue are all cocktail dresses, and they are fantastic! Look at the lace seaming on the right-hand blue dress in particular (sorry the tech drawing is blurry)! That hem! Those curved seams! Luscious.

The designer inspiration feature this month is in the style of Costume National, a brand I’ve heard of but am not particularly familiar with, if I’m being honest. The woven tee on the right is also offered as a pattern, but I was just blown away by the monochrome seamed dress! That’s not a printed fabric – the white and black crepes are cut separately. I’m a bit disappointed that the back is so plain – they should’ve really carried the seaming around to the back IMHO. However, the glory of patterns without seam allowances is that it’s easy to just draw your own new seaming on and split it up yourself.

Patrones 343

What a nice surprise! I wasn’t expecting this magazine at all, but my in-laws were visiting Spain recently, saw it on a newsstand, and grabbed it for me. I’m so glad they did, too, as not only is it a great issue with a bunch of wearable separates (much better than dozens of holiday dresses), but it also sees the return of the designer names!

Granted, it’s been a while since I’ve had a Patrones magazine (18 months by the look of things??), and to be honest, I’d gone off them a little bit. But this one has me excited again that they might be turning things around and getting back to their heydey of a few years ago… But let’s not get ahead of ourselves – let’s take a peek inside, shall we?

There are a ton of button-down shirt patterns in this issue – some traditional, some more blouse-like for flowing fabrics, and some more unusual, like this one with the attractive yoke panelling, dolman sleeves, and unusual centre front invisible zipper. I’d need to do a muslin first, of course, but I’m keeping this one in mind for the unusual Liberty lawn I bought earlier this year, especially since this shirt needs less than the 1.5m I bought.

To run the risk of sounding entirely predictable – ooh! A short coat! Yes, I know I’m consumed with short coat/jacket patterns right now, but this one is a good example of a design I rarely see outside Patrones (and the seamlines are really similar to the grey tweed jacket I made a few years ago that I’ve worn to death!).

There’s a fantastic feature in this issue which contains a ton of designer dresses and jackets, but ones that would be not only quick to sew, but could easily work for office attire. First up is this Joseph sheath dress – quite plain in the front with only two horizontal seams, but the back features a flounce from shoulder to knee. Also shown here is a Zadig & Voltaire jacket, which has a pretty traditional tech drawing, but made more interesting for leaving some of the edges unfinished to fray.

Sewing Indie Month: An interview with Hannah from Sinbad & Sailor

As part of the wonderful Sewing Indie Month celebrations, each of us are collaborating and getting to know each other throughout the month of May. In the planning stages, I’d asked to partner with Sinbad & Sailor for a whole bunch of reasons – I’d been following her on Twitter for ages, I love the timelessness of her designs, and she also lives in London, yet somehow we’ve never managed to meet up!

Of course our first thought was to meet up in a pub somewhere and do the interview in person, but then we realised it’d probably be a lot more coherent if I interviewed her over email and celebrated with a drink later instead! So go grab a drink of your choice and come get to know Hannah!

1. How did you come up with the name Sinbad and Sailor? Do I sense a maritime connection at all?
No maritime connection in the S&S story it’s all land-based I’m afraid… When I was starting out it took me a long time to find the perfect name as I wanted something which reflected East London, where I’m based, living just one road away from where my Granddad grew up and also sewing (of course!). One friend suggested I look at Cockney Rhyming Slang (which is a fairly modern slang where phrases are derived from taking an expression which rhymes with a word and then using that expression instead of the word – ie. apples and pears = stairs) and see if anything had the right ring to it. I discovered that ‘Sinbad and sailor’ is cockney rhyming slang for tailor and I knew straight away that was perfect.

2. What gave you the push to start your own pattern company? Did you train in fashion, or did you segue from another career?
I have been sewing since school and studied fine art sculpture at UAL after which I went back to sewing in earnest. I’m a recipe following kinda gal and was always using patterns but found that the offerings felt very dated, hardly reflecting any current trends or styles which combined with their confusing instructions format created a frustrating sewing experience. Walking to work one day it struck me that if I was getting frustrated by the current shortfalls in sewing patterns perhaps other people were too. Rather than waiting and hoping that someone else would create these patterns I decided to be proactive and start making them myself.

3. In your mind, who is the quintessential S&S customer? What is her style?
The quintessential S&S customer is a woman who values her independence and likes to express herself through the way she dresses. Her style would be her interpretation of current trends and she’d be bold in her use of colour and prints when sewing (after all how are you going to rake in compliments with a plain back top?!)

Burda magazine November 2013

Woo! I knew if I waded through enough mediocre issues we’d get to a good one again! This November issue is the Fall fashion spectacular I’ve been waiting for, and it’s so good I’m even lusting over half the Plus pattern…

First to catch my eye was these foldover trousers, sized for Tall ladies. They really remind me of my KnipMode foldover trousers, which I still wear every winter and still get compliments on!

I love this biker jacket with its off-centre zipper and dramatic collar! It simultaneously reminds me of both my purple MyImage coat and that designer Manequim leather jacket (which I still want to make!), though this is designed for ponte knits in the body, and stretch leather in the sleeves. On closer inspection of the instructions, I noticed it’s unlined (apart from the sleeves) so that big collar is only just one layer of jersey. Also, I think the collar looks way more wearable in the catwalk comparison photo than on the model!

Here’s an example where it pays to really have line drawings and photos of a pattern – I initially loved the tech drawing, but when I saw it on a live model, I realised those pleats right over the hips would probably not be the most flattering…

From the Little Black Dress feature, I really like this sheath dress for stretch wovens – the slim, zippered sleeves are a particularly nice detail, and a great way to show off some short, posh zippers (hello Riri!). The vertical skirt seams might be a touch overkill though, but they don’t appear to be for shaping anyway so could be eliminated I imagine.

Manequim June 2012

I’ve had this issue for a while now, I’m not entirely certain why I’ve been dragging my feet to review it. I mean, I should be all over this – they’re are some great designs, and our “wettest, coldest summer in 16654687423 years” means I can wear Brazilian winter fashions right now anyway, but I think maybe I’m just in pattern overload shellshock or something. It’s a genuine malady, I’m sure of it.

I think this convertible coat is a great idea – you can remove the bottom of it to change it between a short winter coat or a longer one. It’s the kind of catwalk fashion that can really translate into people’s reduced income and wardrobe space and be really wearable at the same time…

The soap opera cover star is showing a side gather dress with a leather tab here – the dress itself is nothing special, but I really like the leather accent idea!

The designer this month is Ferragamo, and I really like this dress with a peephole neckline, especially since I’ve not seen any similar patterns around (yet?).

Manequim September 2011

After August’s silk blouse bonanza, I was expecting September’s issue of the Brazilian pattern magazine Manequim to be a disappointment in comparison, but hoo boy, was I wrong! This is a fantastic issue, as evidenced by my enthusiasm with the scanner…

First off there’s a pattern for a simple leather envelope clutch. My friend Cindy recently sent me a tutorial for a similar leather clutch bag, so the need for a pattern is really up for debate!

What a great jacket with such interesting seaming! I’m not so convinced about the dropped waist sheath dress though…

No, not deja vu just yet – I wanted to show you the tech drawings for the cover look, as the skirt is just lovely!

I know there are instructions for a similar twist dress in one of the Pattern Magic books, but I really like that Manequim took an extra step in the instructions for this dress and gave a secondary drawing showing how the pieces fit together. It’s almost like they saw what I did for the Vogue DKNY top and thought they’d do the same!