The Vogue 1259 Donna Karan gathered skirt set

I’ve finally finished Vogue 1259! I don’t regularly sew Vogue patterns (or any envelope patterns, for that matter), but like plenty of other people, I just loved this design as soon as it appeared online, and I just couldn’t wait to sew it up!

I used this mushroom-coloured viscose/cotton/lycra jersey from Tia Knight on ebay, and it was perfect for this pattern. You really need something lightweight and drapey, because there are a LOT of gathers that would get bulky very quickly in anything heavier. Vogue don’t give combined yardages for making the top and skirt, but 3m was just enough for me to make both, in size 16, using their recommended layout.

This pattern is marked as “Advanced”, and I think the top definitely qualifies, both for construction, as well as the cutting and marking, and the following of their instructions (which certainly don’t make things easier!). The skirt, however, could easily be made by a beginner. So if you’re intimidated by the “Advanced” label but like the skirt, go for it!

A striped pattern-puzzle Atacac tee

I was browsing through my Instagram feed a few months ago when I saw a post by Ernie about some Swedish designers who made absolutely crazy-complicated 3D patterns and I was instantly hooked! I mean, cos you know me and pattern puzzles, right?? If I can’t work out how a pattern goes together by just looking at it, I’m immediately drawn to it!

Atacac are primarily RTW designers but they released a bunch of their RTW designs as downloadable “sharewear” patterns. They’re only in one size (size “3” on their size chart), but this happened to be my size anyway, and as it turns out, this particular tee is quite loose-fitting anyway.

The Donna Karan x Liberty shirt

This shirt is a bit of a departure for me, both in terms of what I normally wear, but also in terms of what I normally sew. I don’t tend to wear many button-down shirts, because, if I’m because brutally honest, I really can’t be bothered to pick up an iron outside of when I’m sewing! And I don’t usually wear prints outside of activewear, and certainly not Liberty ones (way too twee for me!).

But a few weeks ago, I knew I had the Sewing Weekender coming up and I wanted a project to take along for the open sew session that didn’t involve an overlocker (since there’d be only two for 50 sewists) and that wasn’t anything close to the Work Sewing I’d been doing so much of recently.

Brick orange Marita draped dress

I fell in love with the design of the Style Arc “Marita” dress as soon as it was released, and I bought it right away. But that was back in our summer, and I thought the long sleeves would be better suited towards cooler weather, so I let it hibernate a bit in my pattern stash before adding it into my Fall/Winter 2012 Sewing Shortlist.

I bought some wonderful some brick orange (or “rust”) viscose-lycra jersey from Tissu and knew it’d have the perfect drapiness and recovery for this design. Coincidentally, it’s also the same fabric I made the Donna Karan skirt set in – I just love this stuff and you cannot beat the price (£3.50/m)!

The pattern front claims you can make it in one hour, and it really is ridiculously fast to sew! I don’t feel right showing the pattern pieces as I feel that’s giving away their design, and I really think this is ingenious. The finished dress looks really complicated, but in reality it’s just a basic knit dress with one dart and one tuck. That’s it.

The Donna Karan red vixen dress (Vogue 1280)

I don’t often sew Vogue patterns, but I am a massive fan of the Donna Karan patterns’ design and execution, so it’s no surprise that I added Vogue 1280 to my Wish List the second it was announced recently!

Happily, my mom saw there was a pattern sale where she lives in the USA and offered to buy a few patterns for me at US sale prices – she paid less than half the price for the pattern + shipping to the UK than I’m charged just in postage to the UK for the same pattern! I wasn’t planning on sewing a dress right now, but I got so excited when I saw Vogue’s numbered pattern marks for the first time (possibly in response to my complaints regarding Vogue 1259’s instructions), that this dress moved quickly up my Must Sew list.

Like all DKNY & Donna Karan Vogue patterns, this one’s a great mind puzzle to put together! It also has the joy and wonder of looking like a total mess until the very end, when it all comes together into a dress shape. I found it to be true to size, so go with your measurements, not some vague idea that all Big Four patterns have tons of ease. Most of the pieces are cut on the bias (not that it means much in a jersey!), and it hugs the body very closely. If you’ve got any lumps and bumps, though, this is not the pattern to hide them, and so you’ll probably be wearing Spanx underneath in addition to the strapless bra the bodice requires (Full disclosure: I’m not wearing Spanx in these photos!).

Hooray for the Vogue 1280 DKNY sheath dress pattern!

Even though I live in London, I grew up in America, and my family all still live there. A week or two ago, my mom saw there was a pattern sale coming up and very kindly offered to buy me a few if I wanted! There were two Vogue patterns on my Wish List – one was a Michael Kors knit dress that’s now OOP (and her Hancock’s didn’t still have it), but she was able to buy me one of the new DKNY Vogue patterns I was after, plus ship it to me, all for less than half the price we pay for Vogues in the UK on sale!

(Ever wonder what sad souls pay the full list price printed on envelope patterns? Yeah, that’s us. Little wonder I mostly sew with pattern magazines!)

So Vogue 1280 arrived in the post yesterday, and I immediately set about devouring the instructions and construction details of this.

It’s a really interesting, asymmetrical knit sheath dress with a characteristic (for DKNY) lack of side seams, so there’s a lot going on here!

Here’s a better shot of the tech drawing from the envelope. On Vogue’s site, the tech drawing is really too small to see that nearly all the seams are lapped, with a raw-edged piece of trim inserted, and then double-stitched (hello, coverstitch!) on top.

MyImage Purple coat – in progress

Yesterday I mentioned that I’ve started sewing the asymmetric, collared coat from the Winter 2011 MyImage magazine, and after a prep period that felt like forever (probably exasperated by the fact that my ironing station is hovering around 0C/30F), I’ve now got some progress to show you!

I’m sewing this up in a wonderful purple basketweave/boucle coating, which was another gift from Claire (she’s so good to me!) at the end of last winter. I always like to underline my coats when I can to just add that little bit of extra warmth, but it made even more sense here as it will help to stabilise the coating fabric and prevent any bagging out that might otherwise occur with looser-weave fabrics. The alternative is to block-fuse the coating with a lightweight interfacing, like I did with my Patrones duffle coat.

For this coat, all the facings were interfaced (the usual front and back facings, plus the front and back hip band facings), and pretty much everything else was underlined in black cotton flannel. This meant there was a lot of prep – everything but like 3 pieces needed underlining or interfacing! I love sewing, but prepping is dull dull dull work!

I machine-basted the flannel underlining to the coat pieces here, because frankly, the prep work was tedious enough as it was. I normally hand baste my underlinings, but in this case, the coating and the flannel “grabbed” each other quite nicely, so this, plus the walking foot, plus a long basting stitch meant it felt okay to do it by machine. I still made sure to never turn any corners though (when basting underlinings, you always stitch to the edge, cut the threads, reposition, and stitch the adjacent side so that you don’t create puckers at the corner)!

Manequim September 2011

After August’s silk blouse bonanza, I was expecting September’s issue of the Brazilian pattern magazine Manequim to be a disappointment in comparison, but hoo boy, was I wrong! This is a fantastic issue, as evidenced by my enthusiasm with the scanner…

First off there’s a pattern for a simple leather envelope clutch. My friend Cindy recently sent me a tutorial for a similar leather clutch bag, so the need for a pattern is really up for debate!

What a great jacket with such interesting seaming! I’m not so convinced about the dropped waist sheath dress though…

No, not deja vu just yet – I wanted to show you the tech drawings for the cover look, as the skirt is just lovely!

I know there are instructions for a similar twist dress in one of the Pattern Magic books, but I really like that Manequim took an extra step in the instructions for this dress and gave a secondary drawing showing how the pieces fit together. It’s almost like they saw what I did for the Vogue DKNY top and thought they’d do the same!

The John Deere shirt

So following on from my high class, designer escapades last week, I’ve now got something a little more, err, salt of the earth to show you. I’ve taken to calling this the “Appalachian Wedding Shirt” (and being from Perry County, PA, I’m allowed to say that!), but it’s also a gift of a gift, and I love when I can do that.

The (officially licensed!) John Deere quilting cotton was a gift from my friend Sharon, who bought it at her local Amish fabric store and presented it as a gag gift in my stack of fabrics that made up our wedding gift. John Deere is a completely unknown brand amongst my circle of friends in central London, but we knew our friend Simon would love this, and he travels all around the world on business so we knew it’d get seen a lot, too.

I paired this with Simplicity 5273 (now Out Of Print), which I’ve made many, many times for James in various guises and it’s my go-to pattern for a quick and easy button-down casual shirt for him.

You may remember Simon from the quickest pirate coat ever (and yes, he still wears it!). But this shirt has been a mental project for almost a year now, since Simon was overheard at our wedding complaining to other friends how “it’s not fair that James just picks out any fabric he wants and Melissa makes it into a shirt for him!”. ha! So we thought this would be perfect for him…

James’s first reaction when he saw the finished shirt was “It’s horrible! Simon will love it!”.


(Apologies for the mobile phone photos!)