Fehr Trade: tag

Go to content Go to navigation Go to highlighted projects Go to contact

Home

The Blue and Black Burda February sheath dress

3 February 2012, 13:22

I’m feeling pretty good about the past few issues of Burda magazine. For a while there (2010, I’m looking at you!) they really seemed to be only printing boring, shapeless and awful patterns, but I’m glad I stuck around because the past few months have really been a return to form, as far as I’m concerned.

There were quite a few patterns I want to make from the February issue, but only one demanded I drop everything and Sew It Now, the colourblocked asymmetrical knit sheath dress #117:

I know a lot of people complain about tracing Burda patterns, but I seriously don’t have a problem with it. Most patterns take me about ten minutes to trace, I have the pattern sheets on top so it’s not difficult to see the lines, and I do a few at a time.

This dress may have the illustrated instructions for this issue but WOW was this a total bear to trace! It’s printed in red lines, but this sheet also contains the “easy”, pink shaded pattern, so there are multiple points where you need to trace red lines over pink shading. Add to that the irregular shapes of the pattern pieces and you’ve got yourself a headache.

If you can get through the tracing pain, though, you’re really in for a treat, because the tracing took longer than the cutting or construction combined. I sewed this up last Friday night after work and wore it out to a friend’s birthday the next day!

Great basic - grey flannel trousers

24 January 2012, 15:03

As I mentioned last week, I got gifted some wonderful grey flannel from Claire (however did she know I like grey? ha!). It’s so soft and lovely that initially I thought it should become a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers.

I had just received the January edition of Burda magazine and so these jumped out at me – #122 (also now available as a pdf download if you missed this issue).

There’s nothing particularly earth-shattering about this design, but I just thought it looked nicely versatile, and something I could wear to business meetings as well as just team with a teeshirt if I fancied it. These also have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I did notice, however, that they do the particularly dumb construction technique of tucking one leg inside the other and sewing the crotch seam last – this makes NO SENSE to me, as it means you can’t check the fit until you’re 95% done. Whereas if you do the outer seams last, you can pin and adjust the fit in the thighs and hip before you sew it up…

These photos were taken after sitting in a car, then sitting through a big Sunday roast so there are more wrinkles here than I usually have! The fit on these feels a bit closer than with most Burda trouser patterns I’ve sewn, but it also might just be because I haven’t sewn trousers in a non-stretch fabric in a while.

Upcoming January sewing

17 January 2012, 14:36

I’ve finally emerged from the craptacular flu (which then turned into bronchitis) that I’ve been under since Dec 28 – thank you for all your well wishes! For me, it really feels like the new year, 16 days late!

The Ruby Slip was my first garment of 2012, but my second and third aren’t far away…

Grey flannel trousers

Just before Christmas, I met up with Claire for lunch and she gifted me a massive length of wonderful dark grey flannel. It’s so soft and lovely that initially I thought a dress, but then realised I’m likely to get much more wear out of a really chic, comfortable pair of dress trousers. So on Friday night I traced and cut Burda Jan 12 #122, mostly because the issue was handy, but also because they looked to be a great basic. These have the illustrated instructions for this issue, but I could sew trousers blindfolded by this point, so the instructions didn’t make much difference to me.

I sewed this on and off over the weekend and nearly completed these despite hardly being at home. As a nice tie-in to my previous garment, the pockets, fly underlap, and waistband lining are all done in the pale green silk leftover from my Ruby Slip.

The silk chiffon maternity maxi gown

9 January 2012, 13:10

I finished Holly’s silk gown on New Year’s Eve, so this is officially my last project from 2011. If you recall, it’s Burda 08/2008 #125 and is one of the designer maternity patterns from this issue (and in my opinion – a really nice maxi dress whether you’re pregnant or not!).

We muslined the bodice portion of this (minus the drape pieces) back before Christmas, and made a few changes: taking a few tucks out of the neckline here and there, and increasing the bust space on the standard size 44.

I totally missed the chance to finish this for her Boxing Day birthday, but I figured I’d be still in time for any January parties before the birth in late January, and we were even scheduled to go over for dinner last Friday, where I was going to bring the dress along and sew up the hem on my little red machine after we ate (the hem is just raw here, as I can’t do that without her wearing it).

New Year's Progress Report

29 December 2011, 19:07

Back on the 17th I set some bold goals to finish by New Year’s:

I thought it was time for a little progress report, seeing as how I only have a few days to go…

~~Paco’s Drape Collar Tunic~~ – I sewed this up in an evening before Christmas. Though I had to get very creative in order to get long sleeves out of the 2m of sweater knit I bought… Note to self: Buy more yardage, or shorten the body length next time!
~~Clover jeans~~ – I just finished these! I’m totally loving the fit and the (IMHO) improved pockets, too.
Holly’s maternity maxi-dress, Burda 08/2008 #125 – Having no place to cut the fabric of the enormous skirt pieces, I actually took it along to work yesterday and cut it out on the big (and empty) lunch table at lunchtime! The few guys left in the office already think I’m weird anyway. Shrug. In any case, this is now ready to sew!
Ruby Slip – I wanted to cut the skirt pieces at the same time I cut out the maxi dress, but the low table height was killing my back by the time I finished with the maxi dress. I don’t think this will take long to sew together if I can ever find somewhere to cut the single-layer, bias layout… A good cutting area is my new productivity choke point.

Before New Year's...

17 December 2011, 14:26

… I want to make:

Clover jeans – I love the fit of my Clover trousers so much, but I don’t like the pockets or side opening. I’m altering the pattern to be more like jeans! (oh yeah – I did fix the zipper in the end…)
Ruby Slip – The pattern is printed and taped, but not yet traced. I have the perfect silk in my stash, and I bought some to-die-for wide lace at MacCulloch & Wallis on Friday
Paco’s Drape Collar Tunic – This is already traced and I’ve got the perfect purple sweater knit hanging around from last winter. This should be a quickie on the overlocker
Holly’s maternity maxi-dress, Burda 08/2008 #125 – The bodice is traced, I’ve done a first muslin, and the fabric is ready to go. Her birthday’s on Boxing Day, so I’m aiming early!

I’ve got to go into work on the 27th-29th, but I’ve still got a lot of days off to hole up in my sewing cave. Most years I end up making a coat over the Christmas break, but I don’t really have much need this year so I thought I’d focus my attentions elsewhere instead.

Burda's Roland Mouret "Macha" knockoff dress pattern - detail photos

14 December 2011, 12:58

First of all, thank you all so much for all your comments and praise on my Charcoal pinup dress! I knew I really liked it, but it’s nice when so many others agree.

One thing that I hadn’t realised in the magazine discussion, nor sewing, nor wearing it out, however, is that this dress pattern is a very close knockoff of the Roland Mouret Macha dress, which was shown in his Spring 11 RTW show!

(Photo from Style.com)

Really, the bodice seaming is all identical, but there are a few differences:

Burda’s pattern is for wovens, RM’s dress is a stretch woven

Burda’s has long sleeves, RM’s is sleeveless

Burda’s has a back V neckline, RM’s has a square back neckline

Burda’s is princess-seamed in the skirt, RM’s appears to be one panel in the skirt

Burda’s has a centre back invisible zipper, RM’s has a centre back exposed zipper

The charcoal pinup sheath dress

12 December 2011, 15:13

I feel like this post should have a warning, like those awful, dated jokes – Dangerous curves ahead! But to be honest, I’ve been running like a mad woman for the past few months, finally running much faster and further than I ever did before I got ill, so I’m relishing the chance to show off my running body right now*.

This dress was in the Sept 2011 Burda magazine, but it’s also available to buy as a download pattern on Burdastyle.com if you missed that issue (or believed the blog hype that it was a bad issue, gasp!). I really loved this pattern from the second I saw it, and all I really needed was a little nudge from BurdaStyle and I was totally sold on making this as my double-duty James’s birthday dinner and Christmas party dress.

Though on reflection, it might be a bit too sexy for my office party.

As this was a close fitting sheath with a non-stretch fabric, I opted to go right ahead and make the only fitting alteration I ever make with Burda patterns, and even then it’s only occasionally – I removed 2cm above the waist line across all the vertical panels so the waist of the dress is more in line with my own.

Grey flannel outlook ahead

5 December 2011, 16:14

My next two sewing projects to share with you both use the fantastic, charcoal grey, ex-designer poly/viscose/lycra flannel that Neighbour Helen gifted to me just before they set sail for the continent. If I didn’t have the fibre content tag still attached to the fabric, I’d assume it was a cashmere or wool flannel, it’s that lovely!

The first use of the flannel is actually already finished and could’ve been spotted in the swankier parts of Spitalfields on Saturday night – an amaaaaaaazing sheath dress from Burda magazine:

I’ll avoid a long story to explain the Why, but you’ll have to wait til next week to see the photos. But trust me when I say it is a truly stunning va-va-voom dress!

Then this weekend I decided to jump right in and use up the remaining ~2m or so of the flannel and make the vintage Maudella midi skirt pattern I bought in Sheffield a few weeks ago:

A wool maternity coat - finished photos

1 December 2011, 17:37

Last week I was nearly finished with Holly’s coat, and the week before that l told you all about underlining it, but finally I can show you completed completed photos!

If you recall, I used this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) and an added dart as a consequence of an FBA (full bust adjustment) so it’s not quite the same as you see in the original tech drawing below…

Apologies for the slight blurriness and busy background – this is why I try not to do photoshoots after dark, but it couldn’t be helped this time around! At least you can see how it fits her, even if the photo quality isn’t great.

A wool maternity coat - nearly there...

23 November 2011, 14:20

As you recall, last week I underlined Holly’s maternity coat and created all five bound buttonholes, but I had the day off work on Friday so I was able to make loads of progress over my long weekend! In fact, her coat is now 95% finished and ready to hand over, so I thought I’d give you a rundown of what I got up to…

I’m making this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) so it won’t look exactly like this tech drawing:

As I constructed the shell of the coat, I took the extra step here to catch-stitch all the thick wool seam allowances to the flannel underlining. I started off just doing this on the sleeve seams as I feel the bumps are most noticeable during wear there (and therefore most likely to get annoying quickly!), but I carried on and just catchstitched everywhere.

I wanted this coat to be as nice for her as one I would make myself, so why not? I also noted that Gertie was asking last week how to make the seam allowances lie flat on her coat – well, the answer is catch stitching!

(I forgot to take a photo of all my stitching before lining it, though, so you’ll have to make do with a shot through the “window”!)

A wool maternity coat - basting and buttonholes

15 November 2011, 14:01

If you recall from last week, my next project is this maternity coat from the August 2008 issue of Burda, which I promised a very good friend:

(The issue date is still wrong above – it is indeed in the 2008 issue…)

After we sorted out the fitting and design alterations (including a second, quick muslin fitting of just the upper bodice in the pub toilets on Saturday night!), my first step was to cut out all the pieces in the green wool and then again in the black cotton flannel I’d bought to underline the spongey wool coating and give it a bit more structure. The coating is wonderful, but I’m a bit concerned about it bagging out in places, and I wanted to give it some added stability as well as a bit of extra warmth (though if warmth were my primary concern, I’d call it “interlining” and attach it a bit differently!).

Here’s all the pieces hanging on the line in my tiny sewing room:

I then hand basted all the layers together around the edges of the pieces, plus through the darts, and then also marked out the placement lines for the five bound buttonholes:

A beginner's knit maternity dress

2 November 2011, 14:52

Just to make things absolutely clear – no, I am not pregnant!

But my very good friend (and beginning sewer!) Holly is, so I’m doing some maternity sewing for her over the next few months, and helping her to sew a few things for herself, too. We’ve already had an afternoon session converting regular trousers to maternity versions (and I’m thrilled to report that she’s since gone home and done a few of these herself, too!), but it’s down to me to start the “from scratch” garments.

The first project was to make a “wearable muslin” of this Burda knit dress from June 2010. She picked this pattern out of a lineup, and it’s actually great for a beginner. The seamlines and construction are pretty straightforward, and you get a lot of bang for your buck with this, as there are two sleeve variations and two length variations!

I traced off all the different versions, and used the double tracing wheel I picked up in Budapest to even add the seam allowances on for her, too (something I never bother to do for myself, as I prefer my patterns without).

For this muslin I used some viscose jersey donated by Claire (Seemane) specifically for muslining purposes. The print is definitely too wild for me, but it might come in handy for Holly while she’s got a limited wardrobe. I don’t think it’s an ugly print by any means, and I could see her toning it down with a black or navy jacket or cardigan.

The Draped jacket & skirt suit

31 October 2011, 14:15

I’m very happy to report that my draped suit (Burda September 2011 #126 and 127) is finally finished! It feels like I’ve been sewing this for f-o-r-e-v-e-r and I am thoroughly sick of it now!

If you recall, it’s a two-part suit, with a draped, collar-less jacket and a pleated pencil skirt:

I’ve been sewing both of the pieces in parallel, so I’ve finished them at the same time. I like a lot of aspects of this suit, but to be perfectly honest, I’m not totally in love with the overall resulting look.

The jacket and skirt together!

Things I really like:

The lapel-less shawl collar construction

The asymmetric drape

The three part, bell shaped sleeve

The two-tone, piped lining

The folded and seamed facing on the draped side

Pretty much everything about the skirt

The drape makes for a rather elegant side view, too:

Things I don’t like:

Mobile sewing weekend report

25 October 2011, 14:23

I’m beginning to feel like my draped suit (Burda September 2011 #126 and 127) is dragging on forever, so it’s good that I am making progress in the few snatched snippets of time available to me over the past few weeks. I hope you’re not getting too bored yet!

We were out of town this past weekend, up in Sheffield visiting two very good friends of ours in their new place (a house with his’n‘hers sewing machines! We slept in a room with a vintage Bernina!). It’s about a 3.5 hour drive from London, so there was ample time in the car for handstitching, but it did require some planning ahead to get the suit in a state ready for it.

Going back to my earlier To-Do list from last week, I was able to finish the following on Friday night before we left:

Construct and attach the sleeve linings to the rest of the lining

Interface the jacket hem

Attach the lining to the jacket around the front facings and neck edge

Construct the skirt lining and baste to the skirt at the top edge

Attach the waistband

Machine-hem the skirt lining

Machine-stitch some grey lace tape to the bottom skirt edge

I also prepped about 5 lengths of grey and pink thread with beeswax before leaving so that I wouldn’t get horrible tangles while doing all the handstitching. I never used to bother with beeswax, but it seriously does help cut down on the excess tangling, so the time spent waxing and pressing the thread in advance really does save you time and frustration in the long run.

Then, in the in the car ride up to Sheffield and back (and, err, also in the KwikFit waiting room while we had new tires put on) I was able to:

Anchor the lining to the seam allowances at the underarm

Baste and hand stitch the jacket hem

Hand stitch the lining hem to the jacket hem

Hand stitch the sleeve lining hem to the sleeve facing

Baste and hand stitch the skirt hem

I just love how that hot pink satin piping turned out! You can also see my lace hem tape on the skirt here. This was a pack of lace tape I’d bought at the Amish dry-goods store in Perry County last year, paying 50 cents for it, and with a 1986 copyright on the package!

Draped jacket - no ordinary lining

19 October 2011, 14:02

There’s been only slow and steady progress on my draped suit (Burda September 2011 #126 and 127) this week as there’s been little time to sew, but I did get a few hours of “me time” in on Sunday evening after my insulation work was done for the day.

Those few hours were enough for me to finish the entire shell of the jacket and skirt, but I needed a clear surface to cut out the lining fabric, so that was delayed until last evening (since my running group was cancelled). Since the wool suiting has stretch, I didn’t want to negate the benefits of that with a non-stretch lining, so I pulled out one of the few stretch wovens in my stash – a blisteringly hot pink stretch satin I’d bought from Fabric.com last year (and came across in my mom’s suitcase before the wedding). Despite it being polyester, it actually feels wonderful and it was worth the price to be such a high quality lining.

Draped jacket - in progress

11 October 2011, 14:04

Last weekend I cut out all the pieces for my upcoming draped suit, Burda September 2011 #126 and 127, in the beautiful grey stretch wool suiting I’d bought specifically for it.

Since then, though, progress has been slow. I’ve got an evening class for work every Monday night, I’ve found a wonderful, brilliant amazing running club I go to on Tuesdays, and our weekends are still chock full of boat DIY work as we scramble to get the last outside work done AND the insulation up before the weather turns. Which leaves exactly three evenings left for all of our social activities, and any sewing left to squeeze in. This week I’ve got something on all three of those evenings, too.

So this really leaves progress to be made in very small segments. I’m very good at finding spare ten minute pieces of time here and there, but lately even these have been thin on the ground. Over the past week, I only managed to work on this jacket twice – on Wednesday night I fused all the necessary pieces with Pam’s weft-insertion interfacing and vilene bias tape, and then Sunday afternoon I actually managed to get a few hours of sewing done once I’d done 3 hours of insulation work and the dust settled enough in the hold for me to get out my ironing board.

Beyond that, while we were working on the construction part of the boat, something happened to the 24v cabling and so the lights in the bedroom, sewing room, and one other area no longer work. So my sewing room is very dark now, even when it’s light outside! Please accept my double apologies for the quality of these photos – I had to light the area with a headtorch while taking these on my (soon to be upgraded, yayyy!) old iPhone 3G camera.

Peach silk shell blouse

4 October 2011, 14:53

As I mentioned last week, I made this blouse the weekend we got back from Hungary. It was a really quick make, with only a few seams and minimal closures, so even including some thread tracing and french seams didn’t really lengthen the project time. In other words, it was exactly the sort of project I needed right after a holiday!

Burda 09/2010 #110 is the sleeveless version of this top and one of the, oh, eleven must-sews for me from this September 2010 issue. It’s been one of my absolute favourite issues since the moment it came out, so it was nice to make something other than the cover dress for once!

I mostly made this to coordinate with my upcoming grey wool skirt suit, but with our unexpected hot and sunny October (29C/88F!!!) in London, you’ll get it see it worn now in a summer style, paired with my silver tweed KnipMode skirt. I imagine the weather will cool off enough by the time I finish the suit that you’ll get to see it layered underneath the jacket as I intended!

Hungarian holiday report

27 September 2011, 14:12

We’re back from our Hungarian holiday and feeling wonderfully relaxed, though it’s debatable how long that’ll last! This was my fourth time in Budapest in the last ten years (and James’s third!), but it was the longest we’ve been able to spend there and our first trip outside the city.

Our main reason for going was so we could celebrate our first anniversary at our favourite restaurant, Karpatia (last time we were there, Michael Palin and his film crew were in the other room!), but to also soak away our boat work aches in the city’s plentiful hot spas! In four full days in Budapest, we visited three different hot spas: Szechenyi, Palatinus Strand on Margaret Island, and Hotel Gellert. Think swimming pools, but filled with bath-water warm mineral water (no chlorine!) with assorted jets, bubblers, massaging fountains, wave pools, slides, and whirpool baths and you’re still only halfway there…

In an astounding bit of coincidence, we enjoyed amaaaazing traditional Hungarian food, tokaj, and palinka stalls at the Nemzeti Vagta (“National Gallop”) festival. It was mostly about Hungarian horsemanship with incredible costumes, chariot races, and Heroes’ Square set up like a Ben Hur set, but there were also stalls representing every region in Hungary, some showcasing amazing embroidery:

I really like that you can focus on the stitching when you only use one thread colour! Unfortunately, I didn’t see any needlework kits for traditional designs on sale anywhere.

Then we took the train out to Balatonfured on Lake Balaton for a few days, and I made great use of the train time to finish the last hand sewing on my trench jacket! (I’m also wearing my silk jersey Lekala cowl top here.)

While we were there, we rented bicycles from our hotel and cycled the 6km to the next town, Tihany, and back along the river. My trench jacket and my navy riding trousers came in very handy here as it was the only cool and cloudy day of our trip!

The Burda trench jacket

15 September 2011, 14:11

I’m so pleased to finally show you the first piece from my Fall 2011 sewing aspirations – the trench jacket!

As you recall, I was restricted in my pattern choice since I bought the last 2.5 yards of this waterproof gabardine from Mood when we were in NYC last Fall, but in the end I settled on Burda 02-2009-112. The gabardine feels great – it’s not coated with anything and it doesn’t feel plasticky – it’s just that the weave is so tight that water beads on it! Perfect for London!

This is a Burda Petite pattern, but the only change I needed to make to the muslin was to lengthen the sleeves! I’ve been busy sewing this in tiny increments over the past few weeks because I’ve been so busy, and you can see that we had to squeeze in this photoshoot after work, too!

I really love the overall shape of this totally curvy jacket, but I especially love the pleated back vent, which was surprisingly very easy to sew! I cut the same pieces in the lining, and I cleverly waited to sew the diagonal topstitching to keep the folds in place until after the lining was in so the two layers stay together nicely.

Upcoming Fall 2011 sewing - the patterns

7 September 2011, 14:26

It’ll be no surprise to you that I’ve already started on my Fall sewing, since you’ve just heard all about my upcoming trench jacket, but I’ve been thinking about the rest of my Fall sewing ambitions over the last few weeks. Having August temperatures mostly in the 50sF (16-20C) meant that I was mentally ready for cooler weather a long time ago!

I’ve got the fabric for all (but two) of these already, too, so I’m sure to get through a lot of my stash this way, too… Though I did just buy some new fabric in order to make four of these, oops. More on the matching fabric later.

The trench jacket – Burda magazine 02-2009-119 – finished!
The transitional jacket – My Image Winter 2011 #M1165
A silk blouse – Burda magazine 09-2010-110 – finished!
The “I mean business” skirt suit – Burda magazine 09-2011-126 and Burda magazine 09-2011-127 – both already traced!
A basic cowl tee – My Image Winter 2011 #M1152
A silk blouse – Manequim 08-2011-356 – already traced!
A basic cowl tee – Lekala 4039
“Off duty” jeans – KnipMode 12-2005-10
A silk blouse – Manequim 08-2011-360 – already traced!

The Burda trench jacket - in progress

5 September 2011, 15:06

I am on fire for Fall sewing right now, and the latest object of my desire is my beautiful little trench jacket. I’d bought some waterproof gabardine from Mood when we were in NYC last Fall, but it was the end of the roll so I only had 2.5 yards to play with while selecting a pattern.

With several years of various pattern magazines to choose from, I was in no short supply of trench coat patterns. However, many of the traditional, double-breasted, longer length trench coats require at least 3 yards/metres of fabric, so my fabric shortage helped me narrow down the possibilities immensely. In the end, it was down to Burda 02-2009-119 and Burda 08-2007-111, and I figured I’d get more years of wear from a stylish jacket than I would a cape.

So the curvy, feminine, petite pattern won out!

I did make a muslin of this (I’d be mad not to for a petite pattern), but surprisingly, the only alterations needed were to lengthen the sleeves. Despite being 5’8”, I tend to find that Burda’s Petite patterns fit me waaaay better than Burda’s Tall patterns (which seem to be grotesquely oversized whenever I try them).

The Burda Armani coat strikes again

2 September 2011, 14:48

Remember back in November when I made a muslin for the Burda Armani knockoff coat and found it to be absolutely, unforgivably awful? Well, even at the time, I could see that my main problems with the coat weren’t necessarily likely to be problems with the shorter, jacket version of the same pattern (Burda 09/2010 #117).

So while I’ve been contemplating my Fall sewing options, going through my stash, and tidying up my tiny sewing room, I decided it was time to alter it to evaluate the jacket.

The main differences from the coat are:

It has no collar

It has extended sleeve bands instead of the awful dropped sleeves

It’s cropped at the hips

Believe it or not, I still had the muslin tucked away from last year’s coat FAIL and I came across it again when I was tidying up my sewing room. In about 15 minutes I had adapted the earlier muslin to be the jacket – and most of that time was spent pressing 10 months of wrinkles out of it!

The front view kinda looks okay:

The Burda September cover dress (summer lace version)

23 May 2011, 12:53

Remember back in January when I made the winter version of the Burda September 201 cover dress (#122) with long sleeves in purple pont di roma? It looked like this…

Well, at the time, I said I’d definitely make a summery version, too, but then again, I often saw I’ll remake patterns and then I hardly ever do, so I can’t really blame you if you thought you’d never see this pattern again!

But you’d be wrong! This dress is just so stratospherically flattering and magical that I couldn’t resist making a summer version in pale pink and grey lace, even though it meant hours of hand basting the lace onto the knit during our French road trip. And then once I was home, fusing metres upon metres of vilene bias tape to the various curved seams so they wouldn’t ripple during wear.

All this before I even constructed a single seam, but you know what – it was totally worth it.

A fuzzy pink bolero

18 May 2011, 13:32

Following on from last week when I showed you the shirt I made for my nephew, I also wanted to share the super-belated Christmas garment I sewed for his cousin, my niece.

When I saw the cute boleros in the February Burda magazine, I just knew I had to make one for Megan. Bolero #142 seemed to be the most wearable version for Spring and Summer, and I had just enough of this incredibly soft, pink zebra print minkee I’d bought for her at Fabric.com!

Honestly, how great a model is this girl??

A purple lace pencil skirt

10 May 2011, 12:56

I started work on this lace skirt just before we left for France, when I was finally over my post-March wardrobe exhaustion and finally ready to get stuck in on some more complex and fiddly projects. So I got all the layers cut out and basted together before I left, so this I only had the fun stuff left to do last week! Hooray for me!

The luscious purple lace is all dark purple on one side, but with added chenille texture and lighter, printed flowers on the other side. It’s from Ditto fabrics, bought by Pip as part of my Christmas gift, and I made good use of my 1m!

Since it’s lace and more sheer than I’d like for a skirt, I underlined this with some fabric I bought on Karen’s big Walthamstow meetup – it’s a poly stretch woven, with a bengaline-feel on the light purple side, and a wine-coloured, satin reverse. The purple side matched my lace perfectly and the satin reverse just meant I didn’t have to line it because it’s already slippery inside! Score!

While the colour match isn’t perfect with either my bamboo tulip top or my purple boots, it was close enough for me to wear them together yesterday!

(Vote for my) March Mini Wardrobe

4 April 2011, 12:45

It doesn’t seem that long ago that I was first laying out my initial plans for this mini wardrobe, but now I’ve had some time to step back and have a look over what I managed to accomplish last month. I made this wardrobe mostly for myself, to use some luscious fabrics from my stash in combination with patterns that really appealed to me, but I also kept one eye on the contest requirements running over at PaternReview.com to make sure I remained within their rules, too. Here’s my entry into their contest, or you can just read on below…

I started with a blue viscose, draped knit top that I’d bought from ASOS and really liked, but I wanted to wear with both casual and dressy bottoms.

To coordinate, I sewed:

1. Jalie jeans – I’d made a muslin but the waistband was horrible so I had my work cut out for me on this pair using great quality stretch denim from Mood in NYC, plus some London streetsign fabric for the waistband facings and pockets. I used my vintage hand crank Singer machine for all the topstitching, plus I got to use my vintage buttonholer attachment and high quality rivets for the first time! I fixed all the waistband issues in this pair and these are now my favourite jeans. Read more…

Grey leather pencil skirt

29 March 2011, 12:09

I’ve now finished the fourth garment in my March Mini Wardrobe plans and I think you’re going to love it as much as I do!

I bought some utterly luscious grey leather when I was in New York in September, and I’d thought about a few different patterns (even going so far as muslining one I never showed you), but I finally settled on the long, slim pencil skirt from the August 2010 Burda magazine (#128).

Since we’re talking about leather here and you cannot unpick any stitches once they’re sewn, I made a muslin, which revealed a few minor fitting issues which needed fixing in the final skirt. Other than that, I shortened the length to make it above the knee (which also eliminated the back vent) and removed the centre front seam to improve the look.

Grey leather skirt - muslin

24 March 2011, 13:17

You’ll get to see my Manequim silk blouse tomorrow, but in the meantime I thought I’d give you a progress update on the fourth item in my March Mini Wardrobe, the leather skirt (Burda magazine 08-2010 #128 – though #127 is nearly identical).

I’m making this skirt in some utterly luscious grey leather I bought while on honeymoon in New York, and despite having sewn with leather loads of times before, this is my first real leather garment. So knowing what I know, I knew I had to make a muslin first because once you sew leather, it’s done – the needles holes are permanent so you can’t rip out stitches!

I made up a quick muslin at the end of February, and, unusually for Burda, the size 42 was too tight over my hips. Rather than trace a bigger size (boring!) I drew two long lines up the front of the skirt on either side of the centre front. On the waistband and yoke pieces, I added 2cm width to each line, and for the lower skirt piece, I made a triangular wedge which tapers to nothing at my marked hem.

Sewing pending photoshoots

8 March 2011, 13:06

You wouldn’t know it from the lack of sewing photos, but I’ve actually been fairly productive over the past two weeks.

I was a terrible auntie this year and failed to make anything nice for my niece and nephew this Christmas, and my sister-in-law said I should just send them something when I get around to it, seeing as how they’re both so overwhelmed at Christmas anyhow. So before I got started on my March Mini Wardrobe stuff, I took an afternoon to make these, which are currently in transit:

I made a fluffy pink zebra minkee bolero for my 7 year old niece, and an adapted (ie: no hood) monsters and red jersey tee for my 8 year old nephew. You’ll see more about these when they try them on, with any luck…

And while I was clearing the sewing guilt decks, I finally also made the silver silk jersey dress I’d promised (and muslined) for James’s sister over a year ago!

March Mini Wardrobe

25 February 2011, 12:35

I’ve finished my post-coat winter sewing plans apart from the La Mia Boutique draped skirt which I’m feeling now is better suited for spring or summer, so I thought I’d dip my toes into the Pattern Review Mini Wardrobe contest that’s running throughout the month of March.

This is a pared-down version of their usual, sprawling wardrobe/SWAP contest, so this time around you need to create a five piece wardrobe in four weeks, using one item you already own (sewn or RTW) and be able to create at least six different outfits from this. I’m actually going one better and aiming to sew five pieces rather than four, but that may fall by the wayside depending on how the month goes.

Here’s what I’ve got in mind:

Black flannel pyjama bottoms

18 February 2011, 13:46

James isn’t normally the pyjama sort, but it’s been particularly cold this winter and he’s been in need of some PJ bottoms for quite a while. He only has one pair and it’s kinda sad to be wearing Santa Homer Simpson in February:

(Note to family – please don’t take this as a plea to send more. He really only needs and wants this one pair!)

So I took pity on him and said I’d sew him a new pair to wear, and Burda magazine 12-2010 #134 was particularly handy. There are tons and tons of unisex pyjama trouser patterns out there, but this one was easy to find, and I know Burda’s sizing is so consistent that a 52 would fit him fine.

We were going to use the grey knit fabric we bought at Ditto, but I greatly underestimated the width of that so there was nowhere near enough (totally my fault as Gill asked “are you sure that’s enough?”). In a sea of insipid cutsey prints, Chawla’s came through with this solid black cotton flannel for cheap (3m for £11 shipped and I’ve got extra for jacket interlining if I like now, too). Chawla’s may not have the widest selection of natural fibre fabrics, but they are consistently the fastest shippers ever – I ordered this on a Tuesday, and it arrived in Thursday’s post!

The Burda September cover dress (winter version)

19 January 2011, 13:06

I made no secret of my total love and adoration of Burda’s September issue last year. In my opinion (and many of you!) this was the standout, stellar issue in an otherwise mediocre year for the magazine. I’m slowly working my way through everything I wanted to sew from that issue (some good and some bad!) but now it was the time for the cover dress, #122.

I showed you the pattern alterations I made to “un-petite” this pattern, though I reckon I could have even added a bit more to the middle of piece 2 as my pointiroma has less lengthwise stretch as my muslin knit, making the underbust seam just barely under my bust. The horizontal seam between pieces 3 and 4 hits me right at my natural waist on the sides, which I think is just great. I also took 6 inches off the hem of pieces 7 and 8 so that this is above the knee rather than below.

Un-petiting the Burda September cover dress

14 January 2011, 14:52

While I wait for the weekend to photoshoot the Lekala ribbed top (either you all are too smart or I’m too predictable!), I’ve started work on creating the cover dress from the September Burda magazine. It’s a really cool, curved seam design with no side seams and designed for knits, but it’s one of Burda’s Petite patterns.

I am in NO way petite – at 5’8” (172cm), I am closer to Burda’s Tall height (180cm) than I am to the petite height( (160cm). I have a sneaking suspicion that my torso is quite compact and my height is mostly in my legs, but in any case… I’ve made a few of Burda’s petite patterns before with good results, namely, my 30th birthday dress and the blue silk cocktail dress, so I wasn’t totally scared off because it’s for petites.

I made up a muslin of the top half of the dress (the half I’m most concerned with) on Wednesday night and I’m happy with my alterations so I thought I should share what I did.

First of all, lay out pieces 1 and 2 so that their folded edges are aligned, taping the pieces together loosely. Then lay out pieces 8 and 9 so that their folded edges are aligned, and that these meet the front pieces at intersections 7 and 8. Don’t worry that the shoulders are far apart or that some of the curved seams don’t meet up whilst flat.

My alterations are the white pieces shown below:

Post-coat winter sewing plans

12 January 2011, 13:48

Now that I’ve got my big winter coat sewing out of the way, I can turn my attentions to filling in a few gaps in my winter wardrobe. Sewing these things now means I can get another good 3-4 months of wear out of them before moving on to short sleeves and lighter jackets (no really, for the past few years we’ve had flurries and hard frosts in April or May).

So I’ve gathered together the patterns I’d most like to sew along with fabrics I’ve got in my stash that would help fill my wardrobe voids…

Starting at the top of this collage, we’ve got:

Happy 2011!

1 January 2011, 00:15

My favourites of 2010:

My wedding gown!

Silver tweed jacket

Navy riding trousers

Nude sheath dress

Patrones cowl top

KnipMode draped dress

(and I switched to a larger thumbnail size when I revamped the site, too!

Standout moments in sewing land:

The Caramel turtleneck

27 December 2010, 17:15

“Oh”, I hear you think*, “another one of those Burda turtlenecks?!?!”

Endless others have already made this, and I admit I was hesitant to make it myself because:

When a pattern gets made a LOT, it kinda makes me want to sew it less (maybe it’s shades of “I sew so I don’t wear the same thing as everyone else” coming through?)

I love love loved the Burda September issue and it almost feels like a cop-out to make the super easy pattern from it first when there’s just so many great patterns in there

But in the end, I still really needed more long sleeved tops and I already had the fabric and the overlocker and coverstitch were still threaded in the right colours. So it’s fate.

So here is my version of the Burda Sept 2010 turtleneck, in caramel-coloured bamboo jersey…

Pre-Christmas prep

22 December 2010, 14:02

Are you ready for some random sewing goodness? Let the randomosity begin!

When I was at the bookstore on Brick Lane buying James’s birthday card, I couldn’t resist this reusable wrapping paper (okay, it’s just fabric to me and you!) with London streetsigns. I love that it’s a London fabric without being OMG UNION JACKS THE QUEEN TOWER BRIDGE! I figure I could use it as a lining like I did with that Japanese tea towel and my bolero jacket a few years back…

We were supposed to meet up with Pip and her boyfriend two weeks ago to celebrate Christmas, but we had to reschedule due to my swine flu, so I’m only just now able to sew up her present – a Nairobi bag made up in gorgeously soft red wine leather, bought in NYC from Global Leathers (I find it interesting that Americans would call this colour “burgundy”, whereas in the UK it’d be “claret”). I’m about halfway done and already I can tell she’s going to love it!

James's fantasy jacket

21 December 2010, 16:14

I’ve been calling this James’s “fantasy jacket” because he’s asked me to recreate a beloved unlined, simple, waterproof jacket that was stolen from a pub on the night he met me all those years ago.

He recalled it from memory while I attempted to create an accurate tech drawing, and then once that was agreed, I compared this against my vast pattern magazine archive (made much easier since I started tagging my At a Glance scans online, so I just had to shuffle through those issues tagged “menswear”!).

I decided that BWOF 10/08 #134 was a pretty good starting point for what James wanted, and I went from there. The muslin went well, so around Thanksgiving I started on the final jacket, made from a very cool laminated linen from Mood in NYC, with bias binding made from some dark red and black tie silk bought in Dublin three years ago.

The Best Pattern Magazines of 2010 - Nominations

15 December 2010, 13:02

I always look forward to Pattern Review’s Best Patterns of the year, but this year the nominations don’t have a single pattern magazine included. This is really disappointing as I do 99% of my sewing from them, and I feel the shortlist really doesn’t reflect my own personal sewing in the slightest. (And don’t even get me started about the inclusion of some patterns that were just Big 4’s stumbling, mediocre versions of great patterns previously printed in pattern mags!)

So I thought it might be fun to have our own nominations for the Best Pattern Magazines of 2010!

I think it’ll be easier to vote for whole issues rather than specific patterns inside, and also give people a better idea of which back issues to hunt for. If there’s enough nominations, I’ll set up a proper vote in a bit so we can see what’s crowned the winner when I do my own personal roundup of the year on New Year’s Day.

How to sew welt pockets

29 November 2010, 13:52

It may be FREEZING in London, but the heat is on for me to sew James’s fantasy jacket in time for his birthday on Saturday!

I’m calling it his “fantasy jacket” because he’s asked me to recreated a beloved unlined, simple, waterproof jacket that was stolen from a pub on the night he met me. So he recalled it from memory while I attempted to create an accurate tech drawing. Then I compared this against my vast pattern magazine archive and decided that BWOF 10/08 #134 minus all the bells and whistles plus a few different whistles and bells was the best starting point. The muslin went well, so this weekend I started on the final jacket, made from a very cool laminated linen from Mood in NYC, with bias binding made from some dark red and black tie silk bought in Dublin three years ago.

The rubberised coating on the fabric means any and all pin holes show, so I needed to treat it like leather – pattern weights and rotary cutter for the pieces, and since it’s unlined, I also needed to create metres upon metres of bias binding for the exposed edges. I used a continuous bias binding method for the first time ever and it was very quick, though not very intuitive.

(I wrapped the binding around a sunglasses case to avoid creases. And because it was handy. Let’s face it – I’m not going to be needing the sunglasses any time soon!)

After binding most of the edges, I then set to work on the front welt pockets, which were rather tricky on a fabric that requires a press cloth (I’m paranoid that the laminating will melt!) and can only be basted where it will never be seen. So I thought I’d document the process and give you all a little welt pocket tutorial.

This is also exactly how I do bound buttonholes, but because the scale is much larger here, it’s easier to try welt pockets first to get the technique down and then just do the same thing on a smaller scale for buttons once you get the hang of it.

How to sew a double welt pocket

Step 1
Hand baste the pocket edges and central line. When you’re basting (in general), never turn a corner with your hand stitches, but leave the tails free at the corners. Also, you should extend the short edges here two centimeters or so beyond the long lines. I haven’t here because the needle holes would show!

Bronze leather obi belt

23 November 2010, 15:24

When I was in NYC on our honeymoon, I went a bit mental in Global Leathers and I found this awesome bronze leather with a black suede reverse in their scrap bin for $10! Steal! It was plenty big enough to make this obi belt, and I reckon I’ve got enough leftover to either make this again as a gift, or make a ruffled wristlet for me..

Cidell, Ghainskom, and Dawn have all already made BWOF 06/09 #151 ages ago and I’d kept this in the back of my mind since I saw theirs. This is the perfect pattern for this leather because not only do you get to see both sides, but it’s fully reversible, too!

Sookie Stackhouse Halloween costume

11 November 2010, 12:23

James and I are big fans of the fantastic and fantastically trashy HBO show “True Blood” so this Halloween we decided to dress up as Bon Temps’s psychic waitress Sookie Stackhouse and her 250 year old vampire boyfriend Bill Compton. James’s costume was considerably easier than mine (wear black, put on plastic fangs and fake blood, speak with Southern drawl), but thankfully mine didn’t involve too much effort this year either.

I wanted to recreate Sookie’s most recognisable outfit, the Merlotte’s bar uniform, which consists of black shorts, a tight white teeshirt with the green Merlotte’s logo, and a back bar apron.

As I’ve made clear before, I do not wear shorts. I own one pair that I bought when I was 18, and they don’t get worn outside the moorings. Whatever shorts I made here would be a one-time only garment, so I wanted to make them as simple and easy as possible. Since the October edition of Burda magazine was handy, I traced off #111 and then modified them to make them as simple as possible:

The Burda meets Armani coat - muslin FAIL

8 November 2010, 12:30

I absolutely LOVE the Burda magazine September 2010 issue. Loved it from the first second I saw the technical drawings, and now, several issues later, I’m still not seeing much that tops it. I literally have 11 or 12 must-sew patterns from it, and one of them is the Tall coat, #118.

As you recall, when I was in New York, I saw an eerily similar coat in the window of the Armani 5th Avenue store, and this sealed the deal – I must make this coat using my super thick, ex-Burberry dusty teal coating that’s been in my stash since last winter!

I don’t make muslins for a lot of things, but when the fabric is expensive, or can’t easily be resized (like leather), or if there’s a lot of work involved before a fitting can be made, then I’ll grumble and moan and make a muslin first rather than waste my nice fabric (and time!) and get any fitting issues out of the way first.

Let’s get down to the instructions first – Burda’s instructions aren’t too bad on this one EXCEPT for the zippered inseam pockets – they are absolutely nuts, and account for a good third of the instructions for the entire coat. But the instructions are besides the point, because if you jam your hands into your winter coat pockets when you walk like I do, you really don’t want metal zipper teeth digging in to the backs of your hands! So leaving off the zippers not only saves you time, but makes for a much more usable coat.

Navy blue riding trousers

3 November 2010, 10:23

Jacquie made these trousers as part of her recent wardrobe collection (she’s “dingyadi” on PR) and I instantly knew I had to make them, too. Like her, I was put off by how skin-tight these looked on the Burda model in the magazine, but in real life, they fit really nicely! Unlike her, I left off the front patch pockets, though, as I figured there was enough going on everywhere else!

They’re from Burda magazine 08/2008 #120A:

They’re great trousers, but there’s just so many freaking pieces, omg! And the topstitching!!

Take the front leg, for instance. On a normal pair of trousers, it’s one piece (maybe three if you have a pocket). On these, the front leg is comprised of three pieces before you even get into the pockets (so 6 in total for mine, or 9 if you chose View B with the added pouch pockets with the flap!). There’s a scooped pattern piece at the inner thigh in the front and back, and lots of horizontal topstitching across the knees in addition to topstitching pretty much every seam of the trousers, too.

DIY Wedding Gown - Fitting

3 September 2010, 14:30

Pip came round last night for dinner, drinks, holiday food exchange (French cheese from me and Greek nougat from her!), and her final fitting on her bridesmaid dress.

If you cast your mind back to April and May, her gown is the long, purple, silk jersey Gant exclusive design gown from the Sept 2008 Burda magazine.

I’d completed the gowns back in May, but I left off the tiny covered buttons on the cummerbund and finishing the hem until closer to the day so that they wouldn’t have to worry about gaining or losing a few pounds, or deciding on different shoes before now!

Happily, Pip’s gown fits her perfectly, with minimal overlap at the cummerbund, and really her hem was just about perfect with her chosen heels. But then we realised that if she switched to her comfort flip-flops on the dancefloor, the hem would drag, so I’m going to pull up the hem by an inch.

Then Pip wanted to see me in my gown, and since I hadn’t tried it on since the skirt was attached, I felt it was a good idea. But even though I was capable of wrestling into the boned bodice before, it was proving impossible (and more than a little claustrophobic) with the attached skirt. It was apparent that I had to remove the brass bar at the top of the zipper to allow the top to fully open and give me extra room to squeeze into the gown. I’d thought I might have to, but I kept it in until now since it wasn’t a problem. So now I’ll just need to add one or more hook and eyes to the top of the zipper to keep it all in place.

How to sew a narrow bias edge

21 June 2010, 14:04

I had a busy yet productive weekend – not only did I finish my Colette Patterns Beignet skirt, but I also made the Patrones 292 sleeveless bias cowl top, too! I didn’t have enough time for a photoshoot over the weekend, but I did remember to finally document my favourite way of finishing the edges of thin blouses like the cowl top so I can finally share this with you.

This technique is great for necklines and armscyes on sleeveless tops, and is my preferred way to finish any kind of blousey, lightweight fabrics like silk satins and the viscose (rayon) you see here. You get a thin, finished edge that looks good inside and out with a minimum of fuss, and you don’t have that awkward problem of facings flipping out or anything, either. As long as you’re okay with a small amount of topstitching on the right side, this is the technique for you…

So before we begin, sew one of your seams so you’ve got a C-shape. If you’re finishing a neckline, this means you sew one of the shoulder seams. I’m finishing the armscye of a sleeveless blouse here, so in this case I’m sewing both shoulder seams, leaving the side seams free.

Step 1

Bridesmaids dresses - finished!

27 May 2010, 14:00

Both bridesmaids dresses for my September wedding are now finished! Since I’m sewing both of these plus my own gown, I stipulated that these had to be knit so that I could sew them early and my girls could feel free to gain or lose a few pounds without too much last-minute alterations hassle.

To refresh your memory, the three of us chose the Gant exclusive design dress from the Sept 08 Burda magazine:

The previous posts about these dresses spanned over a year (from our pre-illness, original wedding date), so to help you find them, here’s a handy list:

Choosing the pattern

Going fabric shopping and choosing their colours

Tackling those pleated cummerbunds

Finishing the first dress

Here are both dresses together, so you can see how nicely their colours will go together on the day:

Summer sewing shortlist

24 May 2010, 15:36

Last week you got to see the newest Patrones that Aisling sent over, but you all have been far too good to me, because last week I also got a surprise parcel from Daisy!

She did some awesome detective work and worked out my size and style and picked out Simplicity 2754 and Butterick 5317 for me! And she did a great job, because I really like them both! I always have a hard time seeing the potential with the Project Runway patterns because the pattern covers are so horribly done that you can’t see any details at all, and Simplicity’s site makes it really awkward to browse by technical drawing (what I do as a general rule with Burda magazine previews). Anyway, as it turns out, I really like the details of this one, and doing some research myself, I remembered that Trena made it a few months back and I absolutely loved it! And she’s so got the right idea with those back view enhancements! And the Butterick Maggy London dress is just screaming out for a border print, as far as I’m concerned – the skirt is just a rectangle with pleating, so anything with a border or lace at the edge would go perfectly as you don’t have any cut, curved hem or side seams. So it actually is as easy as it’s labelled, seeing as how you’re really just making the bodice…

These patterns all came at the perfect time, because not only did I finish the second bridesmaid dress this weekend (photos coming later this week), but London has stumbled into a mini-heatwave which always gets me raring to sew! After spending the last two months solid on these dresses for my girls, I’m more than ready to sew for myself now, and I’m not scheduled to start on my wedding dress muslin until July.

Sooooo, how much can I cram into the next month, eh? Granted, I’ll still want to make a few things here or there while I’m working on my gown, but I thought it’d be a good idea to get all the things I want to sew together in one place. I’m not calling it a wardrobe or SWAP since they don’t all go together, and I don’t want to commit myself to ALL of these since I tend to get bored easily, so let’s just call this a shortlist so I can choose from these at will…

The FehrTrade Summer 2010 Sewing Shortlist!

From the top:

Bridesmaids dresses - one down...

18 May 2010, 18:53

I made a big push on Sunday to get as much done on the first bridesmaid as I could, and between then and some “non-commuting” time yesterday and today (I worked from home both days so I put the hour I’d normally be commuting to good use!) I managed to finish Pip’s dress, apart from the hem and the covered buttons, which I need to purchase in town tomorrow.

To refresh your memory, I’m sewing the Gant exclusive design dress from the Sept 08 Burda magazine:

I tackled those pleated cummerbunds first to get them out of the way, but even the easier silk jersey portions were not entirely straightforward. With a design this simple, the glory is in the perfect execution!

First thing I was grateful for is my newly-raised cutting and drafting table. Each gown takes four skirt sections this size (front & back, exterior & lining), and they take up nearly the whole table!

I didn’t take any intermediate photos of Pip’s dress, but I ended up doing the entire bodice on my sewing machine after all, so that I could understitch the neck and arm openings more easily. In the end, I only used the overlocker for the long skirt seams.

Double take!

13 May 2010, 15:15

Fashion has always been cyclical – we reinvent ideas from decades past and give them a new twist. But with everyone playing off similar influences, sometimes two designers independently come up with very similar ideas. So it’s really not a surprise that you can sometimes find very similar pattern designs across companies, too.

As I found out, once you start looking for “pattern twins”, suddenly you start seeing them everywhere!

Patrones vs Knip tops

(This KnipMode top was previously neglected because it was in the same issue as the fabulous swimsuit pattern…)

While the tech drawings look different, when you look at the pattern pieces you can see that most of that is just down to artistic interpretation and the pieces are very similar indeed!

Knip vs Burda blouses

March 2010 KnipMode

one Burda released last year

Bridesmaids dresses - I pleat the fifth

10 May 2010, 15:18

While I’ve been showing you all sorts of books and magazine reviews and drafting up free bag patterns for you, what’s been going on in the sewing room, I hear you ask! Well, I set aside April and May to sew my two bridesmaids dresses, and after a long muslin period, I’ve been getting stuck in with the most time consuming portion of the dresses first – the pleated, silk satin (charmeuse) waistband/cummerbunds.

If you recall, I’m sewing the Gant exclusive design dress from the 09/08 Burda magazine:

The fabrics were bought over a year ago, so I fished out the bag and got to work on the reeeeeeeally long pleated sections using Burda’s magazine instructions (which are surprisingly helpful) and a bit of info from my The Art of Manipulating Fabric book (thanks, Cindy!). These are knife pleats, one centimeter apart, and Burda called for seven pleats down the band, but after my test piece, it looked a bit sparse at the top and bottom edges, so I decided to go for eight pleats in the final versions.

So in order to help any of you attempting this on your own (and sadly, a Perfect Pleater is way too narrow to help me here), or those of you wondering why professional designers outsource their pleating to professional firms, here’s what’s involved…

How to pleat

Step 1 – On the reverse of the fabric to be pleated, mark chalk lines exactly 3cm apart, one for every “mountain” pleat.

Which Sewing Pattern Magazine?

21 April 2010, 15:56

There have been quite a lot of people wondering about the various sewing pattern magazines out there and which they should buy or subscribe to. Since I’ve been primarily sewing with pattern magazines over the last few years, I thought some of you might appreciate my opinions on the major pattern magazines (and no, I’m not getting any kickbacks or referral money from any of these links, if it wasn’t obvious!).

For all of these magazines, you receive a glossy magazine with lots of nice photos of models wearing the various designs, and there will be a section containing the technical drawings, instructions, and fabric layout for each design. Patterns are included in a special folded bunch of papers (usually stapled in the centre so you can pull them out easily without damaging the rest of the magazine). The patterns come in a variety of sizes, but none of these contain seam allowances and you need to trace them off the sheets provided.

I trace my patterns using a serrated tracing wheel and brown kraft paper, but many others prefer to use tracing paper and pencils. I add my seam allowances when I cut out my fabric by simply cutting 5/8”/1.5cm away from the edge of my paper pattern, but there are double tracing wheels available to do this for you.

Christmas Present - yellow leather & tweed handbag

13 January 2010, 20:16

While my mom was staying with us over the summer, she absolutely fell in love with my mustard yellow handbag and called dibs on something (anything!) made from the remaining leather. Since I didn’t have enough to make another Nairobi bag, I started looking through my stash and fashion mags to get some inspiration, and lo! from the Feb 09 Burda WOF “Australia The Movie” accessories feature (not on the website I’m afraid), there was the perfect handbag, already in yellow even!

There were only two pattern pieces to trace – the main bag body (I doubled the paper pattern so it was the full size rather cut than on the fold to make it easier to lay out on the leather) and the small flap. All the other pieces were rectangles of various dimensions that Burda list in the instructions – the only one I actually used was the piece for the side and bottom of the bag.

Christmas Present - Breton top & sweatskirt

10 January 2010, 13:36

The October 2009 Burda WOF magazine had some really cute winter girls clothes in it, but for me, the sweatskirt (#145) jumped out right away as a great present for my neice, Megan.

This was a really quick pattern consisting only of the skirt (the same for the front and back) and the kangaroo pocket, with a length of ribbing attached for the waistband! I was able to make this using the last leftover navy blue sweatshirting and a ridiculously tiny amount of leftover ribbing from James’s 2008 birthday sweatshirt and it was all done in under an hour. The only changes I made to the pattern was to lengthen it by about an inch because Megan is rather tall and lanky and I’d rather err on the longer side than shorter!

Christmas Present - Colour blocked hoodie

7 January 2010, 20:46

And now, to start off a few posts showing off “What I Gave” this year (ok I’m a little late), here’s the hooded sweatshirt I made for my main squeeze, James.

James really liked the look of the men’s sweatshirt in the December Burda magazine and when I asked him which colour(s) he’d like it in, he proceeded to sketch the sweatshirt and fill in all the sections with the colours he wanted, plus where he’d like some added piping, too. Looks like I had a tough bill to fill in time for Christmas…

Ticking Over

22 December 2009, 15:02

I’ve been doing loads more Christmas sewing but I can only show you the barest amount since so many friends and family read the site. But that just means there’s going to be a glut of posts going up between Christmas and New Year, plus I just got two KnipModes so I can show you my picks from October through January, plus I got gifted the Twinkle Sews book so I’ve got loads to say about that, plus it’s soon time for my year end roundup! So lots coming up, and it’s probably a good thing we’re staying at home over the holidays!

But first, two gifts I can show you some peeks of… My friend Pip has cottoned on to the fact that I can make her things in silk that cost way less than in the shops – last year it was the silk pyjamas, but this year she really wanted silk pillowcases, so I made her a pair in black silk charmeuse based on the measurements of my own cases, plus I added a bit of contrast reverse side and a line of piping to jazz it up a bit.

And even though James reads the site, he had so much input into his sweatshirt that it’s hardly going to be a surprise on Christmas morning!

The Honest 'Tooth

12 December 2009, 08:41

Even experienced sewers do dumb things. I hardly ever make muslins except when I’ve got really expensive fabric (like coating) or when I’m working with a pattern company I’ve not used very much before. But for Burdas, I know I’m a size 42, and that size 42 always fits me.

Until now. I’ve just finished sewing BWOF 05/2009 #117 and (yes I know it’s a stupid thing to do) I didn’t try it on until I put the invisible zipper in right at the end because it’s a PITA to get someone else to pin you in and out and frankly, I still hurt from that surgery so I just like to get into my sewing zen zone and proceed without interruptions. That’s my excuse, anyway.

So what’s Burda’s?? Being polite, I could say this pattern runs small. Besides the fact that Burda patterns don’t run anything, they just fit, every time, with German precision, since when is it okay to have zero inches of waist ease in any woven pattern (seriously – measured dress waist is 30 1/2 inches. Size 42 body waist measurement is 30 3/4 inches on the size chart)? Argh. I think I’m most annoyed because I trusted Burda so implicitly, and because I did such an awesome job on those pointed underarm gussets that so intimidated me (they actually turned out to be really easy – just make sure you thread-baste the seam lines, interface the point, and sew each in two steps like Burda suggests).

I even had to dial Susan down to her absolute smallest setting (39-29-40) to get the dress to fit onto her, and even then the zipper is really straining at the back bodice!

Burda floral crossover dress

9 December 2009, 08:41

The second of my winter knit dresses is the cross-bodiced Burda WOF 06/09 #129. I’ve had my eye on this pattern ever since it came out, but I was amazed to see that no one had reviewed it yet on PR, so it’s definitely an undiscovered gem as far as I’m concerned!

I recently ordered a big batch of fabrics from Totally Fabrics (more on that later) in their 40% off everything sale including this brown floral viscose jersey print with shades of teal, fuschia, and grey thrown in. I only ordered one metre (of 1.5m available stock) but when it turned up, it turns out they gave me the whole 1.5m rather than have an awkwardly short leftover! Score! Even so, there was no way I could squeeze this entire dress out of the yardage available, so I had to do a clever amount of fabric Tetris, shorten the hem by 2 inches, make the sleeves 3/4 length, and sew the hidden front bodice piece from a constrasting grey marl jersey.

Toddler two teeshirt

2 December 2009, 14:26

Sorry about the delay in the knit dress photos – I’d planned to do a photoshoot on Sunday but we had a mini hurricane all day, and then I had lung surgery yesterday so even though the dresses are finished (and I’ve started on a third!), it’ll be a few days until I can climb into them without wincing and make myself presentable.

So it’s a good thing that I’ve got these phots of my little neighbour Rosie’s 2nd birthday present to keep you occupied in the meantime, eh? A few weeks ago we were invited to her party and knowing how much she loved Matilda’s dress, I thought I’d make her something to announce the proud occasion.

There’s a great amount of toddler patterns in Burda magzines, but I finally settled on BWOF 05/2006 #137 which is just a simple teeshirt with shoulder snaps for easy dressing. I used some of the ex-Paul Smith grey jersey with stars, bought from Ditto Fabrics, and some lavender cotton interlock leftover from my mom’s dress to make it a little more girlie!

Patrones pals!

27 November 2009, 18:25

Remember that wool, collared Patrones top I made recently? Well, I’m so happy to report that my overly detailed instructions for it weren’t in vain, because Kim’s made this top, too! It’s fitting, really, since she’s the one who hooked me up with this issue in the first place… ;)

Doesn’t she look great? In her own words:

Nostalgic flowered jeanskirt

25 November 2009, 19:53

I’ve had this flowered black and red denim I’ve since I was 13 or 14 year old. I remember being so inspired by the “sewing machine driver’s test” we took in Home Ec class that I got my mom to buy me this at JoAnn’s Fabrics and I made a really simple tote bag out of this using her old pea-green Kenmore sewing machine. The bag fell apart soon after (let’s just say I wasn’t big on following any “rules”), but I just attached the straps back on with some safety pins and continued to use it as my school bag for the rest of the year.

I honestly had no idea this fabric even still existed, but my mom found it lurking somewhere in my old room at their house and brought it with her this summer. I looked through my pattern magazine archive (made so much simpler by scanning each of the index pages into an online album) and #113 from the July 2008 Burda WOF magazine jumped out as the prime contender.

There wasn’t much fabric left, but it was plenty enough to make this skirt. I’d definitely keep this one in mind if you’ve got a metre or so of heavyweight fabric you want to make use of!

Silk tartan overblouse

15 November 2009, 17:22

Sorry for the delays in posting these photos, but I really wanted to do some proper photoshoots, and last week I had 8 hospital appointments in 5 days, and it gets dark by 4pm now in London so it makes matters even more difficult!

But if you’ll recall, my neighbour Helen gifted me a bunch of fabric from her fashion school days earlier this year. You’ve already seen her wool tweed turned into a skirt, but now’s the chance for the silk to shine! I had a browse through my vast pattern magazine archive and discovered that overblouse 114 from the Nov 08 BWOF (on the right in the first photo below) was the perfect design as it actually called for the exact type fabric I had, and it didn’t have any fiddly button openings that would make a clean finish difficult here, either.

This silk is a semi-sheer crepe chiffon, with a wonderful tartan printed onto it. This was printed onto the fabric after it was made, as opposed to most tartans which are made with the pattern woven into it with different coloured thread. The extra cool thing here is that the tartan is actually printed on the bias, which gives so much more interest to a fairly plain top, without adding any visual width that a wide horizontal stripe might give to the wearer.

Tweed tartan pleat skirt

5 November 2009, 10:01

(I fear I’m a few days too late for a “Trick or Tweed” post title!)

I’m starting to get into the Fall/Winter sewing mindset now (having almost entirely missed this summer, it’s a bit of a stretch), so what better says cold weather than a nice tweed skirt? After browsing through my pattern magazine archive, I finally decided on the rather recent Skirt 110 from the September 09 Burda magazine.

I chose this skirt because I really liked the big front pleat that conceals the two single welt pockets, and having that large pleat means there’s plenty of walking ease. I tend to walk really fast and with a large stride, so I always need a walking slit or pleat in my skirts. The fabric is a great wool (with a bit of synthetic thrown in, according to my burn test) tartan with lots of earth colours and even a thread of blue running through it, which is great for classic Fall and Winter looks. I mentioned before that this fabric was also a gift from my neighbour Helen, who had kept it from her fashion school days and thought I’d make better use of it than her spare room storage!

I already wrote about creating the single welt pockets, which took as much time to sew as the rest of the skirt combined, but here’s the end result!

Welts and Hives

24 October 2009, 18:25

I’ve sewn as far as I can now on the KnipMode Weekend Bag without the extra laminate – I’ve finished the lining, the three exterior pockets, and joined the two main pieces, but the next step is to attach the zipper to the long strips adjacent to it, and those are the bits I ran out of laminate for (oh, I decided to be lazy/cheap and forego the piping, btw).

So rather than twiddle my thumbs while I wait for the postal strike to run its course, I thumbed through my fabric stash instead to get some inspiration for some “me sewing”, after making so many christmas presents (which I can’t show you til December since the recipents visit here, sorry). Funny, but the two fabrics that jumped out at me the most were two I didn’t buy at all – a browny tweed tartan wool and a royal blue tartan sheer silk. Both are remnants, and both were gifted to me by my neighbour Helen.

My next step was to go through my pile of pattern magazines and find suitable patterns for them both, and I ended up with:

Boredom busters!

15 July 2009, 13:13

I’ve been keeping myself busy within my four walls, and a lot of this is down to you all who sent me boredom busting parcels and activities to open up each day! So I thought I’d share some of the seewing and crafty ones so you can see what I’ve been up to (though there’s way more yet to open!).

First up is from Rachel, who sent me two “retro” issues of BWOF from her stash, 07/2000 & 12/2002, with a note challgenging me to find some hidden gems and just giggle at the rest. I’m up for a challegne!

(sorry for the iPhone photos – it’s the best I can do since I’m away from the scanner and the DSLR)

In the 2000 issue I absolutely fell in love with this skirt:

Floppy sun hat

9 July 2009, 10:50

I had the itch and energy to sew on Monday (Day -2) so I spent a few hours working on my first activity pack. Because even after I get out, I’ll have to avoid all exposure to the sun for the next two years to avoid aggravating graft vs host (Gvh) disease, so I thought this wide brimmed, floppy sun hat from the May 09 Burda (#141) looked like a good way to ease myself back into sewing and eventually shield my face and shoulders from Mister Hurty McSunshine.

This hat pattern comes in two sizes – 56 or 58cm head circumference (I made the latter as I’ve got a fat head), and I really wanted to make sure the brim stayed nice and stiff to get the maximum shade, so I picked up some incredibly stiff fusible canvas the last time I was in MacCulloch & Wallis.

Blue Sky sewing

3 June 2009, 20:13

Last second delays, delays, delays are really getting me down. So last night I forced myself to sew a quick knit top to cheer me up and give me something new to wear…

For me, “quick” means:
1. the pattern’s already traced (and previously made is a bonus!)
2. the fabric is in my stash, washed and ready to go
3. Made from knits so no stopping to press seams

Luckily, I fondly remembered BWOF 11-2008 #125, so I went through my traced pattern pile (I knew I kept all of those for a reason!) and whipped this up in under two hours.

Spring coat choices

14 April 2009, 17:26

I’ve got lots of turquoise basket weave wool coating that I bought from Fabric.com on a deep discount the same time I bought that gorgeous faux fur, and I’m envisioning it as a great spring coat (believe me when I say it’s the perfect weight for London springtime, okay?). But I’m torn between three different coat patterns, so maybe you all can help me decide?

1. Patrones #261-17 – Pros: It has a hood, and big pockets, and it’s already traced, since it from an issue I borrowed from Zoe ages ago! Cons: I’m not as confident on Patrones’s sizing so a muslin is a must, and it’s not got any pockets (Wtf?) so I’d have to add on some patch pockets.

Cute stuff and red cords

6 April 2009, 13:34

I had quite the busy weekend! On Saturday, my neighbour Veda came over with her new book, Cute Stuff, and we had a sewing lesson all afternoon. She recently turned 11 and asked for sewing stuff for her birthday (getting that same awesome Chinese-themed sewing tin, too!) so I said I’d let her rifle through my scraps and we’d make something.

So she chose the pocket tissue holder from the book, and we went through the instructions, step-by-step and I taught her how to press and pin, knot the thread and tie off, and how to turn corners. It was loads of fun, and in the end we embellished little faces onto our holders like they do in the book so it looks like the holder is eating the tissues (they come out its mouth!).

The book is really well written and illustrated, and (as you’d expect from the title) full of really cute projects. I don’t think Veda will have any problems doing most of these on her own soon. I should offload way more of my scraps onto her, come to think of it!

As for myself, after the intellectually- and technically-stimulating green silk dress, I needed something brainless and easy, so I made BWOF 08/06 #109 in red corduroy (again!). Seriously, I’ve made this pattern so many times I could sew it with my eyes shut now, but these just fit me so well that my wardrobe is constantly crying out for more… I made a pair of these red cords over a year ago, but the corduroy I’d bought blind off the internet was way too thin for trousers and wore out after only a couple months’ wearing. Boo!

30th Birthday Dress - completed!

25 March 2009, 07:25

Happy birthday to me!!

Today is my 30th birthday, and as such, I’ve made Burda WOF 03/09 #116 in emerald green silk charmeuse (satin) to wear to my big party on Saturday night!

I tested this pattern a few weeks ago and wrote all about the fitting and muslin work here, and thanks to popular opinion, I did indeed take a wedge out of the back seam to get rid of the swayback wrinkles. Apart from that, I kept the fit the same!

30th Birthday dress - muslin

9 March 2009, 13:12

My 30th birthday is fast approaching, and even though I make myself something special every year to wear on the day, this year I wanted to sew a fabulous dress using some emerald green silk charmeuse (satin) I’d bought years ago and stashed away in the hopes that someday I’d recreate that Atonement dress. I was really excited to see in the Burda WOF March online previews that there was a dress that suited me perfectly – gorgeous gathered, yoked shoulders with floaty sleeves, falling down into a deep V neck with a swooshy gored skirt and plenty of back detail, and shown in my chosen fabric – Burda WOF 03/09 #116.

The timing would be tight, though, since I usually only receive my subscription copy on the 15th or so of the month, but I thought I could pull it off. But then Burda updated the website with the full information, showing it was a *&£@^% petite pattern! Argh! It’s always the way that the designs you like the most aren’t in your size, and with the timeline, I really didn’t think this was meant to be…

First-rate Brit chic!

3 March 2009, 21:52

The title is from the cover of my much-loved issue of Burda that I was going on about last week, which also gave me BWOF 08/2006 #113:

I bought some beautifully soft mohair sweater knit from Classic Textiles last time I was at Goldhawk Road (1.5m at £8/m), but I wasn’t quite sure what to do with it until I went skimming through my magazine archive and saw this sweater. The mohair knit is a very open weave with an abstract star/flower pattern running through it, so I knew that whatever I’d make would have to either be lined or be worn with something else underneath (both to show the pattern and also to protect modesty). I chose the latter.

I had only one week’s notice to make something new to wear to my British citizenship ceremony, and I thought the pairing and the “British chic” pattern were too good to pass up! But I had a very busy week and weekend, so I only ended up finishing it the night before! Phew!

Here I am during and after my ceremony at Southwark Town Hall earlier today, pleased as punch!

A spring turtleneck in cream wool jersey

2 March 2009, 13:08

I bought some beautiful cream wool jersey from A-Z Fabrics on Goldhawk Road last time I was there, and I figured it’d be the perfect all-season fabric for layering or for wearing alone. By the time I bought it, though, my funds were a bit depleted, so I only grabbed a meter and a half as it was quite pricey at £10 a meter. I was instantly imagining it as a turtleneck but without any fully formed details in my mind. Then I was reminded of BWOF 08/08 #118 (an issue I’d previously overlooked) and saw that this was definitely what I had in mind, albeit shortened to a top.

August 2006 - the best Burda issue ever

28 February 2009, 09:12

I’ve heard quite a bit of talk from other sewers that the February 2009 issue of Burda WOF magazine is the best one yet. I really don’t know what’s wrong with me (ha!), but I’m just not that into it. I mean, there are a few basics I like, but nothing that’s really screaming make me now!

For me, the best issue of Burda will always be August 2006. Let’s start with the evidence, in chronological order…

The first garment I made from this issue was BWOF 08/2006 #101:

Grey pyjamas

3 February 2009, 16:09

In continuation of my quest for comfortable pyjamas and tops that can work as pyjamas or casualwear, I’ve made BWOF 12/08 #113 pleated neck tee and KnipMode 03/2007 #11 leggings, which I made once before as pyjama bottoms in the pink retro guitars waffle knit.

The heathered and super soft grey jersey is from my first trip to Goldhawk Road, which I bought for £4 a metre, and it was enough to make both the top and leggings, with enough spare for another top someday, I reckon.

Bridesmaids' choice

30 January 2009, 11:47

The bridesmaids have chosen their dress design! The only parameters I gave them were that it had to be a knit dress (no way am I undergoing extensive fittings for them on top of my dress!), and they had to choose the same pattern. Luckily, both of them have similar body types so picking a pattern that suited them both was relatively easy!

So, drumroll….

I will be sewing up two versions of BWOF 09/08 #132, the Gant Exclusive Design dress:

Black microfleece three ways

29 January 2009, 15:21

I had a few metres of black microfleece leftover from interlining my winter coat and I thought I’d put it to good use since it takes up so much room in my limited stash (and as you read yesterday, I have lots of new fabrics coming in!)

So to start off, I made yet another of my favourite BWOF sweatshirt, which I’ve already made before in red velour and also in blue fleece (twice, actualy, as I made one for a neighbour, too).

(My neighbour Lucie was hosting our mooring’s craft night so I thought we’d do a photoshoot in a finished boat for a change!)

Super furry animal

27 January 2009, 13:13

Let me just start off by saying I love this coat. I would jump up and down on Oprah’s couch like a crazy woman for this coat. It makes me happy just to look at it, and to touch it makes my day. I love it so much that I actually feel paranoid wearing it out for fear that some Peta idiot is going to pour paint on me because it looks and feels absolutely like real fur. But wear it out I do, because I love this coat!

I mean, seriously, look at this faux fur, is it not fabric porn?

To refresh your memory, I made BWOF 10/08 #102 in faux chinchilla fur from fabric.com (at $21.98/yard, it was worth every last penny in shipping and customs charges!).

And the end result is just love at first sight!

Burda surplice gathered top

20 January 2009, 10:51

I can’t believe I’ve actually made a Burda WOF pattern in the same calendar month as the magazine! I think this is only the second time ever I’ve been able to do that, but I saw BWOF 01/09 #110 and instantly saw a perfect pairing with the print lycra knit I bought on Goldhawk Road:

(Thanks, Trena, for the swatch/drawing pairing idea!)

I’m actually going back there this weekend so I’m definitely going to raid the shop I bought this in, because the feel and drape of this lycra is fantastic, and at £3.50/m, you really can’t beat it!

Patterns To Trace

16 January 2009, 11:18

Recently I’ve been doing more batch tracing rather than tracing one pattern, sewing it up, then tracing the next. I find my sewing bottleneck is often in the tracing step (even though it doesn’t take much time), so by doing a bunch at once I can always have something on the go to work on in the mornings and evenings.

I’ve been mentally matching up my patterns to fabrics in my stash and tracing an awful lot the last few nights. Here’s what I’ve got coming up in the next few weeks, though you can see my plans have had to change somewhat to focus more on comfortable knits…

The warmest winter coat ever

14 January 2009, 11:42

I joined The Great Coat Sew Along all the way back in May because I’d never made a coat before and it seemed like a great opportunity to gather together with like-minded people and learn an awful lot, too! Even though I (and others) really fell behind on the timeline, I’m really proud to have finally finished my coat while it’s still cold out and to have learned a huge amount of techniques that I never would’ve on my own! So I owe this coat to Marji, really, for setting up and organising the Sew Along, and I’m already planning my next coat…

But for this coat, the pattern was BWOF 09/2005 #102:

I made a huge amount of alterations on the pattern: raised the waist by 1”, lengthened the arms by 1.5”, added a wedge to the lower centre front for walking ease, widened the top sleeve (and shoulder seam) by 1”, and increased all the vertical seams below the chest by about 1/2”. And then on top of all that I changed the pockets and added the interlining, too! It’s probably more alterations than I’ve done on all my other 2008 patterns combined! But as much as BWOF usually fits me straight off the sheet, this pattern didn’t really have enough wearing ease to fit big sweaters underneath…

Previous posts about this coat

May 2008 – The original proposition
June 2008 – Choosing an interlining
June 2008 – Muslin fit and alterations
July 2008 – Tailoring supplies shopping
January 2009 – Making the bound buttonholes and attaching the microfleece interlining

Ok, ok, enough with the backstory, here’s the photos!

Pink guitar pyjamas

26 December 2008, 17:35

Twas the day before Christmas and all through the boat, all the creatures were stirring, especially Melissa at her sewing machine and Bosco with his catnip mouse!

We were invited to breakfast on Christmas morning at a neighbour’s and she kept saying how we should all just come in our pyjamas for some bucks fizz, scrambled eggs and smoked salmon, so I thought it’d be fun to whip up some brand new pyjamas to wear! Christmas has always meant new pyjamas to my mom in particular – growing up, she and her brother and sister would always wake to find a new pair at the top of the stairs which they’d then be expected to change into so they were wearing new PJs in the christmas photos! I didn’t take it that far (I changed into the blue silk cocktail dress in time for dinner!), but it was awfully nice to wake up and put on new, comfortable clothes!

Reprinted Burda patterns

15 December 2008, 12:37

I’m a huge fan of Burda World of Fashion magazine (BWOF) (elsewhere in the world known as Burdamode), but because the patterns are only available for one month only, sometimes it’s frustrating to miss a really good pattern when you seen it sewn up months later. I’m guilty of that myself, but Burda thankfully choose a few patterns each year from all the hundreds (if not thousands?) published in the magazine to reprint and repackage as Burda envelope patterns.

Burda envelope patterns have the same drafted patterns as appeared in the magazine, but they include seam allowances and have much better sewing instructions, with helpful diagrams and tips. The good thing is, these stick around for much, much longer than just one month, and are sometimes easier for people to buy in stores than the magazines.

So in the interests of friendly ~~copycats~~ inspiration I thought I’d fill you in on some of the garments myself and others have made from BWOF that are now more widely available in case you missed that magazine issue…

My tweed kick skirt is now Burda 7895

My tuxedo inspired suit is now Burda 7762

Blue silk cocktail dress

11 December 2008, 12:30

This dress has been in the works for quite a while now, but yet again I find myself with a new cocktail dress just in time for all the Christmas parties! I first noticed BWOF 09/08 #114 when the issue’s preview came up on the website because the seaming was exactly like a Versace dress worn by Kate Moss in the Fall 2007 Versace ad campaign. Besides being a great designer knockoff pattern, I simply just loved the seaming details, though I’m not terribly keen on Burda’s styling of it as a jumper (in the American sense of the word).

Grey skinny jeans

25 November 2008, 11:41

While I’m still waiting for the fabric to arrive from America for my last Christmas present, I decided to add to my trouser collection and make a second pair of the black biker trousers, which are BWOF 05/2006 #112. I realised in my observations of what I’m wearing this month that my trousers in general are way too dark and I need some slightly lighter ones to allow me to wear (my many) black tops with them.

Black yoga tee

20 November 2008, 11:42

I had about a half meter of tubular black cotton interlock leftover in my stash, and
Burda WOF 11/2008 #125 looked to be an excellent use for it! It’s in the workout section of this issue, and #124 is a variation of the same shirt with longer sleeves and a triangular neck insert. I was aiming to make the long sleeves minus the insert, but as it turned out, I was really only able to squeeze in the short sleeves with some creative refolding of the fabric after cutting out half the pieces.

When bias met straight grain...

18 November 2008, 14:23

I’m mostly finished with BWOF 09/2008 #114 (which, you’ll remember, is the spitting image of a Versace dress) which I’m making in navy blue silk with a square neckline. The silk is really lovely and drapes beautifully, and I love how it feels, too. I’m super pleased with how the whole dress is turning out, actually, but this morning I noticed the two front seam lines are doing a funny thing towards the hem:

Tweed kick skirt

26 September 2008, 14:33

And now, the finale in my tweed and satin three piece suit, the flirty kick skirt, BWOF 08/2006 #103! Yes, it’s all business in the front, and sex appeal in the back with those curvy seams and slim pencil stylings…

The back view is where the fun starts!

Black biker trousers

12 September 2008, 11:16

Continuing on with my need to fill my wardrobe’s trouser-shaped void, I decided this time around to try (gasp!) a different trouser pattern! But since I still wasn’t sure how well BWOF 05/2006 #112 would fit me, I opted to sew it up in the leftover black cotton drill from Simon’s pirate coat so that nothing would be lost if the fit was awful.

Frankly, I should’ve trusted Burda more – the fit is even better on these than on my casual TNT (“tried and true”) pattern I’ve been making for ages. These trousers have a seam running down the front leg that goes right into the pockets at the waist, and I think this extra seam really helps to shape them more closely to my legs.

I couldn’t wait for the photoshoot to wear these, though – so forgive the wrinkles! By this point they’d already been out for a friend’s birthday cocktails followed by langostines (yum!) in Soho, plus a full day at work. So just trust me when I say that there are no fit wrinkles when they’re fresh…

FehrTrade in Burdamode!

9 September 2008, 14:11

I’ve been featured in quite a few press clippings before, but I must say, to appear in my favourite magazine is extra exciting! The German edition of Burda magazine (named “Burdamodenmagazine” there and “Burda World of Fashion” here) runs a monthly special feature on creations made from Burda Style patterns, and months ago I was asked if I could send over some bigger photos of my trousers and vest combo for inclusion in the magazine!

We ended up having a new photoshoot to get some better (and bigger) images, and the end result has finally been published in the September 2008 issue!!

Olive! A Twist!

3 September 2008, 12:14

I’ve been fantasising about making this dress ever since February, and I finally got the right inspiration to make it, and in a lovely fabric that nicely bridges the Summer/Fall/Winter gap. BWOF 02/2008 #103 is a knit dress with raglan sleeves, wide boatneck collar, and a really distinctive front twist leading down into a wrap skirt.

Great basics - Green corduroys

1 September 2008, 12:29

I’m in rather desperate need of trousers for my Fall/Winter wardrobe, and so I naturally turned to Burda WOF 08/2006 #109. You may remember that this is essentially my favourite trouser pattern ever – I’ve made it as jeans (twice!), in brown twill, and even in red corduroy. The fit is perfect for me, and it serves as the backbone of my wardrobe when I just need some nice, wearable trousers and don’t feel the need to be particularly challenged by a new pattern. As much as I love trying new patterns and techniques, sometimes you just need something reliable that you know is definitely going to work.

Versace vs Burda WOF

14 August 2008, 10:41

Breaking news!

Burda WOF have just posted a full preview of their September 2008 issue (though only for members at the minute), and this dress practically jumped off the screen at me:

Gorgeous, right? Well, the reason it stood out to me is because those central bodice seams are a spitting image of a Versace dress from Fall 2007. I saw the ad with Kate Moss last year and I loved the design so much that I ripped it out and have had it hanging on my sewing room wall ever since:

A Taupe Notch Skirt!

11 August 2008, 12:11

This has got to be the quickest ever turnaround for a fabric purchase. I bought a remnant of taupe big wale corduroy on Thursday at Goldhawk Road for a pound, sent it through the washer on Friday, hung it out to dry overnight on Friday, and had sewn it up into a new skirt by Saturday dinnertime! It didn’t even see my stash box!

That new chestnut!

23 July 2008, 15:51

My unofficial knit month continues, this time with an incredibly comfortable “frankendress”! The top half is KnipMode April 2008 #13 (still available to buy from Naaipatronen, fyi), which you should remember from when I made it before in blue for myself and then again for my mom:

I absolutely love my top, and I often find myself in my wardrobe late at night picking out clothes for the next day, holding that shirt and asking myself “wait – did I already wear it this week?”. I just knew I had to turn this pattern into a dress to get even more wear out of it, so I searched my back issues of Burda WOF magazines and found a great knit dress to use for the bottom half: Burda WOF 05/05 #125.

I sat down with the two patterns and sketched out a combined technical drawing and then started thinking about my plan of attack to serge this all together, keeping in mind that it’s a lot easier to construct flat seams than in the round… I didn’t follow my plan exactly, but I did stick to the basic idea, and I’d definitely do it this way again.

Run Like the Wind

15 July 2008, 12:32

On Sunday I decided to step up my “July is Knit Month!” activities and finally break into the world of high-performance sports gear. I started running to lose weight a few years ago and, along with sewing, it’s now become my favourite way to both unwind and start the day. I really do get cranky and irritable if I don’t get my regular runs in!! Over the years I’ve amassed a good collection of wicking tops and trousers I wear in rotation until they fall apart, but recently I’ve been having a hard time finding good wicking sports gear under £30 a pop, and especially in the trouser style I prefer – long length and slightly boot cut. Everywhere I look it’s always either skin-tight leggings, capri length, or both! UGH!

So I was very happy to discover that Pennine Outdoor stock wicking sports fabrics, both polyester teeshirting AND Meryl cycling lycra! So in one shop I got supplies for both my tops and my trousers! Now, you may be excused for cringing at the mention of polyester, but in running circles it is well known that polyester is the preferred fabric as it doesn’t hold sweat or chafe like cotton does. If you ever get blisters from a run or long hike, switch to 100% polyester socks and you’ll never get them again. So while I shun polyester in regular sewing, I positively seek it out in running gear, especially when I find the exact same two-sided, slightly waffled weave that is used in all the official race shirts! Bamboo is even better than polyester, though, as it doesn’t hold the stink or microbial nasties either and is softer by a factor of ten, but that’s another discussion entirely…

Anyway, on to the sewing!

Pattern magazine bonanza

10 July 2008, 12:23

I’ve suddenly become inundated with pattern magazines, which is an excellent position to be in, especially since the Big 4’s recent offerings have been dull, dull, dull (really, how many times can they restyle the exact same sack dress?).

First up is the Italian pattern magazine La Mia Boutique, given to me by the lovely Anwen, who’s soon going to guide me around a few London fabric shops I haven’t been to yet! She’s clearly a very good lady to know!

Got my mojo workin'

7 July 2008, 12:28

Ooh, I’m back baby! After my last two duds I was in need of some seriously quick fun to start off Knit Month, so I selected Burda WOF 06/08 #109 sewn in a lilac cotton interlock from Pennine Outdoor as my first bit of fun!

Two duds in a row

4 July 2008, 16:04

It’s been a long, long time since I’ve had a pattern that just did not work for me at all, but strangely, I’ve just had two in a row that I’m giving up on entirely.

I fell in love with the chic styling of the Hot Patterns Monaco Top – the slit opening, the slim lines, the angular bib, the pieced bottom, and all sweetened by the cute gathered sleeves. At least, that’s what I thought the pattern was for…

I should have really listened to the earlier reviewer of this pattern (who also didn’t make it past the muslin stage) and just cut my $18.50 losses and run far, far away.

Been up to...

19 June 2008, 11:54

Phew! It’s been a very busy week, both in my sewing room and elsewhere on the boat. Parties, film nights, more deck grinding, music selection for a friend’s wedding, gardening, broken water pumps, gifts, muslins, and BIG shopping, but to name a few!

The deadline for the finished instructions and my bio for the “Pillowcase Challenge” book were also due this week, so I devoted a big chunk of Sunday to getting that perfect, and then the rest of the weekend was spent making a twin blue KnipMode shirt for my mom:

A wool coat in July?!?

28 May 2008, 12:23

I’ve been planning on sewing myself a new winter coat for a while now, and I’ve been lurking on Marji’s Great Coat Sew Along site (currently members-only) for a bit, but after I saw her timeline, I finally realised I can jump right in and sew this alongside all my other summer sewing! So the month of May is where we’ll be gathering supplies, then doing muslin fitting in June, and finally starting the coat construction in July in order to hopefully finish in September.

The more I thought about it, the more I felt confident I could stick to that schedule, and now our renovation plans are looking likely to include the demolition of my temporary sewing room in the fall (to make way for our bedrooms and our lounge) so I may not have a place to sew my coat if I wait any longer!

As you know, I’ve already bought my exterior fabric – some gorgeous charcoal grey, 100% wool coating fabric from Rosenberg’s.

Irish silk

28 March 2008, 11:38

We’re still very much in the grips on winter here in London – temperatures barely above freezing, constant rain and high winds, and over Easter weekend, almost continuous hail and flurries. Ugh. I’m nearly finished with my winter sewing, but with the weather as it is, I can’t really start sewing anything for warmer weather just yet. But I was just so in love with the silk charmeuse I bought in Dublin that I ignored all common sense and sewed up Burda WOF 02/2008 #119.

Such is my dedication to all of you that I went outside for this photo shoot when it was 30F/0C with high winds. I’m not sure if you can see the goosebumps or not!

Birthday bolero and Thames jeans

25 March 2008, 12:51

I’ve just spent nearly all of my four day weekend (double bank holiday, woo!) behind my sewing machine and ironing board, and I couldn’t be happier! For the last few years I’ve made myself something nice and new to wear on my birthday, so today I’m wearing my new clothes! It dulls the pain of turning 29, you see… ;)

Pattern matching

17 March 2008, 11:39

I should have some photos for you very soon of my beautiful silk blouse, but in the meantime, I’ve started thinking about sewing up my next pair of jeans, using some brand name Levis 3% lycra denim from Crybaby’s Boutique (though it appears to be sold out now!). It’s all washed and dried (in my neighbour’s tumble dryer) and pressed and ready to go, but now I have to decide whether I’ll stick with my tried and true jeans pattern, Burda World of Fashion 08/2006 #109, or whether I should a new pattern, BurdaStyle’s Anita skinny jeans pattern.

So my first thought was to compare the two patterns to see exactly how different Anita is from my usual pattern. It fits me like a glove, but has back darts rather than a yoke, which is my only aesthetic issue with it. Now, the BWOF pattern (in brown paper) does not have seam allowances and Anita (in white paper) does, so if the two patterns were exactly the same there should be 5/8 inch of white showing all the way around the edges.

Here’s the waistband pieces:

Missoni-esque zigzag top

12 March 2008, 14:07

Sunday morning began with me balancing on two narrow beams in a four foot tall crawl space, crowbarring up a huge portion of floor in order to get at the water tanks underneath. Sunday evening ended with me sewing up this blouse. I’d say I had a pretty full and varied day!

I absolutely love the Feb 2008 issue of Burda World of Fashion magazine, and #123A is one of the three from that issue I’m determined to have! I used the remains of some fabulous jersey from Gorgeous Fabrics that reminded me so much of Missoni zigzags that I couldn’t say no (you might also remember this fabric from the top I made my mom for Christmas!).

The Tuxedo-Inspired Suit

10 February 2008, 22:56

If you’ve been following along, you’ll remember that my grandmother visited the Pendleton woollen mill in the 1960s and bought two 2 yard remnants of 100% wool navy blue suiting fabric for $6 each (so $12 total). In August, she gave these to me, saying she’d never got around to sewing up anything with them and she thought I’d make better use of it.

I’d already finished the jacket portion of this tuxedo-inspired suit (the show piece from my F/W 07 Collection), and you can see the first photoshoot of that here.

The trousers were far more straightforward than the jacket, however, so they didn’t take nearly as much time or seam ripping to complete! I wanted to tie together the satin accents of the two pieces so I opted to add a thin stripe of navy blue satin ribbon to the outside seams of each trouser leg, which I think gives a subtle sheen as I move. The integral belt/waistband of this pattern really evokes a sort of cummerbund, too, and raises this design above just a normal trouser suit.

The Patrones Charm

30 January 2008, 12:53

My copy of the latest Patrones Magazine (#264) arrived last night! As I explained last week, it’s incredibly difficult (and expensive) to get your hands on, but this issue has fulfilled all my expectations and more. It’s kinda sad, but I actually had trouble sleeping last night because my mind kept wandering over all the details of about ten of the designs while I was trying to sleep!

The Jean Paul Gaultier skirt (#69) is absolutely first on my list. It’s hard to see from the photo, but there are curved seams running through the front and back that are begging for contrast fabric – I’m thinking black wool crepe with black satin or leather curves (I also really like the blouse in that set, too).

Forty Year Wool Jacket

28 January 2008, 11:49

I’ve been working on the jacket portion of my tuxedo-inspired suit (the show piece from my F/W 07 Collection) for the better part of January now, and I finally finished it this week. I cut out the pieces for the trousers at the same time to ensure I had enough fabric for both (I do, with about a half yard left over!), but sewing both at once would’ve really just resulted in missing pieces!

"You want me to do WHAT?"

18 January 2008, 11:34

Last night after dinner I thought I’d go work on my blue Pendleton jacket. I knew the next step was to create and attach the upper collars (that will cover most of the satin lapels), and so 2 pieces for each lapel, plus the back (collar) facing, it shouldn’t have taken more than a half hour or so. Two hours later, I was mentally exhausted and I felt like I’d come away from an entire day’s marathon session.

I know I only just moaned about this pattern yesterday, but I ended up doing something last night I’ve never, ever done before in sewing: I got out a ruler and measured two pieces to see if it was actually physically possible to join them.

The seam in question:

Wool, satin, and lace

17 January 2008, 11:16

I’m making good progress on my tuxedo-y suit using my grandmother’s vintage Pendleton wool. I’ve done the single welt pockets (a first time for me!) and the construction of the jacket body, and I’m now working on the many collars and lapels. The placement of the welt pockets (which are hidden under a front flap) is way too high, though, and the pockets are too narrow to be useful, though – this is the second time I’ve had BWOF jacket pockets be waaaay too narrow for my hands to fit through, so I must remember that for next time.

Red vines

4 January 2008, 15:13

I have such a thing for red corduroys. I’ve probably owned about ten pairs over my lifetime, and they have all been worn multiple times a week until their inevitable downfall. For the last few months, however, I haven’t been out shopping very much and when I have been out in stores, I haven’t been able to find any cherry-red cords anywhere.

So in my American fabric buying orgy I picked up some bright red baby wale corduroy to make my own. The fabric was a bit thinner than I was expecting (more shirt weight than trouser weight) so I hope they don’t wear out prematurely, because I’m stupidly happy with them!

Beware the ravenous pandas!

31 December 2007, 10:04

If you have never felt or sewn bamboo fabric before, stop what you’re doing and go buy some right now. Seriously. I’ll wait.

Bamboo jersey is as soft as cashmere, as easy to work with as cotton, machine washes without much shrinkage (or loss of softness), is antibacterial (so if you make workout gear in it it doesn’t stink half as bad as even the techno wicking stuff!), and all the wrinkles steam out of it in the time it takes to have a shower. Honestly, this stuff is wonderful, and I can’t wait until more colours are available and I’m buying every single one.

This wrap dress pattern is originally from the May 2006 Burda WOF, but it’s proved so popular that Burda have released it as a 2 euro download pattern, too. It really is the perfect wrap dress – necklines that don’t move, secure fastenings (two snaps are concealed beneath the decorative belt), and best of all – a full frontal overlapping skirt panel so you don’t have any surprises on a windy walk to work! Coupled with the luxuriously soft bamboo, this really is like wearing pajamas…

Yellow satin cocktail dress

17 December 2007, 12:27

I fell in love with the yellow cocktail dress in the 11/07 Burda WOF magazine, with its wide, square neckline and fabulous 90 degree front darts, and it just so happened that I had just the right amount of butter-yellow duchess satin leftover from James’s pirate coat lining to sew this up. Since the satin was so thick I opted to omit the lining and just go for facings instead, which made this an even quicker project.

Together with my matching fascinator and steel grey satin gloves from the V&A gift shop, I rather overfulfilled the “glam attire” required for my neighbour’s lighting up party on Friday night.

Soft and Warm

3 December 2007, 13:10

I’ve broken my self-imposed ban on sewing fleece. I blame the 90s for making me think it’s the most unfashionable fabric on earth, only worn in big, boxy cuts by soccer moms and awkward preteens.

But the heating on our boat still isn’t sorted yet, and I’m sick of seeing my breath while I eat dinner every night, and sewing with quite literally numb fingers (my metal shears are so cold they hurt to touch them!). So I got the boyfriend drunk and convinced him to order 5 metres of navy blue fleece to make us some warm lounging clothes to only wear around the boat.

Jedi master

1 October 2007, 12:31

I’ve now completed two pieces for my FW/07 Collection, a pair of chocolate brown trousers, and a white cropped jacket.

Glastonbury dress in situ

3 July 2007, 10:46

I’ll have another update very shortly (as soon as I can arrange the photo shoot), but until then, I know some of you have been asking how the Glastonbury dress held up to the deluge of mud…

And the answer is, surprisingly well!

Glastonbury meets IKEA

2 June 2007, 12:49

Back when I got the pillowcases for the famous IKEA skirt, I also bought a Tanja shower curtain that caught my eye from across the store and was conveniently marked down to a fiver.

It’s stayed in my fabric stash ever since, just waiting for the perfect project, which presented itself in the form of this Burda WOF 60s dress from the May 2007 issue. It turned out to be the perfect fabric for this dress, considering that Glastonbury is coming up in a few weeks and I’ve been wanting something special to wear (and let’s face it, if the famous downpours happen again this year, this dress is ready for them!!), and because the pink piping matches my hot pink wellies perfectly.

Pucci pink tunic

30 April 2007, 12:15

Ever since I finished my sewing room, I’ve been sewing like a woman POSSESSED! On Friday evening I finished this tunic top from the March 2007 issue of Burda WOF magazine, and on Saturday, I cut out and nearly finished another tunic top (I’ve just got the hem to go – watch for it later this week).

A Room Of One Sewn

24 April 2007, 12:06

After a bit of hard labour with some power tools and brute force, I was able to clear three of the little hotel rooms on our boat two weekends ago. One became a walk-in wardrobe, one will very shortly become James’s office, and the third blossomed into my (temporary) sewing room (all the little hotel room walls will be ripped out to make way for our living room, two bedrooms, and two en-suites. The fate of a sewing room in the new plans is still unclear!).

But let’s move on to a tour of my sewing room, since this is probably the tidiest it’ll ever be…

Here’s the overview shot of the whole room. It’s about the size of two single beds side-by-side, with light coming from two halogen lamps and the porthole (which puts out a surprising amount of light during the day).

It's In My Jeans

25 January 2007, 14:11

I decided I needed a challenge. I’ve never made trousers before, let alone jeans, but I had some stretch denim from Walthamstow Market wallowing in my stash for over a year, and I finally had enough time in my schedule to do them justice. I’d attempted to make Vogue 8202 about a year ago, but only got as far as the muslin stage before I realised that a) the front rise was scandalously low, b) there was about 4 inches too much ease, and c) I started to lose weight and the pattern size range I bought was far too big to bother downsizing and redrafting. So this time around I used a pattern for corduroy trousers from the August 2006 Burda World Of Fashion magazine and just added the missing pieces (namely, the back pockets, the fifth pocket, and an interior fly piece) from my old Vogue pattern.

Snug & Smug

6 November 2006, 12:01

While in Holland last weekend, I managed a very quick run through Utrecht’s amazing fabric market (every Saturday on Breedstraat, with 100+ stalls of every fabric imaginable) and got a bunch of red velour for another (secret!) project. I finished the other project and used to offcuts to make this very warm and snuggly top, just in time for winter.

Velvet goldmine!

6 September 2006, 20:56

One of the nice things about buying tons of lush, black velvet for your boyfriend’s pirate coat is that you get to have your way with the leftover fabric! And if you’re a bit cheeky and insist that you’re going to be left out in the cold very soon because none of your other jackets fit anymore, then sometimes, sometimes, you can get away with making use of the scraps before the intended recipient of the fabric.

I made Jacket 101B from the 08/2006 issue of Burda World of Fashion magazine, which, if you’re not familiar, contains about 50 patterns in each magazine, ranging from incredibly fashion-forward to designs to some real “who in god’s name would wear THAT?” shockers. But overall, there’s at least a few things you’d make in each issue if you had enough time. August’s was a particularly good issue, but seeing as how my need for a jacket was the greatest, I tackled this first.

Summery vintage kimono top

12 May 2006, 11:40

I made this with a vintage-style crepe-de-chine dragonfly print from efabrics.co.uk (99p a meter! and it was coincidentally made in Japan), and a matching jade green crepe-de-chine from the same place that wasn’t on sale, so it was £2 a meter. I was really breaking the bank on this project…