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A Birthday Cat Saraste Top

It’s my 45th birthday today!! It’s not been a great year, tbh, with a truly horrific last 6 months, but to quote my friend Louis de Pointe du Lac, “A shit life beats no life.” And maybe this birthday will mark the start of a fresh new year, eh?

If you’re a long-term reader, you’ll know that I always like to sew myself something special for my birthday. With gaining so much weight from Long Covid, I wanted to sew something that would fit me now and still fit me when I go back to my usual body size. The Named Saraste Top from their “Breaking the Pattern” book is one of my favourite ever patterns, so it was a natural choice. There’s mix and match pieces here that allow you to make a dress, shirt, or top with varying pieces. Here I used the body of the Top minus the ruffles, with the collar from the Shirt & Dress, and short sleeves from the Solina pattern.

A celestial Gina tee

I own the very first Fibre Mood magazine but for some reason I’ve never made any of their patterns before. But when I saw this latest issue I bought it immediately and as soon as I got home from Cornwall I traced off four patterns from it – I want it all!! I even splurged on the viscose/wool jersey shown on the cover!!

To ease myself in to a new pattern brand, I thought I’d start with one of the tees. You can either buy the whole Fibre Mood 03/24 magazine like I did (and trace off the patterns from the sheets), or you can buy any of the patterns individually as pdfs, too.

I’m going to make the other tee for comparisons’ sake (also against a recent Burda mag tee), but I started with the Gina tee. It’s a boxy tee with slight, cut-on sleeves and cuffs and a wider than usual neckband.

A grey ribbed jumper

I was thrilled when The Fold Line included a free download of Paper Theory’s LB Pullover pattern in their advent promotion last year. I’ve made their Zadie jumpsuit (twice!) and their Block Tee (formerly “Kabuki Tee”) as well and worn them loads.

I’ve heard great things about the LB Pullover, too, but I balk at spending £11 for a really basic pdf pattern. I will happily admit that I was wrong though – this pattern is well worth the full price, even with its oversized shape and simple lines. It’s easy to mess up the proportions of something so simple, but this is expertly drafted.

A Burda knit top with Old Hollywood glamour

It doesn’t happen very often that I see a design inside a Burda magazine and I instantly have to make it. But when I saw this asymmetric, high necked, surplice jersey top in the January 2024 issue, I just had to make it!

This pattern comes in two versions – I actually made no105, the top version. For some reason it’s not available to buy as a pdf but 104, the dress version, is. They’re basically the same and you’ll just follow the shorten lines for the top if you buy the dress.

A gold ribbed polo neck sweater

Sometimes my garments start with a pattern, and I buy the fabric afterwards for it. Other times, I think up an item I want to sew and find the pattern and fabric to match it. And sometimes I start with a fabric, and think about how I’d most like to wear it and find a pattern from there. This top is one of the latter.

I bought the “Old Gold” ribbed jersey from Like Sew Amazing (£19.50/m) and I originally thought I’d make a sleeveless tank with a high collar, but when it arrived it was SO SOFT and I knew it should instead be a polo neck (turtleneck) sweater instead.

A Claudia tribute outfit – the trousers

After talking about the inspiration and my goals for this outfit, the drafting and sewing of the cape, and the incredible details of the silk shirt, we’re now onto the final piece – the plum trousers!

If you recall from my first post, the trousers used in the show were high waisted, wide legged, with a wide waistband and presumably a side zipper (as there’s no front opening on the wastband). I actually hate wearing all of these things, so making this fit my own tastes while still looking similar was going to be a challenge!

A Claudia tribute outfit – the black silk shirt

Earlier this week I talked about my inspiration and goals for this project, as well as taking a deep dive into the making of the cape, and today’s it’s time to talk about the shirt!

The shirt was the garment I could see the least details of in any of the reference photos or sketches, so it actually meant that I gave myself the most room to make what I wanted here, and one that I would want to wear again and again! I already had some beautiful textured black silk in my stash for a number of years, so it seemed the perfect opportunity to put that to good use.

Whenever I need a woven, button-down shirt these days, I tend to reach for the “Saraste” pattern from Named’s first book, “Breaking the Pattern”. I’ve made the dress version twice now, and the swing top once (with another planned), but I’d somehow not made the classic long sleeved shirt yet. One nice detail I love about the sleeve pattern is that they’ve shifted the long seam so that it falls at the side of the arm rather than the underarm. It means you can just fold the seam allowances under rather than faff around with sewing a full sleeve placket, making it much quicker to sew.

A Claudia tribute outfit – the cape

After yesterday’s post detailing the inspiration and fabric sourcing for this outfit, today I’d like to talk about the standout piece – the cape!

As I mentioned in the earlier post, I sourced the exterior cape fabric from MacCulloch and Wallis’s Soho shop after finding a few that I liked online. But before I cycled up there, though, I noted that all of my candidate fabrics were a) expensive! and b) 140 or 135cm wide. Because of both of these, I didn’t want to buy too much or too little fabric, so I drafted my pattern pieces first to ensure I only bought exactly what I needed.

I drafted this cape myself, using the same principles of a standard circle skirt, except the “waist” would be my neck, and the length would be my neck to wrist measurement. The fabric width meant I couldn’t get a complete circle, so I kept changing the angle until I could fit it into the 140cm.

A Claudia tribute outfit – inspiration & finished set

It’s been years since I’ve had a reason to sew something for Halloween. I’m pretty sure the last time was when I made the badger and fox suits for J and myself, and that was 6 years ago. So when I found out we’d be in Cornwall over Halloween AND there was a local outdoor fancy dress party, I started plotting. And when a friend said she’d be hosting a vampire party on Halloween weekend, I really got down to some serious planning.

You’ll already be aware from my tribute teeshirts how much I adore the recent “Interview with the Vampire” tv show (Brits, it’s on iPlayer now!), so my immediate thought was to try and recreate one of the vintage costumes from it. The first season takes place from 1910-1940 but the main female character, Claudia, is introduced in the 4th episode and spans 1920-1940. Unfortunately, for a good portion of that she’s dressed pretty juvenile, so those early outfits really didn’t appeal.