James has a black linen shirt from Muji that he utterly loves. He’s worn it very nearly to death over almost ten years, though, with it rather faded and with a hole worn in in one place. So he asked me if I could copy it, as it’s a design that he’s never been able to find it shops again.
It’s an over-the-head design with a front button placket, stand collar, back yoke, and short sleeves with little button tabs on the sleeve hems. The only change I made from the original was to introduce a small pleat at the back yoke, as I just think men’s yoked shirts look weird when they don’t have them, plus it gives a bit of wearing ease back there.
I traced out his existing shirt with craft paper and my serrated tracing wheel, and made a quick muslin, which miraculously needed no fitting changes! Then it was onto the first real version, made up in a lime-green linen-blend mix from Ditto which he chose when we were in their Brighton shop earlier this year.
Plackets always tend to intimidate me as they seem like a bit of witchcraft – how can this weird shape turn into that in just a few steps?? So I put off sewing it, until I remembered that I’d scanned and digitised the placket template from David Page Coffin’s excellent “Shirtmaking” book. This is one of my clever-er ideas, as it means I just just adjust the width and length of the placket in Illustrator and print myself off a fresh template. Because obviously the dimensions for sleeve plackets for men’s shirts are of a different scale than the neck placket here!read more >>
Unfortunately, menswear really is the ugly stepchild of the fashion industry – there seem to be about two menswear books for every ten for women, plus there are hardly any commercial patterns out there for men (and if there are, 90% of the time it’ll be that same button-down shirt I’ve seen a million times, argh).
The Aldrich book seems to be the de-facto standard for menswear drafting as far as I can tell, but I tried her teeshirt draft for men and hated it so I’m loathe to buy it to test the rest, really. Perhaps it’s the standard just because there are so few to choose from and not because it’s particularly very good? So I asked for (and received!) this book instead for my birthday, as I’d love to draft more menswear for James and possibly for future patterns, too.
Now I haven’t actually tested the drafts in here yet (though I fully intend to), but I really like a lot of things about this book. Most obvious is that it’s a modern menswear book – instead of just covering the basic tailoring styles, it shows you how to draft things like hoodies, jeans, and parkas on top of the more standard jacket and button-down shirts. There are 20 different styles in all, with instructions on how to adapt the basic blocks to match the given style. So this is more like how the Japanese pattern books do things, only a bit easier to follow than the standard Pattern Magic “instructions”!read more >>
Sewing a coat is always a big accomplishment, but this coat in particular has been a long time in the making. I first told James I’d finally make him a coat like Benedict Cumberbatch wears in BBC’s “Sherlock” for his birthday back in early December. I drafted up a pattern using the details provided in this livejournal post, then made a muslin for him later that month. With only a few tweaks needed for fit and style (I made the lapels too big, for starters!), I then moved on to purchasing the wool coating, cotton flannel underlining, and black acetate lining.
But this is also where the first delay came in, as he wanted a black wool coating with faint blue and brown checks from Crescent Trading, who turned out to be closed over the full Christmas period, when I was hoping to get a lot of the work done. All of the above are detailed more
in this “progress report” post from January.
I then had more hurdles involving the hem bubbling (which meant I had to baste it in place, flip it back wrong-side out, handstitch, re-press, etc), waiting for some woman on Etsy to make more replica buttons (which we finally gave up on and just made our own with gold enamel paint), and getting the right upholstery thread to do all the buttonholes.
But it’s finished, it looks fantastic on James, and the proportions are really flattering on him, too! So the lengthy making process shall soon fade away in the light of the finished coat. He definitely prefers it open (as dos Sherlock himself), but it can be buttoned up in the coldest of days, too:
It’s a very warm coat, having underlined the body and sleeves in flannel, a trick I picked up in previous coats to stop the wind.
I can’t take the credit for these, as James was having fun with photoshoot ideas!read more >>
I mentioned briefly back in December that, for James’s birthday, I gave him the promise of a custom-made coat in the style of the one Benedict Cumberbatch wears in Sherlock. Or as it will henceforth be known, “the Sherlock coat”.
A few others online have made this coat (including a few FehrTrade readers, hello!!), but I found the most helpful resource to be this livejournal entry from a lady who sketched and measured a lot of the details after analysing screen grabs. This was a big help in taking James’s TNT short jacket pattern and adapting it to look more like the coat on screen!
I first made an approximation on his paper pattern and sewed up a muslin. From this the only real fitting problems were that the upper back was too tight, and the Centre Front needed to be shifted by about an inch, but it was otherwise fine. I guessed a bit wrong on the collar and lapel shape though, but it was fairly easy to just draw a nicer shape onto the muslin itself and transfer it to the pattern.
Once the muslin was settled, I then bought the wool coating (delayed a bit as Crescent Trading were closed over the holidays) – not the exact black and grey small houndstooth used in the original (simply because I couldn’t find any locally), but instead a black/grey/brown check which still had the same feel. I also bought the black acetate lining at the same time, but the black cotton flannel for underlining came from Minerva.
I then settled in for the mammoth task of cutting out all the pieces in wool, underlining, interfacing, and lining, then fusing the crap out of everything that needed interfacing. With two patch pockets (and flaps), plus two welt pockets, two back belt pieces, sleeve cuffs, and a collar, (not to mention facings!), there was a good day taken up just by fusing alone!read more >>
I don’t often sew for James (preferring to fill my own wardrobe instead!), but every now and then he either sees something online that he’ll take inspiration from, or have a fully formed idea in mind that he’d like me to bring into reality. So this one is another fantasy jacket, this time modeled heavily on Betabrand’s reversible smoking jacket.
When we were in Paris in March, he bought a wonderful wonderful wool/poly blend corduroy at the Tissues Dreyfuss Coupons shop for €10 total (a complete bargain!) as well as some red chinese brocade to use for the other side.
I started sewing this when we were in drydock in April/May, then I stalled at the bound buttonhole stage since my little red machine isn’t great for precision jobs (no speed control!). Then the pressure was off during summer, but the cooler weather meant I really did want to finish it for him!
Even better – James surprised me buy buying Betabrand’s “open source” disco fabric, so now the jacket changed slightly in that the reverse will be PURE DISCONIUM!
What I’ve made here is the ultimate day-to-night jacket!
I started with his last fantasy jacket as the pattern base (which, in turn, started life as Burda 10/2008 #134) since it fit him really well, then James had a bunch of style changes to make to this one:read more >>
Because I’m a good wife, I promised James I’d make his reversible smoking jacket after I’d finished my peplum top (photos coming next week, sorry – it’s been impossible to organise a photoshoot around both our social schedules!). This week has been rather busy, even by our standards, but I did get two evenings to work on it, and so far I’ve completed the entire corduroy shell (including bound buttonholes and no less than three welt pockets!) and moved on to the interior. Or, because this is a reversible jacket, I suppose it’s just “the other side”.
The other, disco side.
If you recall this is Betabrand’s disco fabric and it seriously is as bright and loud as the photos on their site suggest. I had to cut it with the black side facing out just so I wouldn’t go dizzy cutting it!read more >>
Lots of things going on at FehrTrade Towers, so it’s time for an update roundup!
After my last post outlining the lining instructions, there will be no points for guessing that this is coming along shortly! I’ve just got to handstitch the hem and the bottom of the lining and it’s finished, hurrah. Perhaps if I’m speedy I can wear it to the V&A Ballgowns exhibit meetup Karen is planning?
Bacchus half marathon costume
As part of my preparation/reward for my marathon training, I signed up to run the Bacchus half marathon this weekend. Not many people are familiar with this race, but it’s been rated exceptionally highly on Runner’s World, and the clue might lie somewhere in the description: a half-trail, half-road, fancy dress (costumed) race through a vineyard in Surrey with wine tasting every 2 miles, plus a free glass of wine and hog roast at the end. See why I signed up??
I’m regularly running much further than half marathon distance in my training runs, so even though this is only my second half marathon, I’m not that concerned about the distance, so instead I concentrated on the costume, making sure it’s entirely wicking and running-friendly!
I’m sure it will surprise none of you that I’ve also made another Jalie running skirt. Or, err, to be precise, two more, since I made another black one in parallel with my Bacchus one and forgot to photograph it! And a top based on my knit sloper (which I’m still tweaking after running in my sequin top for a few months now).read more >>
So following on from my high class, designer escapades last week, I’ve now got something a little more, err, salt of the earth to show you. I’ve taken to calling this the “Appalachian Wedding Shirt” (and being from Perry County, PA, I’m allowed to say that!), but it’s also a gift of a gift, and I love when I can do that.
The (officially licensed!) John Deere quilting cotton was a gift from my friend Sharon, who bought it at her local Amish fabric store and presented it as a gag gift in my stack of fabrics that made up our wedding gift. John Deere is a completely unknown brand amongst my circle of friends in central London, but we knew our friend Simon would love this, and he travels all around the world on business so we knew it’d get seen a lot, too.
I paired this with Simplicity 5273 (now Out Of Print), which I’ve made many, many times for James in various guises and it’s my go-to pattern for a quick and easy button-down casual shirt for him.
You may remember Simon from the quickest pirate coat ever (and yes, he still wears it!). But this shirt has been a mental project for almost a year now, since Simon was overheard at our wedding complaining to other friends how “it’s not fair that James just picks out any fabric he wants and Melissa makes it into a shirt for him!”. ha! So we thought this would be perfect for him…
James’s first reaction when he saw the finished shirt was “It’s horrible! Simon will love it!”.read more >>
James isn’t normally the pyjama sort, but it’s been particularly cold this winter and he’s been in need of some PJ bottoms for quite a while. He only has one pair and it’s kinda sad to be wearing Santa Homer Simpson in February:
(Note to family – please don’t take this as a plea to send more. He really only needs and wants this one pair!)
So I took pity on him and said I’d sew him a new pair to wear, and Burda magazine 12-2010 #134 was particularly handy. There are tons and tons of unisex pyjama trouser patterns out there, but this one was easy to find, and I know Burda’s sizing is so consistent that a 52 would fit him fine.
We were going to use the grey knit fabric we bought at Ditto, but I greatly underestimated the width of that so there was nowhere near enough (totally my fault as Gill asked “are you sure that’s enough?”). In a sea of insipid cutsey prints, Chawla’s came through with this solid black cotton flannel for cheap (3m for £11 shipped and I’ve got extra for jacket interlining if I like now, too). Chawla’s may not have the widest selection of natural fibre fabrics, but they are consistently the fastest shippers ever – I ordered this on a Tuesday, and it arrived in Thursday’s post!read more >>
I’ve been calling this James’s “fantasy jacket” because he’s asked me to recreate a beloved unlined, simple, waterproof jacket that was stolen from a pub on the night he met me all those years ago.
He recalled it from memory while I attempted to create an accurate tech drawing, and then once that was agreed, I compared this against my vast pattern magazine archive (made much easier since I started tagging my At a Glance scans online, so I just had to shuffle through those issues tagged “menswear”!).
I decided that BWOF 10/08 #134 was a pretty good starting point for what James wanted, and I went from there. The muslin went well, so around Thanksgiving I started on the final jacket, made from a very cool laminated linen from Mood in NYC, with bias binding made from some dark red and black tie silk bought in Dublin three years ago.read more >>
It may be FREEZING in London, but the heat is on for me to sew James’s fantasy jacket in time for his birthday on Saturday!
I’m calling it his “fantasy jacket” because he’s asked me to recreated a beloved unlined, simple, waterproof jacket that was stolen from a pub on the night he met me. So he recalled it from memory while I attempted to create an accurate tech drawing. Then I compared this against my vast pattern magazine archive and decided that BWOF 10/08 #134 minus all the bells and whistles plus a few different whistles and bells was the best starting point. The muslin went well, so this weekend I started on the final jacket, made from a very cool laminated linen from Mood in NYC, with bias binding made from some dark red and black tie silk bought in Dublin three years ago.
The rubberised coating on the fabric means any and all pin holes show, so I needed to treat it like leather – pattern weights and rotary cutter for the pieces, and since it’s unlined, I also needed to create metres upon metres of bias binding for the exposed edges. I used a continuous bias binding method for the first time ever and it was very quick, though not very intuitive.
(I wrapped the binding around a sunglasses case to avoid creases. And because it was handy. Let’s face it – I’m not going to be needing the sunglasses any time soon!)
After binding most of the edges, I then set to work on the front welt pockets, which were rather tricky on a fabric that requires a press cloth (I’m paranoid that the laminating will melt!) and can only be basted where it will never be seen. So I thought I’d document the process and give you all a little welt pocket tutorial.
This is also exactly how I do bound buttonholes, but because the scale is much larger here, it’s easier to try welt pockets first to get the technique down and then just do the same thing on a smaller scale for buttons once you get the hang of it.
How to sew a double welt pocket
My pockets here are 7 inches long (6” is standard but I wanted to make sure his big man paws would fit in), and the opening is a total of 2cm wide (1cm on either side of the centre opening line). So the welts I cut out were 4cm wide (folded in half, they’re 2cm wide so straddle the stitching line nicely), and 8 inches long (so I get some overlap at the ends). You’ll need two welts per pocket. I folded each of these lengthwise and machine basted close to the cut edges to keep them together. If your fabric frays or shifts in anyway, you may want to interface the welt pieces in addition to the area around the pocket opening.
Hand baste the pocket edges and central line. When you’re basting (in general), never turn a corner with your hand stitches, but leave the tails free at the corners. Also, you should extend the short edges here two centimeters or so beyond the long lines. I haven’t here because the needle holes would show!
And now, to start off a few posts showing off “What I Gave” this year (ok I’m a little late), here’s the hooded sweatshirt I made for my main squeeze, James.
James really liked the look of the men’s sweatshirt in the December Burda magazine and when I asked him which colour(s) he’d like it in, he proceeded to sketch the sweatshirt and fill in all the sections with the colours he wanted, plus where he’d like some added piping, too. Looks like I had a tough bill to fill in time for Christmas…read more >>
I’ve been doing loads more Christmas sewing but I can only show you the barest amount since so many friends and family read the site. But that just means there’s going to be a glut of posts going up between Christmas and New Year, plus I just got two KnipModes so I can show you my picks from October through January, plus I got gifted the Twinkle Sews book so I’ve got loads to say about that, plus it’s soon time for my year end roundup! So lots coming up, and it’s probably a good thing we’re staying at home over the holidays!
But first, two gifts I can show you some peeks of… My friend Pip has cottoned on to the fact that I can make her things in silk that cost way less than in the shops – last year it was the silk pyjamas, but this year she really wanted silk pillowcases, so I made her a pair in black silk charmeuse based on the measurements of my own cases, plus I added a bit of contrast reverse side and a line of piping to jazz it up a bit.
And even though James reads the site, he had so much input into his sweatshirt that it’s hardly going to be a surprise on Christmas morning!read more >>
Sorry for the delay – I finished the Colette Patterns “Eclair” dress last week but couldn’t quite squeeze in a photoshoot until we were actually at the wedding venue on Saturday (the very nice London Canal Museum in King’s Cross. Though all the tiny canal boats made me feel like the 50 Foot Woman in comparison!).
If you recall from the previous post describing the invisible zipper details, I’m making this newly released dress pattern in gold silk crepe, with aubergine silk crepe ties and gold silk habotai lining.
I was a beta-tester for this new pattern company, so mine was only a rough photocopied draft, but it was enough for me to see that this is a definite keeper! I’m really jealous now after seeing the finished storybook packaging that I almost want to buy it again, just to have a pattern as beautiful as the dress itself!read more >>
James’s birthday was on Thursday and since we can always use more warm, comfortable clothes around the boat, I decided to try BurdaStyle’s free Amin pattern that was just posted a few weeks ago. The example made in the photos uses a thick and chunky sweater knit, but I opted to make James’s as a more practical sweatshirt that could be tossed in the washing machine at will.
It’s got really nice lines for a mens pattern – princess seams (or would that make them “prince seams”?) that flow nicely into concealed hip pockets, but I decided to make these one better and create an iPhone pocket-within-a-pocket –read more >>
I realise I’m an entire week late for Veterans Day and Remembrance Day here, but I thought that my dad’s vintage 1960s Navy uniform would still be just as interesting today.
(Compare that to his Santa-look these days – he blames it on all the beer and bratwurst when he was stationed in Germany!)
My dad was cleaning out his closet and thought I might like his old uniforms, so he dry cleaned them up and sent over the navy wool dress uniform first (the whites are coming later!). Much to my surprise, his old uniform fit me exactly – it was almost eerie, I tell you! Apart from the arms being an inch or so too long in the cuffed-sleeve top, it’s like it was made precisely to my measurements. And apart from one worn hole in the trousers, they absolutely look like new…read more >>
SCENE: Last Sunday night on the boat…
James: So for Simon’s stag night on Saturday we’re going to dress him up like Dick Whittington. I thought he could wear my pirate coat and we’ll get him a tricorn hat and he can carry Bagpuss as his cat…
Me: If anything happens to that coat, I will murder you. I would sooner make a whole new coat than see anything happen to it after I slaved for two years making it.
James: Oh really? You’d make another coat? Would you?
And so begins the tale of how I made a pirate coat in less than a week.read more >>
After weeks of patient but persistent requests, I continued my serger high this weekend and finally made my fiance BurdaStyle’s Pete teeshirt in gorgeously soft bamboo knit from Wazoodle we bought back in August (I sewed the brown bamboo into a wrap dress and leg-of-mutton top already).
Since we were over at our friends’ place for a barbecue anyway, I let James have his photoshoot with his two favourite things – cats and beer! Whatta guy…read more >>
I started work on this shirt so long ago it almost seems amazing that I finished it at all! I was first held up by buying some machine feet for this project back in the beginning of April, and here it is in June and I’m finally showing it to you (though I did finish it over a week ago so it was technically May!).
I’ve made quite a few button-down shirts for my boyfriend James over the years, but after reading through Shirtmaking: Developing Skills for Fine Sewing by David Page Coffin I had the epiphany that they were all really badly done and I couldn’t possibly ever go back to my old ways after that. Really, I cannot recommend this book highly enough – even if you never sew menswear, it is essential reading for all shirt and blouse construction.
So instead of using the old Simplicity pattern (OOP 5273), I thought I’d break with tradition and make my first long-sleeved shirt for him using BurdaStyle’s Jakob pattern. According to his measurements, I made a size 52 and it fits him perfectly. He also adds that he’s “a textbook 15 1/2” in dress shirts in case that helps anyone at all.read more >>
This past weekend was a Bank Holiday weekend here in the UK, so technically I got another day though it doesn’t really feel that way! I did manage to get some sewing in amongst the DIY, cleaning, baking, running, and hosting, however. I finally finished James’s linen shirt, and even made myself a new day dress from La Mia Boutique using some of his excess linen/tencel fabric and some raspberry tablecloths…read more >>
I’ve got my hands in so many different projects right, it’s almost hard to keep up with myself!
My first priority was re-creating my piece for the upcoming book, which (as I’ve seen it talked about elsewhere online) I believe I can now reveal is tentatively titled “Pillowcase Challenge” and is all about recycling vintage pillowcases into other items. You’re going to have to wait until next spring to see my creation in the flesh (along with a few other pillowcase-related tutorials I’ve got tucked away), but here’s a teaser of my sample ready to be posted:read more >>
Yesterday was a beautiful, warm and sunny day – I’d already done all my DIY work on Saturday (plus cooked and hosted a three course charity dinner for 5!) so the day was all mine to relax and sew for a change!
I’ve been slowly working on making BurdaStyle’s Jakob pattern in a lemon yellow linen/tencel blend for James, but it’s been slow going because I’ve been trying to unlearn all my bad habits and follow David Page Coffin’s “Shirtmaking” book to the letter. I cannot say enough fabulous things abut this book – really, within 5 pages I knew I could never, ever go back to my old ways. Even if you never sew menswear, it’s still a must buy in my opinion for its techniques in dresses, shirtwaisters and the like.read more >>
I was planning on next sewing up a long-sleeved linen shirt for James using BurdaStyle’s Jakob pattern, but having read through Shirtmaking: Developing Skills for Fine Sewing by David Page Coffin, I soon realised that all my previously sewn shirts were terribly amateur and that I’d learned SO MUCH in just reading the first ten pages that I’d now longer be able to go back to my own ignorant ways after eating from the tree of knowledge.
One of the things Coffin said is absolutely necessary is a felling foot for your sewing machine, which I don’t have. These seem to be a rare item for non-Pfaff machines in the UK, so I’ve had to buy one off American eBay (along with a rolled hem foot from the same seller, which Coffin also recommends).
Before I bought the feet, I had a quick rifle through my sewing machine feet box first to see if I already had them and just didn’t know what they were. When I got my sewing machine from my sister-in-law, she threw in a little plastic box full of feet and spare bobbin casings and screwdrivers and all sort of random pieces that she thought went with the machine. Some I’ve been able to identify, but others are still a mystery, so I’m hoping some of you will be able to help me out…read more >>
If you’ve been following along, you’ll remember that my grandmother visited the Pendleton woollen mill in the 1960s and bought two 2 yard remnants of 100% wool navy blue suiting fabric for $6 each (so $12 total). In August, she gave these to me, saying she’d never got around to sewing up anything with them and she thought I’d make better use of it.
The trousers were far more straightforward than the jacket, however, so they didn’t take nearly as much time or seam ripping to complete! I wanted to tie together the satin accents of the two pieces so I opted to add a thin stripe of navy blue satin ribbon to the outside seams of each trouser leg, which I think gives a subtle sheen as I move. The integral belt/waistband of this pattern really evokes a sort of cummerbund, too, and raises this design above just a normal trouser suit.read more >>
My boyfriend James has a RTW fleece that he loves, but it’s getting scraggly and it’s a bit too thin to be useful when we work outside a lot. He’s been bugging me to recreate him a new one for a while now, and I recently picked up KwikSew 2561 which I thought would be easier than just tracing his old one. He bought the fleece from cheapfabrics.co.uk since we knew how nice and thick it was from our earlier fleece adventures. After the mental gymnastics of the Pendleton wool jacket, I decided it was time to make something simple!read more >>
Things were a bit hectic in the leadup to Christmas this year, seeing as how we were starting from scratch in our own place this year. Sewing ornaments and other decorations took up most of my time, but I was able to fit in two sewn gifts in the few minutes I had before work in the mornings, sewing with very numb fingers in my heater-less sewing room.read more >>
As part of my FW/07 Collection, I decided to embrace the menswear trend and create a pinstripe suit, borrowing from classic tailoring, but updating it all with feminine elements.read more >>
Wow. After nearly two years, I finally finished my boyfriend’s black velvet pirate jacket. Lined with gold satin, with functional pockets, functional buttonholes, brass buttons, tons of interior pockets for his gadgets, and hidden pocket inside the cuff for his Oyster card. There was so much handstitching on this and velvet is such an jerk of a fabric that I seriously wasn’t sure I’d ever finish it. I had problems at pretty much every step of the way, the majority of which stemmed from the fact that you can’t iron velvet. At all. Made in a different fabric, with non-functioning costume parts as indicated on the pattern, this would be a fairly straightforward project.
But since he wanted silk velvet and satin and for everything to function, plus have pockets absolutely everywhere, combined with a hem a mile long, this turned into a complete nightmare of a jacket. The handstitching alone took more manhours than I actually want to think about without bursting into tears. I did manage to make one big mistake near the end, even though I was so careful to NOT do it in my planning. It would’ve been impossible to fix without a complete deconstruction (and stitching lines remain in velvet forever), so I just left it as is. See if you can tell what it is from the photos, and I’ll reveal all below…read more >>
Remember that velvet pirate jacket I was working on, ooh, two years ago? Well, as much as I hate that thing and all of the fabric choices associated with it, I have been slogging through and doing a few things to it here and there over the past few months.read more >>
My father is the perfect man to play Santa. He’s got the big, white beard, a well-cultivated beer belly (he’s a Yuengling man, if you’re buying!), and a jolly Germanic red nose. He looks so much like Santa, in fact, that my friends in high school would call him that even in the heat of summer.
So it was a crime against Christmas that he didn’t actually own a Santa costume, especially since my brother’s kids are now at the perfect age for a “visit from Santa”. So I took it upon myself to correct this, and armed with Mccalls 8992, some red velour from the Utrecht fabric market (which may look familiar to you!), and some white fun fur, I made him a costume fit for a Santa professional.read more >>
My boyfriend and I are currently saving up for the mortgage deposit to buy a boat (a huge barge, not a tiny narrow canal boat) to live on starting this winter. We don’t want your average housewarmi- sorry, boatwarming party, so we’ve already decided it’s going to be a full pirate fancy dress theme. And if you’re throwing a fancy dress party, you’ve got to be the best dressed ones there!
For him, I bought Simplicity 4923 and have very slowly started to make the jacket portion out of a gorgeously thick, black silk velvet I scored at Walthamstow Market for £3/mt (by rights, it should’ve been at least £20/mt). He picked out some very nice hemispherical antique brass buttons from MacCulloch & Wallis plus some dark gold braid for the accents.read more >>