Project Catwalk

No, this has nothing to do with the tv show. But I am going to a catwalk show at London Fashion Week tomorrow morning! It all transpired last weekend on our mooring’s First Annual Boat Crawl and BBQ… One of my neighbours is quite big in the fashion industry, and as I was showing her around our boat and my sewing room, she asked which shows I was going to. To which a I replied “Shows?” “You know – Fashion Week, which shows are you going to?” And at this point I admitted I’d never been to a catwalk show, and she was so flabbergasted she promised then and there to get me on this list.

Dutch sewing pattern magazine roundup

A few weeks ago J and I took a long weekend away in Amsterdam, but the majority of these patterns actually came from a different trip he’d made for work a few weeks earlier. It turns out that the newsagent inside Rotterdam station is a haven of sewing pattern magazines, who knew?? So rather than do a post on each of these, I thought I’d pull out my highlights, and take the chance again to explain how accessible the pattern sheets and instructions are for non-Dutch speakers…

Sewing Indie Month: An interview with Hannah from Sinbad & Sailor

As part of the wonderful Sewing Indie Month celebrations, each of us are collaborating and getting to know each other throughout the month of May. In the planning stages, I’d asked to partner with Sinbad & Sailor for a whole bunch of reasons – I’d been following her on Twitter for ages, I love the timelessness of her designs, and she also lives in London, yet somehow we’ve never managed to meet up!

Of course our first thought was to meet up in a pub somewhere and do the interview in person, but then we realised it’d probably be a lot more coherent if I interviewed her over email and celebrated with a drink later instead! So go grab a drink of your choice and come get to know Hannah!

1. How did you come up with the name Sinbad and Sailor? Do I sense a maritime connection at all?
No maritime connection in the S&S story it’s all land-based I’m afraid… When I was starting out it took me a long time to find the perfect name as I wanted something which reflected East London, where I’m based, living just one road away from where my Granddad grew up and also sewing (of course!). One friend suggested I look at Cockney Rhyming Slang (which is a fairly modern slang where phrases are derived from taking an expression which rhymes with a word and then using that expression instead of the word – ie. apples and pears = stairs) and see if anything had the right ring to it. I discovered that ‘Sinbad and sailor’ is cockney rhyming slang for tailor and I knew straight away that was perfect.

2. What gave you the push to start your own pattern company? Did you train in fashion, or did you segue from another career?
I have been sewing since school and studied fine art sculpture at UAL after which I went back to sewing in earnest. I’m a recipe following kinda gal and was always using patterns but found that the offerings felt very dated, hardly reflecting any current trends or styles which combined with their confusing instructions format created a frustrating sewing experience. Walking to work one day it struck me that if I was getting frustrated by the current shortfalls in sewing patterns perhaps other people were too. Rather than waiting and hoping that someone else would create these patterns I decided to be proactive and start making them myself.

3. In your mind, who is the quintessential S&S customer? What is her style?
The quintessential S&S customer is a woman who values her independence and likes to express herself through the way she dresses. Her style would be her interpretation of current trends and she’d be bold in her use of colour and prints when sewing (after all how are you going to rake in compliments with a plain back top?!)

Manequim June 2012

I’ve had this issue for a while now, I’m not entirely certain why I’ve been dragging my feet to review it. I mean, I should be all over this – they’re are some great designs, and our “wettest, coldest summer in 16654687423 years” means I can wear Brazilian winter fashions right now anyway, but I think maybe I’m just in pattern overload shellshock or something. It’s a genuine malady, I’m sure of it.

I think this convertible coat is a great idea – you can remove the bottom of it to change it between a short winter coat or a longer one. It’s the kind of catwalk fashion that can really translate into people’s reduced income and wardrobe space and be really wearable at the same time…

The soap opera cover star is showing a side gather dress with a leather tab here – the dress itself is nothing special, but I really like the leather accent idea!

The designer this month is Ferragamo, and I really like this dress with a peephole neckline, especially since I’ve not seen any similar patterns around (yet?).

The Burda September cover dress (summer lace version)

Remember back in January when I made the winter version of the Burda September 201 cover dress (#122) with long sleeves in purple pont di roma? It looked like this…

Well, at the time, I said I’d definitely make a summery version, too, but then again, I often saw I’ll remake patterns and then I hardly ever do, so I can’t really blame you if you thought you’d never see this pattern again!

But you’d be wrong! This dress is just so stratospherically flattering and magical that I couldn’t resist making a summer version in pale pink and grey lace, even though it meant hours of hand basting the lace onto the knit during our French road trip. And then once I was home, fusing metres upon metres of vilene bias tape to the various curved seams so they wouldn’t ripple during wear.

All this before I even constructed a single seam, but you know what – it was totally worth it.

Marni silk blouse – muslin cold feet

In light of NancyK’s conclusion that KnipMode designer knockoffs aren’t as thoroughly tested as the rest of their patterns, I decided to make a muslin of the KnipMode August 09 Marni catwalk blouse before cutting into my nice teal silk satin (charmeuse).

Only now that I’ve got my bedsheet muslin done, I’m unsure about whether I like it or not. Now, you do have to use a bit of imagination here to block out the busy bedsheet prints (in reality, it’ll all be one solid teal colour, plus collar and cuffs):

Patrones 285

Oh I’ve got such a week for all of you dear readers! I’ve ended up with a bit of a backlog of completed projects, so I’ll be able to show you something new every single day this week!

But first, I’ve got the new issue of Patrones to show off (#285), since Kim Hood ended up with an extra and very very kindly posted it to me (god knows how it made it through the Royal Mail picket lines so fast!).

Here’s all the styles at a glance. It’s a Joven (Youth) issue, so the sizes are slightly different and there’s fewer patterns than in an Extra issue, but the selection is gooood this time around!

Everyday superheroes

We’re off to Dublin for a week’s holiday from Wednesday and since we’re staying with some of James’s relatives, we wanted to give them a nice little hostess gift for putting us up (and putting up with us!). We thought about the usual stuff, but then instead decided to make something fun for their little boy (aged 5) instead.

So he’s going to be the recipient of this cape:

It’s nice and recycled – it’s made from a blue cotton tablecloth that came with our hotel boat when we bought it, the silver silk dupioni is offcuts from this shirt, and the velcro was from the shoulder pads I purchased for my tuxedo jacket (since I was sewing them in I wisely removed the velcro for later use). I just freehanded this so I can’t recommend a pattern, but if you’re making your own please make sure the neck fastening uses velcro or snaps instead of ties or buttons so you don’t end up gifting a choke hazard!

The Pirate YARRty

Wow. After nearly two years, I finally finished my boyfriend’s black velvet pirate jacket. Lined with gold satin, with functional pockets, functional buttonholes, brass buttons, tons of interior pockets for his gadgets, and hidden pocket inside the cuff for his Oyster card. There was so much handstitching on this and velvet is such an jerk of a fabric that I seriously wasn’t sure I’d ever finish it. I had problems at pretty much every step of the way, the majority of which stemmed from the fact that you can’t iron velvet. At all. Made in a different fabric, with non-functioning costume parts as indicated on the pattern, this would be a fairly straightforward project.

But since he wanted silk velvet and satin and for everything to function, plus have pockets absolutely everywhere, combined with a hem a mile long, this turned into a complete nightmare of a jacket. The handstitching alone took more manhours than I actually want to think about without bursting into tears. I did manage to make one big mistake near the end, even though I was so careful to NOT do it in my planning. It would’ve been impossible to fix without a complete deconstruction (and stitching lines remain in velvet forever), so I just left it as is. See if you can tell what it is from the photos, and I’ll reveal all below…

London Fashion Week report

As explained a few days ago, I was very lucky to be invited to attend a catwalk show at London Fashion Week on Saturday morning. After fretting over what to wear, I settled on this ensemble, which was entirely Fehr Trade, just in case someone asked (they didn’t. Awww.).

But, as I soon found out once the models hit the catwalk, apparently I was right to decide on a cowl top!