Burda magazine March 2014

There wasn’t much to get excited about in this issue, in my opinion. March is always the issue with the bridal gowns, but even those left me cold for the most part – overly fussy with too many extra frills, bows, and (in non-bridal sections), migraine-inducing ugly prints.

I’ve pulled a few nuggets from the pile though…

This dress was the only design from the first feature that I even glanced twice at – I really like all the pleating, but that surplice opening looks like a wardrobe malfunction waiting to happen, and the model’s pose doesn’t help. It looks like she’s stiffly holding herself to avoid anything creasing or opening up!

Burda’s take on “grunge” was almost as laughable as their taken on “punk” earlier this year, but I did spot this very on-trend bomber jacket, which looks rather nice.

This is one of the ugliest outfits I have ever seen in Burda. Ever. Hideous tartan chiffon (why??!) paired with itself, plus the laziest drafting I’ve seen in a long time – those bell sleeves look like what a My First Pattern Drafting student might do if it were 1993. Ugly ugly ugly. UGH.

Burda print classic jeans patterns so infrequently that you’d think they’d be shouting about these from the front cover – “Sew your own jeans! Easy, step by step illustrated instructions!” Do they not want to sell issues or something? Why else would they disguise these in an ugly floral and call them “Five pocket Trousers”? It makes no sense! (If you missed the take-home message here – this issue is worth buying for these jeans alone.)

Burda magazine July 2016

Burda definitely keep up with the seasons, but I still kinda miss the reliable rhythm that the issues used to have back in the day – January had loungewear, March was always the wedding special (the only one they’ve reliably kept!), some menswear in April, May had tons of dresses, August was the Fall fashion previews (and usually maternity, too), cocktail dresses every November, and evening gowns in December. But my least favourite was always the summery beachwear in the June and July issues, because there was pretty much nothing I could wear in an English summer, where it rarely gets about 70-75F (25C)!

But in recent years Burda have been mixing things up, and the old scheduling has given way to more unpredictable features, which I think gives more variety and appeal to a wider rare of sewists. This issue certainly has a lot more than I’d usually like from a July!

Burda magazine April 2014

I wasn’t overly keen on last month’s issue, but there’s a lot to love in this one! Even the designs I didn’t like definitely had their own merit – lots of details and designs with thought behind them, and nary a shapeless sack in sight! But let’s take a peek inside for my picks…

I didn’t like much from the Southern style feature (nothing wrong with it, just not for me!), but I love that Burda have snuck in another cycling pattern, hot on the heels of last month’s seat cover! I really love the look of panniers, and I think these are a great design, with or without the frills.

The only Southern style garment that really jumped out at me was this shirt with the front, “bib” yoke. I don’t tend to sew many woven shirts for myself, but I really like this pattern, and it’d definitely be good in the summer heat!

I’m convinced that someone at Burda HQ has either studied at Bunka, or else is just really into Japanese-style pattern cutting, because we’ve had at least one design a month that just has Bunka written all over it, and this dress is certainly it. I had a bit of a “Burda WTF” reaction at first, but the more I looked at it, the more I think it might actually be kinda cool. Or uncomfortable – I’m not so sure about that left sleeve with the flat sleevehead. But I’m kinda into the uneven tube concept, even though I’m unsure whether it’d work in real life.

Here we see the cover dress in more detail, and it’s utterly gorgeous. This is the best about Burda – a flattering, edgy, and well designed dress that’s made accessible to everyone. Those skirt petals are just inspired and the topstitching and seaming is just icing on the cake.

Manequim magazine February 2014

Wow, everyone in Brazil must’ve been partying their bums off at carnival because my February issue was really late – I’d normally be expecting to see March any day now! But I’m just glad it arrived at all, because it’s a really good one, and features one must sew for me in particular!

First up are the Plus offerings for this issue. They may not seem like much, but all three look to be very wearable and versatile, and those bermuda shorts are offered in multiple sizes, too.

The designer style section this month is Victoria Beckham, and, all Spice Girl and WAG celebrity-BS aside, I actually really love a lot of her designs and find they intersect with my own personal style an awful lot. Here we get patterns for a really nicely shaped sheath dress, narrow trousers, and – the one that made me bolt upright when I turned the page – a draped, crossover blouse.

OH. MY. GOD. I adore… freaking adore… this blouse! That I can’t quite immediately work out the construction of that drape from the pattern pieces makes me want to make it even more. And, umm, it’s also in my new size, too. LOVE!

MyImage and B*inspired SS14 magazines AND Giveaway!

It’s been a while, but I’ve got the newest Spring/Summer issues of the Dutch-produced, quadrilingual pattern magazine MyImage to share with you, plus a peek into the second edition of their new children’s pattern magazine, B*inspired, too.

MyImage magazine

I absolutely love the jersey cowl dress on the right! It’s made up in three different prints in the magazine but it just looks so easy to wear for summer – that skirt wrap is an extra layer over a full skirt so there’s no chance of wind-related mishaps, either. On the left, there’s a casual woven shell with deep pleats at the neckline that would be very figure-forgiving, and it’s paired with a basic jeans pattern. I’ve been meaning to sew a pair of MyImage jeans for years now so I really must get on with it…

There are three Plus patterns in this issue – nice basics in the form of a loose, sleeveless shell with hi-lo hem, classic jeans, and this jersey surplice dress. Like the cowl dress above, the front skirt panel overlaps a full layer underneath so there’s no flashing worries, and the shoulder pleats look like they’d provide some nice shaping for larger cup-sizes, too.

Burda magazine February 2014

I don’t know what happened this month, but I appear to be the last person on earth to receive their February issue! Some people were already posting reviews of their sewn garments a full week before mine arrived in the postbox, not fair! But better late than never, here are my picks…

First up – this dress isn’t particularly earth-shattering, but it’s a nice classic shape, with short- or long-sleeve options, and a clever little central hidden kangaroo pocket in the skirt, too. I’m definitely eyeing this one up as a possible birthday dress for March, especially since I’ve got all that luscious silk twill that Dilly gifted me when she came to visit!

I know there are a lot of sewing ladies online that go ker-ay-zee for anything with buttons in the back but… I seriously don’t get it! So, you have to have someone help you get dressed whenever you want to take it on and off? How is that a good thing?! I’m not convinced by the central pleating on this dress, either, which might end up looking less than flattering…

I’m not entirely sure what it is about this wide, cropped blouse, but I absolutely love it! Maybe it’s the cocoon-shaped sleeves, or the back yoke, or the nice V neck, but I really could see myself wearing this a lot with leggings. I don’t think it’s quite as successful with the full skirt Burda’s paired it with, however.

Happy 2021! (My year in review)

What. A. Year! I’m not even going to attempt to sugar-coat things, and any attempt to try and put things into perspective just sounds like a cliché after all this. But for a year where I was essentially under house arrest since March, it’s surprisingly not all bad. Above all else, I’m grateful to have spent the time with my husband and that we both were able to continue our office jobs from home at full pay and remarkable support. My sewing was both a welcome distraction and a balm in this year of chaos and uncertainty.

I’m going to try to use my usual year-end format again, though this was clearly a year that broke all attempts to contain it so let’s do what we can (clearly a motto for the year!)…

Happy 2020! (My year in review)

Happy new year! I always like to take the opportunity on the start of a bright new year to look back on the year that was – what I made and loved, what I made and swore at, and other big life milestones that will make 2019 stand out in my mind. And because I love stats, I also like to take a step back and get an overview of what I’ve been making to get an eye for any trends that may have escaped me at the time…

Happy 2019! (My year in review)

Happy new year! It’s traditional for me to reflect on the year that’s just finished on the first of a new year, and this year’s a weird one because I’d love to just say “this year sucked”, but there were some fantastic things that happened this year amoungst all the sickness, disappointment, frustration, and hard work. So let’s try and focus on those.

Named Harriet lumberjacket in wool & vintage silk

I am both back from our trip to the States and feeling back on form now, so I’ve started to tackle documenting the absolute mountain of finished makes from the last four months. I have some garments from early January, some made more recently and well, I’m just going to share them with you in no particular order! The photos are a bit more slapdash than usual, but I know that if I waited to do proper photoshoots of all of these then it’d be another 6 months before you’d get to see them!

So I’m going to start with a garment that was the longest in the planning, and also quite possibly my favourite of the early 2016 makes. It all started back in summer 2014, when I bought some fabulous navy wool coating & vintage silk twill from Ditto when I was down in Brighton. I knew I wanted to use them together for a transitional, short coat, but then I had quite a journey in finding the right pattern!


The psychedelic 1960s vintage silk twill lining that was originally made for neckties!

Over the course of 18 months, I ended up making five different muslins before I was happy enough to cut into the wool and silk:

  1. StyleArc Audrey (the silhouette and proportions were just so bad on me. So bad.)
  2. Burda Jan 2015 jacket in size 42 (way too small for non-stretch outerwear, oddly, though Burda’s fit is usually very standard)
  3. Burda Jan 2015 jacket in size 44 (traced ALL the pieces again and it still fit very weirdly)
  4. Patrones 342 No23 dolman sleeve coat (ridiculously tiny sleeves and zero arm mobility even with the underarm gusset)

And then finally I muslined Named’s Harriet lumberjacket pattern, bought during a flash sale during their advent calendar promotion. And I was like Goldilocks, it was juuuuuuust riiiiiight.