Wool, satin, and lace

I’m making good progress on my tuxedo-y suit using my grandmother’s vintage Pendleton wool. I’ve done the single welt pockets (a first time for me!) and the construction of the jacket body, and I’m now working on the many collars and lapels. The placement of the welt pockets (which are hidden under a front flap) is way too high, though, and the pockets are too narrow to be useful, though – this is the second time I’ve had BWOF jacket pockets be waaaay too narrow for my hands to fit through, so I must remember that for next time.

A reflective wool jacket

Buckle up, because the story of this jacket starts four years when I received a remnant of Dashing Tweeds “Urban Shadow” tartan coating from a friend for Christmas. Now, if you’re not familiar with Dashing Tweeds, they’re a really cool company who’ve revived old tartan and twill patterns and modernised them with great colours and even some reflective threads woven in. The remnant I received was one of these “Lumatwill” designs, and has reflective threads running along all the horizontal yellow lines in the design.

A teal wool cape

After a few weeks, a head cold, and a lot of hand stitching through two seasons of Ru Paul’s Drag Race, my cape is finally finished! I’ve made an awful lot of coats over the years but this is my first cape. I thought perhaps it was a cloak, having mistakenly thought the difference was that cloaks have hoods, but in fact it’s a hem length distinction, so this is indeed a cape!

I covered a lot of the details of the making of this cape last week, so you’ll already know that it’s entirely underlined in cotton flannel to cut the wind, and that it uses this Burda magazine pattern from 2011 (still available to buy as a pdf). Funnily enough, there’s actually a fairly similar hooded cape pattern in the current December 2016 issue, too, which I’ll cover in my review post soon…

A wool maternity coat – nearly there…

As you recall, last week I underlined Holly’s maternity coat and created all five bound buttonholes, but I had the day off work on Friday so I was able to make loads of progress over my long weekend! In fact, her coat is now 95% finished and ready to hand over, so I thought I’d give you a rundown of what I got up to…

I’m making this maternity coat from the August 2008 issue of Burda, but after the first muslin we made some design changes (namely, eliminating the band and gathered sleeve caps) so it won’t look exactly like this tech drawing:

As I constructed the shell of the coat, I took the extra step here to catch-stitch all the thick wool seam allowances to the flannel underlining. I started off just doing this on the sleeve seams as I feel the bumps are most noticeable during wear there (and therefore most likely to get annoying quickly!), but I carried on and just catchstitched everywhere.

I wanted this coat to be as nice for her as one I would make myself, so why not? I also noted that Gertie was asking last week how to make the seam allowances lie flat on her coat – well, the answer is catch stitching!


(I forgot to take a photo of all my stitching before lining it, though, so you’ll have to make do with a shot through the “window”!)

Bridal bodice – buttons, lining and shopping!

Ok after that little lingerie diversion (and a day spent being filmed for BBC1!), we’re back on the wedding gown!

First up was a quick fitting of the shell with all the boning pieces inserted and the waist stay hooked. And I can breathe a sigh of relief, because it’s looking good. A tiny bit of horizontal pulls around the zipper (which can be fixed by laying off the ice cream a bit) and a bit of boning show-through at the centre front (which I’m going to hold off worrying about for now, but I may just shorten that boning piece so it stops below the bust).

So I can push on ahead, safe in the knowledge that there’s no major fitting issues…

First up – I sewed on all 13 original covered buttons along the right side’s zipper, matching up with the original satin loops I placed along the overlap during the zipper insertion step.

On the surface, these look like ordinary covered buttons, but look at the underside!

I’ve never seen buttons like this before in my life! Instead of a shank with a hole, there’s a mound of stuffed fabric to sew through! What a strange vintage detail! I’ve learned so much from taking the original gown apart…

Forty Year Wool Jacket

I’ve been working on the jacket portion of my tuxedo-inspired suit (the show piece from my F/W 07 Collection) for the better part of January now, and I finally finished it this week. I cut out the pieces for the trousers at the same time to ensure I had enough fabric for both (I do, with about a half yard left over!), but sewing both at once would’ve really just resulted in missing pieces!

My vintage-inspired BIRTHDAY merino cycling jersey

Happy “over a week late but still my” birthday to me!! If you aren’t following me on social media (I mean, why not??) then you may have missed the absolute frenzy of renovation/building work that’s been taking place over the last few months. In November and December, the builders made us a new kitchen, bathroom, and utility room, and then after a short break, have spent all of February and May creating our Saloon (bright living/dining area, where these photos were taken!) and Snug (dark living room) and corridor. Considering these didn’t even have finished walls or subfloors (or lighting!) when they started, the transformation has been incredible.

But it does mean that for infection control reasons, I couldn’t be anywhere near them while they’re here working (we have a very small but self-contained back cabin we stay in). We’re grateful to be in this position, but it severely limits my sewing time before you even consider the sheer amount of dust, lack of cutting table, fact that large sheets of plywood and doors would randomly block access to my sewing room and omg did I mention the dust?!? So my planned birthday make was not finished for my actual birthday this year, which just happens some years! And it doesn’t diminish it in the slightest.

My birthday animal-print Cycling Top

Happy 39th birthday to me! (And coincidentally to Rosie DIY Couture, though I don’t think she’s as old as me!) Yesterday was my birthday, and thank you so much to everyone who wished me well on social media – I’d planned to get this post up on the day itself, but I ended up spending my day packing and hefting boxes as we moved into the temporary flat we’ll be living in while the boat is being renovated! We only really took these photos as we were loading my bike into the rental van to move it to the flat (you can even see it in one of the shots!) so please forgive that the photos aren’t as clear or comprehensive as usual – they were taken very quickly on my phone on a very tiring day!

Every year I like to make myself something special to celebrate my birthday, and often these garments get so closely tied in my memory to that time in my life that I still refer to my green silk dress as “my 30th birthday dress”, for instance, and it means I get to do a bit of selfish sewing for myself, too!

This year I decided to make something I’ve been planning for months and months – ever since I bought a length of pale pink & lavender leopard (or is it cheetah?) spotted activewear fabric from Stoff & Stil in Oslo back in November. I then realised I hadn’t bought quite enough to make the Cycling Top I had envisioned in my head, so I had to order another meter from Stoff & Stil online, which ended up being from a slightly different dye lot (it’s only noticeable if you get really close!).

A cape in progress

I don’t tend to post about in-progress garment much anymore. I think part of the reason is that I tend to make projects quickly, so there’s not much to document and I roll any construction notes into the finished garment post, but also because I’m not not exactly light on garments to post about and it takes enough time putting together the ones I do share without adding any more to the To Blog pile!

But I’d been making a lot of quick garments in the past few months and decided I wanted something a bit more involved to sink my teeth into, so I started making a cape, using this Burda magazine pattern from 2011 (still available to buy as a pdf). I had some gorgeous teal wool coating a friend had bought for me in Tokyo in January, and I thought it paired really beautifully with some black and pink abstract tartan fabric I chose from Sew Essential as my #sewphotohop prize draw. It’s a lightweight John Kaldor satin with a lovely hand that you really could believe was silk, but alas, it doesn’t appear to be on the site any longer!