The Hour – my new Fall style inspiration

I have a new style crush – The Hour, a new BBC drama starring Dominic “McNulty” West and Romola “her that wasn’t Keira in Atonement” Garai. Yes, there are a lot of comparisons with Mad Men, but it’s a fantastic show in its own right, and being set in 1956 London, barely out of rationing and in the publicly-funded BBC, means there’s a lot more quirk and ragged edges than you find in the ultra-slick Madison Avenue counterpart. The best part is that this series isn’t even about fashion – it’s about the shift in the purpose of television news around the time, where it went from being a government puppet supplying newsreels to a subversive, investigative element in its own right. It’s a riveting, wonderful show, and James is just as addicted as I am.

Still not interested yet? Well, you soon will be – American viewers, set your DVR of choice to record BBC America on 17 August at 10pm Eastern, because I have a feeling the style blogs are going to go nuts for this once it’s gone international (and UK viewers, you can watch the latest episode tonight on BBC2, or watch the previous episodes on iPlayer as it’s a series catchup show).

The thing I love most about the fashions on show here are that they’re not what you imagine 1950s fashion to be – this is as far removed from June Cleaver as you can get! Just like Mad Men changed our view of 1960s fashion from hippies and go-gos, The Hour takes us out of the mentality that the 1950s was all about Dior’s New Look silhouette. Think more British vintage style – impeccable pencil suits with nipped-in waists, stylish blouses and power dressing, plus a nod here and there to more noticeable 50s styles like the teddy-boy “Grease” look and even a Marilyn Monroe-a-like!

Happy 2021! (My year in review)

What. A. Year! I’m not even going to attempt to sugar-coat things, and any attempt to try and put things into perspective just sounds like a cliché after all this. But for a year where I was essentially under house arrest since March, it’s surprisingly not all bad. Above all else, I’m grateful to have spent the time with my husband and that we both were able to continue our office jobs from home at full pay and remarkable support. My sewing was both a welcome distraction and a balm in this year of chaos and uncertainty.

I’m going to try to use my usual year-end format again, though this was clearly a year that broke all attempts to contain it so let’s do what we can (clearly a motto for the year!)…

My bias silk 40th birthday gown

Happy 40th birthday to me! Since it’s a big birthday year I kinda felt like I just had to celebrate big, too! So we rented the whole of a private members cocktail bar near Kings Cross, invited a bunch of people, laid on pizzas, and let the rest just happen! Every year I like to make myself something special to celebrate my birthday, and I felt like I should sew a big, glamorous dress for myself to feel like a total star at the party, too.

I happened to have four meters of gorgeous copper-coloured silk satin (charmeuse) in my stash which I’d bought from Truro Fabrics back in 2015 with the intention of sewing a gown for the World Transplant Games gala dinner in Argentina. But I didn’t quite have enough time to sew it before we left, and the silk has been in my stash ever since. I still had the receipt in with the fabric, too, and the price reflects the incredible quality of this silk – I’d paid about £75 for it.

Happy 2024! (Year in Review)

Sigh. For the second year in a row I’m left thinking “ugh, good riddance to a rubbish year!”. And for the second year in a row I’m facing an unknown future of post-viral fatigue stretching out before me, then months and months of rebuilding my body (and my life) once that finally ends. And life feels unbearably bleak.

But hey, part of the reason I write these posts at the start of every year is so I can look back and at least appreciate the good things that happened – and there are always at least a few things! It’s human nature to remember the negative more clearly than the positive I think, and this reflection and reset helps me remember things in a more holistic way.

Even if I did only have 7.5 months in my year when all the rest of you got 12 to accomplish everything… (yes, I tallied it up and I was sick and bedridden for 4.5 months of 2023.)

A green leather three piece laptop set

Believe it or not, I’ve still got a backlog of finished projects from the holidays to tell you all about, so I’m going to attempt to get them all up before the end of January (because nobody likes hearing about Christmas presents in February!). First up is my Christmas holiday project for this year – a set I’ve had in mind since I quit my office job last Fall and went full-time working on the sewing business. I mostly work from home, but I also like to get a change of scenery once or twice a week and work elsewhere. I’ve actually found that our favourite whisky bar is a brilliant choice during the day – great atmosphere, lovely staff who know me (so therefore don’t rush me along and don’t mind if I just drink water for hours), comfortable seats, wifi, and music that’s easy to zone out. And it’s an easy 30min cycle along mostly segregated cycle paths, too. Plus I get to reward myself with a cocktail at the end of the day, too!

But I quickly realised that my options for lugging my new laptop around were definitely less-than-chic, and I needed something that looked a bit nicer without screaming “I’m a laptop bag!”. The case off my old laptop (bought in 2010 and therefore an ancient 6 years old!) was way too big for my slimmer new model even though they’re the same screen size, so I first thought about making a cushioned, zippered case for it, and the idea spawned into a bag to put the laptop into (and also hold my normal purse stuff), and something to contain the charging cables and USB sticks, too.

Burda magazine August 2016

The August issue traditionally signals the start of Fall fashions in Burda’s world, and I’m pleased to report that this is yet another great issue! You can probably tell this by the sheer amount of designs I’ve pulled out to show you, ha.

Even in my first flip through the magazine after it arrived, I was so struck by the beautiful and unusual tab closure on this jacket! It’s such a great idea that I feel it must surely be a vintage-inspired detail, but the shape of the 3-piece(!) rounded sleeves really gives it a good balance of modern design, too.

A Year of Burda Magazine Patterns – Challenge Completed!

I (silently) set myself the challenge to sew one garment from each issue of Burda magazine (aka BurdaStyle) in 2012, and I’m proud to say I completed it! I’m not the sort of person to make New Year’s resolutions, or proclaim lofty goals to everyone who’ll listen – I’m more the sort to quietly commit myself to something, and see if anyone notices what I’m up to before the completion… I do know that Kristy has also been keeping up with the Burda challenge this year, and it’s been fun to see which patterns she’s chosen from the same issues (and on occasion we selected the same pattern!).

There were some roaring successes, a few fails (both my fault and not), and some that I changed my mind on only after months of wear. So I thought it was worthwhile to have a look through all the projects from this year, and my thoughts on each looking back from now…

January


Rating: 9/10
Link to original post: Great Basic – Grey Flannel Trousers

At the time I said: There’s nothing particularly earth-shattering about this design, but I just thought it looked nicely versatile, and something I could wear to business meetings as well as just team with a teeshirt if I fancied it.

My thoughts now: I don’t think these look as nice in the photoshoot as they do in real life. I genuinely love and adore these, and have worn them pretty much nonstop, at least once a week to work, since I made them a year ago. I wouldn’t change a single thing about this pattern, and the silk pocket linings fill me with glee everything I slip my hands inside. I really do need to make some more of these!

A vintage painter's smock

I’m pretty sure this isn’t supposed to be a painter’s smock, but that’s certainly what this feels like to me! In the October edition of BurdaStyle magazine Burda call it a “retro short coat” – a reprint of a vintage pattern that originally appeared in 1952. From the magazine and original sketch, it reminded me loads of a coat Bel wore to the country house party in the first season of The Hour, so I was keen to make it to inject some vintage styling into my usual modern wardrobe.

(It’s available to download from Burda’s English site if you like it, or just fancy reading the instruction pdf)

I made it here in some silver-grey linen gifted to me by Veronica when I was in Paris. It’s nice fabric, but I think the colour isn’t helping the smock comparisons! Maybe it needs something brighter…

Burda’s patterns are very nearly always well-made, but this one in particular is impeccable drafted (well, except for the curved collar), with tons of inset corners that joined up perfectly. It’s one of those patterns that’s a joy to sew, when everything matches up and just comes together like a little puzzle – match up corners and notches here, a bit of gathering there, pieces join to be the Centre Back in unexpected ways – that sort of thing! If I wanted to be picky, there’s some generous gathering across the back, but there wasn’t quite enough gathering on the front seams for my liking. Personally, I’d rather the gathering be concentrated in a smaller area than have it be wide and hardly any gathers.

Burda magazine October 2012

The last two issues of Burda have been so spectacular that it was always going to be a hard act for poor October to follow, and it’s gotten a bit of a kicking online for so many lazy, square, and shapeless designs. Indeed, I couldn’t find anything to like in two entire features (the Pastels one and the Hippie-Outdoorsy Crappe one), but there was enough in the “New Sophistication” feature alone (photographed with the dressmakers dummies, see below) to justify this issue’s existence to me!

So let’s skip right to the afore-mentioned “New Sophistication” feature, shall we?

I’m not entirely sure why, as it’s wholly impractical, but I really like this long, wool waistcoat (which reminds me of the Sept 2010 jacket that was way too big and boxy). There’s another version in this magazine that’s longer and has integrated long, ponte knit sleeves, too. I know my arms get chilly before the rest of me, so a body warmer really isn’t very practical for me, but the addition of sleeves, well, that changes everything!

This surplice top is nice but nothing new (I’ve seen this design at least 3-4 times in Burdas over the years), and I even quite like the quirky “hip wrap”, which is somewhere between a kimono-belt and a waist pack. It’s definitely a good use for those odd-sized scraps of coatings and leather I’ve got lying around!

I like this cowl top but I hate how Burda flattens these to one side though, ugh! let the cowl free! These high-waisted, slim legged trousers would also be a great wardrobe staple.