Search Results for: diy wedding gown fitting

DIY Wedding Gown – Fitting

Pip came round last night for dinner, drinks, holiday food exchange (French cheese from me and Greek nougat from her!), and her final fitting on her bridesmaid dress.

If you cast your mind back to April and May, her gown is the long, purple, silk jersey Gant exclusive design gown from the Sept 2008 Burda magazine.

I’d completed the gowns back in May, but I left off the tiny covered buttons on the cummerbund and finishing the hem until closer to the day so that they wouldn’t have to worry about gaining or losing a few pounds, or deciding on different shoes before now!

Happily, Pip’s gown fits her perfectly, with minimal overlap at the cummerbund, and really her hem was just about perfect with her chosen heels. But then we realised that if she switched to her comfort flip-flops on the dancefloor, the hem would drag, so I’m going to pull up the hem by an inch.

Then Pip wanted to see me in my gown, and since I hadn’t tried it on since the skirt was attached, I felt it was a good idea. But even though I was capable of wrestling into the boned bodice before, it was proving impossible (and more than a little claustrophobic) with the attached skirt. It was apparent that I had to remove the brass bar at the top of the zipper to allow the top to fully open and give me extra room to squeeze into the gown. I’d thought I might have to, but I kept it in until now since it wasn’t a problem. So now I’ll just need to add one or more hook and eyes to the top of the zipper to keep it all in place.

My bias silk 40th birthday gown

Happy 40th birthday to me! Since it’s a big birthday year I kinda felt like I just had to celebrate big, too! So we rented the whole of a private members cocktail bar near Kings Cross, invited a bunch of people, laid on pizzas, and let the rest just happen! Every year I like to make myself something special to celebrate my birthday, and I felt like I should sew a big, glamorous dress for myself to feel like a total star at the party, too.

I happened to have four meters of gorgeous copper-coloured silk satin (charmeuse) in my stash which I’d bought from Truro Fabrics back in 2015 with the intention of sewing a gown for the World Transplant Games gala dinner in Argentina. But I didn’t quite have enough time to sew it before we left, and the silk has been in my stash ever since. I still had the receipt in with the fabric, too, and the price reflects the incredible quality of this silk – I’d paid about £75 for it.

Burda magazine March 2017

Springtime in Burda’s world means the start of wedding season, and the March issue is traditionally the one filled with wedding gowns and other formalwear suitable for bridesmaids and guests, too. I’m personally in the market for a gown to wear to a gala event in June, so perhaps something will take my fancy here…?

The Winter Coat – construction

About a year ago I bought some gorgeous, ex-Burberry wool coating fabric from Ditto with plans to eventually make another winter coat. The muted turquoise wool has a patterned herringbone weave on one side but it’s also very thick and un-drapey but has the advantage of not fraying at all (almost like a boiled wool or Melton).

The fabric is so thick that I knew had to choose my pattern wisely, leaving out coats with lots of pleats or gathers that would’ve meant lots of bulk here.

As soon as I saw the Armani knockoff coat in the September Burda issue, I thought I’d found the match for my fabric, but as you recall, that pattern was just downright awful. So I started looking through my coat patterns again for something suitable, and Claire (Seemane) suggested I combine Patrones 285 #29 with some elements of the other coats in that issue, which is more or less what I ended up doing (though I need to change my tech drawing here to show the applied welt pockets I finally decided on rather than buttoned welts).