The disappearing silk zipper

The Colette Patterns “Eclair” dress is not a quick, one-weekend project, but it’s well worth taking my time over and going through all the careful steps in the instructions to get a nice finish. I inserted the side, invisible zipper last night (more on that in a second), so now I only have to attach the lining to the zipper tape, stitch in the ditch along the waistband to join the shell and lining, and hem the two skirts! I’m doing well on time, too, since the wedding’s not until May 9th and I’ve got a bank holiday between now and then, too.

So here’s the invisible zipper on the side seam (yes, I am rather proud of matching the waist seam there!):

You can’t tell on the tech drawing, but this dress has inseam pockets, too, and the instructions have a very clever way of dealing with the pocket, side seam, and invisible zipper area that makes it all nice and neat!

Bridal bodice – finishing the edges, waist stay, and zipper

The next step in my epic wedding gown project was to properly finish the neckline and armhole edges in advance of the lining. Instead of most lined garments where you construct the outer shell, construct the inner shell, then place the two together, right sides facing and sew around the opening edges, in this case Bridal Couture advises us to construct the outer shell, fold in the opening edge seam allowances, then create the lining, with the opening edges similarly folded inside, and then place the two together wrong sides facing and very carefully fell-stitch along the opening edges, prickstitching the lining where necessary.

So here are the neckline and armhole opening edges, nicely clipped, pressed, and catchstitched:

The next step was to add the waist stay, tacked to the boning channels with bottom edge of grosgrain on the marked waistline:

Gold silk Eclair dress (and bonus purple bow tie!)

Sorry for the delay – I finished the Colette Patterns “Eclair” dress last week but couldn’t quite squeeze in a photoshoot until we were actually at the wedding venue on Saturday (the very nice London Canal Museum in King’s Cross. Though all the tiny canal boats made me feel like the 50 Foot Woman in comparison!).

If you recall from the previous post describing the invisible zipper details, I’m making this newly released dress pattern in gold silk crepe, with aubergine silk crepe ties and gold silk habotai lining.

I was a beta-tester for this new pattern company, so mine was only a rough photocopied draft, but it was enough for me to see that this is a definite keeper! I’m really jealous now after seeing the finished storybook packaging that I almost want to buy it again, just to have a pattern as beautiful as the dress itself!