Spring coat choices

I’ve got lots of turquoise basket weave wool coating that I bought from Fabric.com on a deep discount the same time I bought that gorgeous faux fur, and I’m envisioning it as a great spring coat (believe me when I say it’s the perfect weight for London springtime, okay?). But I’m torn between three different coat patterns, so maybe you all can help me decide?

1. Patrones #261-17 – Pros: It has a hood, and big pockets, and it’s already traced, since it from an issue I borrowed from Zoe ages ago! Cons: I’m not as confident on Patrones’s sizing so a muslin is a must, and it’s not got any pockets (Wtf?) so I’d have to add on some patch pockets.

Winter coat shortlist

With the Burda/Armani coat firmly OFF my list for my winter coat (a few of you suggested I could change/fix/alter the pattern but sorry, my time is too valuable to throw after a bad pattern. I know when to cut my losses and choose a better one!), I’m now in the process of picking a different winter coat pattern for my luscious and very thick ex-Burberry wool coating.

Since I scan all of the “At-a-glance” pages for my pattern magazines and store these in a private online gallery, looking through these and creating a shortlist is much, much easier than wading through each and every one of my magazines! I went through the gallery, and when I found a coat pattern I quite liked, I took a small screenshot of it (on Macs you can Shift-Apple-4 to draw a small square and only capture just that area), and renamed the screenshot to the pattern issue and number so I wouldn’t forget where it came from. Then I pasted all these into one big image so I can see all my choices at once.

This is the same process I used to narrow down my wedding gown pattern shortlist, but I cleaned the collage up a bit nicer in Photoshop this time around!


(click to see it bigger)

Patrones spring coat

By now, you should be fully familiar with Patrones #261-17, the spring duffle coat I’m making in turqouise basketweave wool…

After all, first it won the public vote, then you heard about how I bulk fused the tricky wool, then you saw all about my muslin and the resulting fit alterations, then you saw how I dealt with the tricky hood seam allowances and finally, last week you got a chance to see the bound buttonholes and the finished shell.

I’ve been concentrating on assembling the lining (and the lining pocket) all weekend, and finally finished all the handsewing at Monday night’s moorings crafty club!

Upcoming spring sewing…

Finished:

  1. The KnipMode jeanskirt:

  2. The KnipMode pink knit day dress:

These both just need photoshoots this weekend! (Actually, I’m wearing the former for the second time today…)

In Progress:

In some vague order…

  1. The Colette Patterns “Eclair” dress in gold silk crepe (with aubergine silk ties), being sewn for Iain & Steve’s wedding in early May:

    I beta-tested this pattern back around Christmas so I know my muslin fits perfectly, but the silk arrived too late to sew it for holiday parties!

Burda magazine – October 2017

Wow, what a whirlwind few weekends I’ve had recently! I’ve barely cleaned up from the Great British Sewing Bee Live show and suddenly I found myself jetting off to northern Portgual to run up and down some mountains in the unseasonable heat! I’ve written up a full race review on my running site, but it may interest some of you to know I wore the cycling shorts pattern from my book for the race, too (minus the padding and silicone elastic hems, of course!).

It might also interest those of you in the southern hemisphere to know that there’s a new activewear fabric store in Australia – Sew Active Fabrics – and they’ve got a bunch of wicking prints, too. I’ve got a few of their fabrics to road-test over the next few weeks, but you can save 10% with code LAUNCH10 til the end of November if you want a sneak peek for your spring and summer activewear makes.

But enough about me – let’s look inside the latest issue of Burda magazine and see what delights await us!

Prepping for Patrones

Now that I’ve finished all my other spring projects (the Colette dress is coming, sorry for the delay!), I can now devote all my available energy toward making my spring coat, Patrones #261-17, as voted on by all of lovely you!

Also sewing along with me are Zoe (whom I borrowed and traced the pattern from originally!) and Houkje, who’s also tracing and joining in a bit later on, creating our own London-Patrones micro-Sewalong!

First off, Zoe says:
I took a quick photo this morning of the fabric I’m using for the coat.

The wool on the left is a remnant from the cloth house and not enough
for the whole coat. The velvet on the right is for the hood, button
tabs and possibly the collar if I don’t have enough of the wool for
that. I bought some great brass toggles on Walthamstow market (couldn’t
find them a 6am without waking the family up), but forgot about the tabs
on the sleeves so I need to get back soon to get some more. I’m looking
for a two tone lining in beige and turquoise to match the stripes in the
wool, but no joy so far. Need to find time to get over to Shepherd’s
bush I think.

Whereas for my coat, I’ll be using that great, soft teal basketweave wool, bulk fusing it with lightweight interfacing, before cutting, then overlocking all the cut edges to prevent fraying and unravelling.

I’ve got 4 yards of the wool, but only ordered 3 metres of the Vilene H180 lightweight interfacing. Only I forget it was super narrow, so by the time I laid it side by side on the wool, I only had about 1.5m of the wool covered. So I’m waiting to see if I can lay out all the pattern pieces that wouldn’t normally be interfaced onto the bulk fused section, and the pieces like the collar, facings and button tabs onto a section that I’ll cover with heavier interfacing to avoid having to buy more. Confused? Don’t worry, this plan might fail anyway…

A fine tightrope

A few months ago I was devastated to find that all the big London haberdashery shops suddenly stopped carrying Gutermann thread and switched to Coats Duo. I’ve had awful experiences with the cheap and nasty Coats & Clark thread they sell in the States and it wasn’t a good sign that Coats Duo is the same price as Gutermann, but for less length on a spool. Questionable quality for high prices? No thanks, I’ll stick to Gutermann, which has never ever once failed me. It’s quality stuff and I appreciate quality after having sewn with terrible thread – life’s too short for random breakages, inconsistent thicknesses, and frayed edges.

So I was very interested to hear from my friend Alex that the haberdashery shops by him in Cheltenham still stock Gutermann, and since he’s coming to visit us this weekend anyway for one of our charity dinners, I sent him off with a shopping list.