30th Birthday dress – muslin

My 30th birthday is fast approaching, and even though I make myself something special every year to wear on the day, this year I wanted to sew a fabulous dress using some emerald green silk charmeuse (satin) I’d bought years ago and stashed away in the hopes that someday I’d recreate that Atonement dress. I was really excited to see in the Burda WOF March online previews that there was a dress that suited me perfectly – gorgeous gathered, yoked shoulders with floaty sleeves, falling down into a deep V neck with a swooshy gored skirt and plenty of back detail, and shown in my chosen fabric – Burda WOF 03/09 #116.

The timing would be tight, though, since I usually only receive my subscription copy on the 15th or so of the month, but I thought I could pull it off. But then Burda updated the website with the full information, showing it was a *&£@^% petite pattern! Argh! It’s always the way that the designs you like the most aren’t in your size, and with the timeline, I really didn’t think this was meant to be…

My bias silk 40th birthday gown

Happy 40th birthday to me! Since it’s a big birthday year I kinda felt like I just had to celebrate big, too! So we rented the whole of a private members cocktail bar near Kings Cross, invited a bunch of people, laid on pizzas, and let the rest just happen! Every year I like to make myself something special to celebrate my birthday, and I felt like I should sew a big, glamorous dress for myself to feel like a total star at the party, too.

I happened to have four meters of gorgeous copper-coloured silk satin (charmeuse) in my stash which I’d bought from Truro Fabrics back in 2015 with the intention of sewing a gown for the World Transplant Games gala dinner in Argentina. But I didn’t quite have enough time to sew it before we left, and the silk has been in my stash ever since. I still had the receipt in with the fabric, too, and the price reflects the incredible quality of this silk – I’d paid about £75 for it.

The ombre denim Gimlet birthday dress

Happy (slightly belated) 38th birthday to meeeeeeeee!

My birthday was on Saturday and, after the stinker that was last year, I had a blast! I have a tradition where I like to sew myself something special to celebrate the occasion, and this year I decided to make myself a cocktail dress – rather fitting since I invited my friends out for cocktails on Friday to our favourite little whisky bar.

I’ve been utterly enchanted with the Gimlet dress pattern from the moment Capital Chic released it. Granted, Sally is a friend and I respect her work and design aesthetic so much, but this dress in particular was just too “me” not to make! I mean – sheath dress (tick), asymmetric (tick). And that’s pretty much all I need to add it to my To Sew list, ha!

My galaxy-print birthday sheath dress

Happy birthday to meeeeee! I hinted about it last week, but I decided to celebrate the occasion this year by sewing up something special to wear, using a fabric that I’ve lusted over for months even before I broke down and ordered it. My feeling is that if you adore the fabric or pattern (or both!) then the resulting garment is pretty much guaranteed to be a hit.

For this dress I used the Derek Lam-inspired knit sheath from the January 2014 Manequim magazine combined with the most amazing galaxy print ponte jersey which is even nicer in real life, I swear! It’s a digital print on a smooth, white ponte jersey base, and it’s both stable and stretchy, making it the bestest fabric ever (and I have just over a metre leftover! woo!).

It’s been a while since I sewed a Manequim pattern and I’ve dropped in size over the past few months of marathon training to a 42 (Burda 40), so I decided to sew up a muslin of this first to test the fit. The resulting turquoise ponte muslin was very close fitting, and I wasn’t entirely certain at first whether it was too tight, or utterly perfect. So I lounged around in it for a day, decided it was comfortable enough, then cracked on with the final version without any pattern changes.

The final version is definitely tighter than the muslin, though, and I’m fairly certain it’s down to adding the lining layer, even though it’s stretchy! You can definitely see some horizontal pulls in the dress showing it’s a tad too tight, and it’s a struggle to get that waist seam on and off over my boobs, but one it’s on, it’s not uncomfortable, thankfully!

The pattern is really simple – a front bodice with both vertical and horizontal bust darts, back bodice with long vertical darts, raglan cap sleeves, and a skirt pattern with vertical waist darts (the same skirt pattern is used for both front and back). The pattern calls for a long invisible zipper, but as I could easily get the muslin dress on and off without it, I was going to leave it off the finished version, too…

…until I discovered the most perfect purple, metal teeth zipper in my stash! So then I decided I had to use it and make it an exposed zipper feature instead. It was a bit shorter than I’d have liked, but it reached exactly to the waist seam, which worked out nicely visually (though for ease of getting in and out of it, a longer zipper would’ve been much better!).

Un-petiting the Burda September cover dress

While I wait for the weekend to photoshoot the Lekala ribbed top (either you all are too smart or I’m too predictable!), I’ve started work on creating the cover dress from the September Burda magazine. It’s a really cool, curved seam design with no side seams and designed for knits, but it’s one of Burda’s Petite patterns.

I am in NO way petite – at 5’8” (172cm), I am closer to Burda’s Tall height (180cm) than I am to the petite height( (160cm). I have a sneaking suspicion that my torso is quite compact and my height is mostly in my legs, but in any case… I’ve made a few of Burda’s petite patterns before with good results, namely, my 30th birthday dress and the blue silk cocktail dress, so I wasn’t totally scared off because it’s for petites.

I made up a muslin of the top half of the dress (the half I’m most concerned with) on Wednesday night and I’m happy with my alterations so I thought I should share what I did.

First of all, lay out pieces 1 and 2 so that their folded edges are aligned, taping the pieces together loosely. Then lay out pieces 8 and 9 so that their folded edges are aligned, and that these meet the front pieces at intersections 7 and 8. Don’t worry that the shoulders are far apart or that some of the curved seams don’t meet up whilst flat.

My alterations are the white pieces shown below:

The LMB draped birthday dress

Today is my birthday! Every year I like to make myself something new to celebrate in, and this year I’ve paired some luscious teal silk jersey from Classic Textiles on Goldhawk Road (at £16/m) with a gorgeous draped dress from the Feb 2010 La Mia Boutique magazine, #6:

We thought we’d make the extra effort here to give you all a show of our neighbourhood with the dress…

30th Birthday Dress – completed!

Happy birthday to me!!

Today is my 30th birthday, and as such, I’ve made Burda WOF 03/09 #116 in emerald green silk charmeuse (satin) to wear to my big party on Saturday night!

I tested this pattern a few weeks ago and wrote all about the fitting and muslin work here, and thanks to popular opinion, I did indeed take a wedge out of the back seam to get rid of the swayback wrinkles. Apart from that, I kept the fit the same!

I did not sew this dress

I finished my birthday dress yesterday, so it just needs a final pressing and photoshoot this weekend before you get to see it on Wednesday! But in the absence of pretty green silk photos to coo over, I thought I’d do something different and share some photos of this amazing RTW dress I bought recently.

I bought this dress (now sold out) from AX Paris for an absolutely astounding £20! By the time I got to it, most of the sizes were sold out, so I took a chance and bought my pre-illness size with the thought that it’d be a fantastic goal dress later this summer. To my surprise, I was able to get into it and get the zipper up, but it was not pretty without the girl’s best friend, Spanx, so you’ll get to see it on Susan instead (though as it turns out, Susan needs some Spanx, too, as I couldn’t get the zipper entirely closed on her!) –

KnipMode magazine – December 2014

What a blast from the past, right?? Some longterm readers may recall that I used to subscribe to the Dutch pattern magazine, KnipMode, but the quality of the designs really went downhill when they appointed a new editor and I let my subscription expire back in 2012. It was an easy choice, since it was the most expensive of my magazine subscriptions, but when I get the opportunity, I still pick up the odd issue from continental newsstands.

Well, we were in Brussels shortly before Christmas for a festive weekend at the Christmas market, and on our drive back we stopped in at a Belgian supermarket. I was surprised to find KnipMode on the magazine rack, and I couldn’t resist seeing what KnipMode were up to these days. Clearly loads has happened since 2012, as they’ve not only had a complete redesign, but have a new publisher as well! The editor I blamed for the downhill spiral is still there (grumble grumble) but the designs look decent in this one, so I’ll hold out hope…


“Knip” means “cut” in Dutch, so I think the new scissor logo is quite cute!

First up is a green party dress with lots of gathering and a nice surplice neckline. It’s not a million miles away from my 30th birthday dress, which is probably why I was drawn to it!

This tie-hem shirt is styled for a party here, but I think this could be a really great casual top, too. It’s made for wovens, and with the kimono sleeve it means there’s only two patterns pieces plus the hem binding, so it’d be super quick to sew it! It reminds me a little of a Pattern Magic design that I drafted and muslined but haven’t quite sewn up yet, though the tie on that is in a different position.

Lowering the Pedestal

Can we take a moment to talk about “pedestal fabrics”? You know the ones – you saw it in a shop, it was too gorgeous to not buy, but now it’s too gorgeous to cut into? And now that you’ve put it up on that pedestal, it just sits in your stash, making you sigh with its beauty but ashamed that you haven’t used it yet…

I don’t often have this problem, but I have recognised that I’ve done this with a particular silk in my stash, a ridiculously gorgeous silk in a silver and black chrysanthemum print. It was a gift from AllisonC when I was about to go into hospital, and I initially didn’t cut into it because I’d gained some weight from my illness and I didn’t want to waste it on something that wouldn’t fit in a few months.

But I’ve been back to my usual size for a good year now, and it continued to sit in my stash, until I finally cut into it this weekend. It took some doing, but here’s some thoughts that helped me overcome this:

  • In what form will I wear this most? In my case, this was a good 2m of silk, so I kept thinking for ages that it had to be a dress, so I’d use the whole yardage. But then it occurred to me that I don’t often wear my silk dress because it’s so formal, and it’d be a shame to sew this silk only to not wear it very much. I thought about what I wear most often in similar fabrics, and it’s definitely blouses. So even though a blouse won’t use the whole yardage, I’ll wear it much more often than a dress, and I can always make something else with the rest.
  • It doesn’t have to be ground-breaking. You’ve already got fabric you love – that’s half the battle in a successful garment, so you don’t have to do a new, experimental, or technically challenging new pattern to interest you. Use a pattern you already know you love and fits you well, and then you don’t even have to do a muslin, either. Since it’s already a tested pattern, your chances of failure are greatly diminished.