Sewing Gift Guide

Christmas is coming up, and so I thought I’d offer a helping hand to all the friends, relatives, and significant others of the sewing obsessed looking for sewing gifts this holiday season. I’ve tried to roughly break this down into “beginners” and “everyone else”, but it helps if you can snoop around their sewing area first to have an idea of what they’ve already got before buying something off this list.

And if you’re reading this and are feeling truly overwhelmed, then:

  1. Print this page.
  2. Google for your nearest sewing or fabric store
  3. Give this page to a store clerk with a smile a “Can you help me please?” and let them show you what some of this stuff is…

For beginners

If you know someone who’s very new to sewing or is getting their first machine this Christmas, it’s a great idea to create a little bundle of all the necessary tools for someone just starting out. You can often find these pre-packaged at sewing shops, or to create your own for a new sewer, I’d recommend placing the following in a zippered pouch, box, or (if you yourself are a sewer) a sewn case:

  • Dedicated sewing scissors (write “fabric only” on the blades with a marker!)
  • Glass-headed pins (plastic-headed pins melt on contact with an iron!)
  • Clear ruler or hem gauge
  • A pack of standard sewing machine needles
  • A pack of hand sewing needles
  • A seam ripper
  • Spools of Sew All (polyester or cotton-coated polyester) thread in black and white (and also grey, beige, red, and navy if you’re feeling flush)
  • A tomato pin cushion

An extended weekend full of sewing

Last week saw the end of a very good but busy work project, so what do I do when faced with a bit more time and mental energy than usual? Why, I sew of course!*

Liberty, but not as we know it

I received some lovely Liberty gift coins for my birthday, and because Previous Me knows Future Me so well, I had stashed some extra birthday cash along with it in the suede pouch, knowing I’d forget all about it and be pleasantly surprised. Which is precisely what happened!

So now armed with £60 to play with in Liberty, I decided to take advantage of a rainy day and go shopping. Now, I know loads of you go weak at the knees for anything Liberty, but I don’t. I find most of the traditional Liberty prints to be painfully twee and nothing I’d ever, ever wear. So I was thinking I’d see what was on offer in their jerseys, but first I got waylaid by the remnants table, where I scooped up a vaguely-African print silk twill (1m for £25, seen lower left).

The jersey selection was really small and mostly ditzy print (gag), but I kept being drawn to a dreamy, blurry, triangular print that came in a few shades, but only in Tana Lawn. I finally decided that if I kept coming back to this print then I should buy it and figure out a project later. So 1.5m of the palest colourway came home with me (seen upper left above) and brought my grand total to £58. Now that’s budgeting!

Refashioned suede wristlets

A friend had recently given me two skirts which no longer fit her, a suede one and a silk one, and mentioned that I might want them for the fabric. Of course! So I chopped up the suede one on Sunday, making two of the free Cake mini wristlets.


(The colour on the left is more accurate…)

Sewing book review: Pattern Magic 3 – now in English!

I don’t buy sewing books very often these days, usually preferring to get my information and inspiration from the internet and sewing pattern magazines, but I’ve found so much inspiration from the Japanese design schools lately that I just can’t say no when these are translated into English.

If you recall, I reviewed the first two Pattern Magic books here, and then, just recently the first Drape Drape book was also released in English (with the second coming out later this year).

Drape Drape uses included patterns which you trace off and sew, but the Pattern Magic books all rely on instructions for altering your existing sloper, so they can work for pretty much any size or shape person.

The big difference in this third book is that all the patterns here are designed for stretch fabrics, which adds a whole new level of fun! But of course, this doesn’t mean you can’t use stretch fabrics for the designs in the first two books – I’ve already made the flip-turned top twice as teeshirts, though I did have a great boost in understanding the Pattern Magic instructions on the Morley College “Pattern Magic” course I took earlier this year (I’m eagerly awaiting the new course guide so I can sign up for the rumoured class on this new book next year!).

So enough intro, let’s have a look at some of the wonderful (and weird!) designs in this instalment!

Happy 2019! (My year in review)

Happy new year! It’s traditional for me to reflect on the year that’s just finished on the first of a new year, and this year’s a weird one because I’d love to just say “this year sucked”, but there were some fantastic things that happened this year amoungst all the sickness, disappointment, frustration, and hard work. So let’s try and focus on those.

My Satin & Lycra Weekend

My weekend mostly went like this…

Saturday

On Saturday morning I got up for a 2hr 45min (16+ mile) run in the rain with my two good friends, Chris and Juell. We got soaked, ran along Regents Canal to Camden and then through the heart of the city and back through Shoreditch to home. We were soaked to the bone, but had a great time and I furthered my knowledge of myself, my glycogen storage capacity, and my stomach’s ability to digest medjool dates as a gel alternative. That, and I feel a bit more confident now that I’ll be able to finish Copenhagen marathon now, having dialled back my expectations after being ill for so long.

Then Saturday afternoon I set out to do some more work on what will be this year’s Birthday dress (it’s next week, aaah!), the Burda Matthew Williamson sheath dress from the September 2012 issue:

The above uses the official photo from when I bought the “Ravissant Duchess Satin Plum” from Fabric.com three years ago, but below you can see the actual colour and exactly how much gorgeous lustre it gives off in the light. On the inside, I’m using a lovely floral lining fabric gifted to me from Veronica when I was in Paris last Spring.

Grey Pattern Magic "Flip Turn" top

Ever since I first opened the Pattern Magic books, a few designs have been burning a hole in my sewing brain. One of these was the “Flip Turn for a Draped Effect” bodice from Pattern Magic 2, and I was so happy that I was able to draft this on my Morley College Pattern Magic 2 course last month! It wasn’t too bad to figure out, but I’m still really pleased to have the instructor there and because I muddled through (albeit with help), I feel much more confident about tackling other designs in the books.

The only problem was that we drafted all the course designs based on the largest Bunka sloper, which was still rather a lot smaller than me, so if I wanted to actually wear the designs from the course, I’d have to create them again off my own sloper, which just seemed a bit dull.

Or maybe… just maybe… I wonder if the Bunka sloper version would fit if I eliminated the back waist darts and made it in a knit?

OMG a toile for a fashion college dressform fits me!! :O 😀

Since this was a total fit experiment, I wanted to try this first in a low-risk fabric, and I had just enough of this viscose grey marl jersey leftover in my stash from the Manequim “big shirt”.

One interesting part of this design is that the reverse of the fabric is shown on a large portion of the lower front, and in this fabric, the reverse is kinda textured and loopy, but without any major colour change from the “correct” side. It means you get a subtle texture change on that panel, but without screaming “hey! I’m the wrong side!”.

To further play up the texture change and to make it look more intentional, I used the wrong side of the fabric on the neck band, too (maybe I’ll do the sleeves on the wrong side next time, too?)

Revisiting pattern drafting and the vintage tab dress muslin

Remember the vintage dress pattern I graded down to my size a few weeks ago?

Well, I made up a muslin with my grading changes in place, and though I didn’t get any photos of it on me, I did get some on Susan. I realise that diagnosing fit issues on a dressmaker’s dummy is particularly futile, though, so you’ll just need to take my word for it!

On first glance, the worst issue is that there is way too much fabric in the upper back, but also I think I may need to raise the waist seam by an inch, and narrow the shoulders by an inch or so, too.

The skirt length is d-o-w-d-y so I’ll need to shorten all those panels, too (happily I’ve got a “lengthen or shorten here” line on both the bodice and skirt pieces).

While the sleeves themselves fit nicely, there is an unholy amount of excess ease in those sleeve caps, omg. So I’ll need to shave down those caps to take a good few inches out of there.

It wasn’t necessarily the list above that made me lose enthusiasm for this dress, but I can’t really put my finger on what it was. But it turned out that doing all the boring grading reawakened in me a desire to conquer pattern drafting, which I dabbled in when I received “Metric Pattern Cutting” by Winifred Aldrich last year, but didn’t get far.

Our French road trip

Ahh, what a fabulous, gluttonous, relaxing, and wonderful holiday! If it weren’t for arriving back into an extremely busy work and social life, I’d probably be the most chillaxed, freckled, and happy woman on earth right now.

Our road trip lasted 11 days, and took us from Calais down to the Loire Valley (Canault and Saumur, mostly), through Poitiers and Limoges, through the Lot and the Midi-Pyrenees to Toulouse, then over to Montpelier and Sète, up through the Rhone valley to Tournon and Tain L’Hermitage, then up to Lyon, and finally making pitstops in Cluny and Auxerre on our way to Paris before heading home.

Sewing-related towns driven through:

  • Alençon (that’s just a display inside a roadside rest pictured above!)
  • Couture
  • Cluny
  • (Though I swear there were more I just can’t recall right now!)

In America…

Having an international relationship (even when the expat half is as firmly ensconced as I am) makes weddings a bit tricky. We’re lucky that we didn’t have to take immigration laws into account, but even so, we needed to have wedding celebrations on both sides of the Atlantic to include as many people as possible. So a few days after the wedding, we flew over to Pennsylvania, spent a few days at my parents’ house in Perry County, then had our celebration dinner in Lancaster, taking the train down to Philly to catch up with my Man of Honour, then the Acela train up to NYC for a week of a proper honeymoon before flying back home to London.

So to start, I decided that I wanted to give my Granny a nice memento of her gown, since she had given it all to me, and I ended up with some medium-sized scraps of the really nice silk satin after finishing my gown. So before I left I made up four sachets filled with lavender buds I’d grown on deck, and during the flight I embroidered a silk square for each of these with the initials of her four grandchildren and their spouses, plus the year they were married. It just worked out nicely that my cousin Charlie was the last of us to wed, having their wedding two weeks after ours!

I then finished up the sachet construction at my parents’ house and presented these to Granny before the Lancaster reception dinner.

There was also a nice surprise of a massive box of vintage haberdashery she’d found in a charity shop. I only picked a few things out of it, but I just couldn’t resist some of this glorious packaging!

Then my mom insisted on driving me out to this Amish fabric shop she knows in Perry County – it was only a little ways past my old high school, but I was just blown away by the prices!! I went NUTS in the zippers – tons of really long invisible zips for 75 cents or a dollar (when I’d pay at least £3-4 each for these in London), buttons for as low as 2 cents each (when’s the last time you saw anything for 2 cents??), tons of ricrac and trims, embroidery floss for 30 cents, and (of course!!) they had the bobbins for my hand crank vintage Singer. For 15 cents each!

Irish silk

We’re still very much in the grips on winter here in London – temperatures barely above freezing, constant rain and high winds, and over Easter weekend, almost continuous hail and flurries. Ugh. I’m nearly finished with my winter sewing, but with the weather as it is, I can’t really start sewing anything for warmer weather just yet. But I was just so in love with the silk charmeuse I bought in Dublin that I ignored all common sense and sewed up Burda WOF 02/2008 #119.

Such is my dedication to all of you that I went outside for this photo shoot when it was 30F/0C with high winds. I’m not sure if you can see the goosebumps or not!