Addicted to sewing

This weekend James and I took a trip out to Oxford to celebrate our friend Dori’s birthday. While we were there, she showed me her newest pride a joy, a “Jones” vintage sewing machine that she’d just bought from a charity shop for £4!

It’s a real beauty, with a sturdy wooden case with folding arm and attached wooden base, nice solid steel construction, and a compartment full of random accessories. She was a bit disappointed to learn that it only does straight stitches (no zigzag), but I assured her that straight stitch machines usually do that one thing really, really well and that she still got a bargain.

Included with the machine was a variety of machine feet which I was able to identify, but the true mystery was this tool, which to my eyes really looks like its purpose must be to inject thread straight into a vein!!

A cape in progress

I don’t tend to post about in-progress garment much anymore. I think part of the reason is that I tend to make projects quickly, so there’s not much to document and I roll any construction notes into the finished garment post, but also because I’m not not exactly light on garments to post about and it takes enough time putting together the ones I do share without adding any more to the To Blog pile!

But I’d been making a lot of quick garments in the past few months and decided I wanted something a bit more involved to sink my teeth into, so I started making a cape, using this Burda magazine pattern from 2011 (still available to buy as a pdf). I had some gorgeous teal wool coating a friend had bought for me in Tokyo in January, and I thought it paired really beautifully with some black and pink abstract tartan fabric I chose from Sew Essential as my #sewphotohop prize draw. It’s a lightweight John Kaldor satin with a lovely hand that you really could believe was silk, but alas, it doesn’t appear to be on the site any longer!

The Hour – my new Fall style inspiration

I have a new style crush – The Hour, a new BBC drama starring Dominic “McNulty” West and Romola “her that wasn’t Keira in Atonement” Garai. Yes, there are a lot of comparisons with Mad Men, but it’s a fantastic show in its own right, and being set in 1956 London, barely out of rationing and in the publicly-funded BBC, means there’s a lot more quirk and ragged edges than you find in the ultra-slick Madison Avenue counterpart. The best part is that this series isn’t even about fashion – it’s about the shift in the purpose of television news around the time, where it went from being a government puppet supplying newsreels to a subversive, investigative element in its own right. It’s a riveting, wonderful show, and James is just as addicted as I am.

Still not interested yet? Well, you soon will be – American viewers, set your DVR of choice to record BBC America on 17 August at 10pm Eastern, because I have a feeling the style blogs are going to go nuts for this once it’s gone international (and UK viewers, you can watch the latest episode tonight on BBC2, or watch the previous episodes on iPlayer as it’s a series catchup show).

The thing I love most about the fashions on show here are that they’re not what you imagine 1950s fashion to be – this is as far removed from June Cleaver as you can get! Just like Mad Men changed our view of 1960s fashion from hippies and go-gos, The Hour takes us out of the mentality that the 1950s was all about Dior’s New Look silhouette. Think more British vintage style – impeccable pencil suits with nipped-in waists, stylish blouses and power dressing, plus a nod here and there to more noticeable 50s styles like the teddy-boy “Grease” look and even a Marilyn Monroe-a-like!

Grey skinny jeans

While I’m still waiting for the fabric to arrive from America for my last Christmas present, I decided to add to my trouser collection and make a second pair of the black biker trousers, which are BWOF 05/2006 #112. I realised in my observations of what I’m wearing this month that my trousers in general are way too dark and I need some slightly lighter ones to allow me to wear (my many) black tops with them.