Collar Me Bad

Yesterday was a beautiful, warm and sunny day – I’d already done all my DIY work on Saturday (plus cooked and hosted a three course charity dinner for 5!) so the day was all mine to relax and sew for a change!

I’ve been slowly working on making BurdaStyle’s Jakob pattern in a lemon yellow linen/tencel blend for James, but it’s been slow going because I’ve been trying to unlearn all my bad habits and follow David Page Coffin’s “Shirtmaking” book to the letter. I cannot say enough fabulous things abut this book – really, within 5 pages I knew I could never, ever go back to my old ways. Even if you never sew menswear, it’s still a must buy in my opinion for its techniques in dresses, shirtwaisters and the like.

A monochrome turtleneck

I’ve been absolutely swamped with work recently (and when you’re self-employed this is no bad thing!) but I still managed to squeeze in a little Me Sewing on the side. I’m a big believer in sewing up a “quick knit top” when you need a mojo boost, and this top probably took an hour in total, from tracing to cutting to sewing to wearing, split into several ten minute segments snatched here and there – the busy woman’s way to getting stuff sewn!

A fuss-free red shirt for James

While my own wardrobe may be 99% own-sewn, I’m only one woman and I like to concentrate my sewing for James into items he can’t regularly find in shops. Often this means loud and garish shirts in unusual prints (just wait til 4th of July…), but occasionally it’s for practical reasons. In this case, he has two Dakine shirts that are made from some sort of thin, technical woven that dries really quickly and resists wrinkling. So he got just a wee bit excited when he saw Fabric.com was stocking something that looked really similar. They called it “workwear fabric” (it’s no longer available) – a thin, 100% polyester woven that resists wrinkling and dries quickly – perfect for him to wear to cycle into work without looking like a sweaty mess all day.

Named Harriet lumberjacket in wool & vintage silk

I am both back from our trip to the States and feeling back on form now, so I’ve started to tackle documenting the absolute mountain of finished makes from the last four months. I have some garments from early January, some made more recently and well, I’m just going to share them with you in no particular order! The photos are a bit more slapdash than usual, but I know that if I waited to do proper photoshoots of all of these then it’d be another 6 months before you’d get to see them!

So I’m going to start with a garment that was the longest in the planning, and also quite possibly my favourite of the early 2016 makes. It all started back in summer 2014, when I bought some fabulous navy wool coating & vintage silk twill from Ditto when I was down in Brighton. I knew I wanted to use them together for a transitional, short coat, but then I had quite a journey in finding the right pattern!


The psychedelic 1960s vintage silk twill lining that was originally made for neckties!

Over the course of 18 months, I ended up making five different muslins before I was happy enough to cut into the wool and silk:

  1. StyleArc Audrey (the silhouette and proportions were just so bad on me. So bad.)
  2. Burda Jan 2015 jacket in size 42 (way too small for non-stretch outerwear, oddly, though Burda’s fit is usually very standard)
  3. Burda Jan 2015 jacket in size 44 (traced ALL the pieces again and it still fit very weirdly)
  4. Patrones 342 No23 dolman sleeve coat (ridiculously tiny sleeves and zero arm mobility even with the underarm gusset)

And then finally I muslined Named’s Harriet lumberjacket pattern, bought during a flash sale during their advent calendar promotion. And I was like Goldilocks, it was juuuuuuust riiiiiight.

A Coat Muslin Downer & a Pick-me-Upper

Remember a few weeks ago when I took a quick trip down to Brighton and came back with some gorgeous wool coating and vintage Italian silk lining from Ditto? Of course you do!

Well, as shown in the photo above, I bought it intending to make the StyleArc Audrey pattern to be a transitional Fall “car coat” (heavier than a jacket, but not a full-on winter coat). So having arrived home to decidedly Fall weather, I thought I should get a move on with this coat or else it’ll be too cold before I can make it!

So I pulled out my Audrey pattern, cut out all the million pattern pieces (the attention to detail is really terrific – the lining and facing pieces are exquisitely drafted rather than just carbon-copies of the exterior), and made a muslin.

I know muslins can be super useful, especially for fit problems, but there’s something about them that makes me lose all enthusiasm for a pattern once I see it made in beige, crumbled fabric held together with pins and covered in Sharpie marks. I think I’ve probably dumped more coat patterns at the muslin stage than any other garment (let’s all try to erase the Armani coat muslin horror from our minds… oops)! I put this one on, looked in the mirror and thought…. meh.

So I recruited James and a friend for second opinions. They both gave it the thumbs down, then started going through the list of things that could be done to improve it, lengthen here, take out fullness here, etc etc. Err, no – for something that’s supposed to be “fun sewing” I’d rather just dump this and use another pattern I haven’t yet lost all enthusiasm for!

KnipMode blue draped collar dress

As you read last week, I was so inspired by the December KnipMode issue that the day after I received it, I traced out dress #11, the following night bought the navy blue cotton lycra jersey and cut out the fabric, and then sewed this dress last Saturday!

This dress has got some really unique construction – the two front skirt pieces meet at the centre front to form a collar, which then goes up and around your head and comes back down to join the centre front again. Everything is sewed together, though, so there’s no chance of gaping!

The other great thing about this dress is that they’ve chosen this pattern to have the big, illustrated instructions for this issue! So you really only need to sew the shoulder seams and centre back (if you didn’t cut it on the fold like me), follow their illustrations for that really unique scarf collar, waist, neckline, and centre front, and then after the illustrations attach the sleeves, sew the side seams, and do the hems! So what could’ve been a really complicated pattern is actually made fairly straightforward. Yay! Thanks, Knip! (You can download those big illustration in colour pdfs on Knip’s site, too!)

The bad weather and early nights may have kept me from taking photos of me in the dress earlier, but we had a mammoth photoshoot session yesterday so there’s lots to show!

The Burda meets Armani coat – muslin FAIL

I absolutely LOVE the Burda magazine September 2010 issue. Loved it from the first second I saw the technical drawings, and now, several issues later, I’m still not seeing much that tops it. I literally have 11 or 12 must-sew patterns from it, and one of them is the Tall coat, #118.

As you recall, when I was in New York, I saw an eerily similar coat in the window of the Armani 5th Avenue store, and this sealed the deal – I must make this coat using my super thick, ex-Burberry dusty teal coating that’s been in my stash since last winter!

I don’t make muslins for a lot of things, but when the fabric is expensive, or can’t easily be resized (like leather), or if there’s a lot of work involved before a fitting can be made, then I’ll grumble and moan and make a muslin first rather than waste my nice fabric (and time!) and get any fitting issues out of the way first.

Let’s get down to the instructions first – Burda’s instructions aren’t too bad on this one EXCEPT for the zippered inseam pockets – they are absolutely nuts, and account for a good third of the instructions for the entire coat. But the instructions are besides the point, because if you jam your hands into your winter coat pockets when you walk like I do, you really don’t want metal zipper teeth digging in to the backs of your hands! So leaving off the zippers not only saves you time, but makes for a much more usable coat.

A Birthday Cat Saraste Top

It’s my 45th birthday today!! It’s not been a great year, tbh, with a truly horrific last 6 months, but to quote my friend Louis de Pointe du Lac, “A shit life beats no life.” And maybe this birthday will mark the start of a fresh new year, eh?

If you’re a long-term reader, you’ll know that I always like to sew myself something special for my birthday. With gaining so much weight from Long Covid, I wanted to sew something that would fit me now and still fit me when I go back to my usual body size. The Named Saraste Top from their “Breaking the Pattern” book is one of my favourite ever patterns, so it was a natural choice. There’s mix and match pieces here that allow you to make a dress, shirt, or top with varying pieces. Here I used the body of the Top minus the ruffles, with the collar from the Shirt & Dress, and short sleeves from the Solina pattern.

Happy 2023! (Year in Review)

For the past 15(!) years I’ve posted my year in review on 1 January, but not this year. I lost my sewjo around the end of September so I didn’t really have much to blog about. I waited for it to reappear (as I learned a long time ago there’s no point in trying to force it) and prepped a few projects, tidied a bit, planned a bit, and then fell into a massive “Interview with the Vampire” fandom hole (more on that later), and generally was happier in October and November than I’ve been in a long time (completely unrelated to the sewing) but that’s not the reason this post is late.

This post is late because, despite my best efforts (cycling to/from, FFP3 masking indoors with my CO2 monitor and otherwise staying outdoors) I caught a virus of some sort at the office christmas party which left me practically bed-bound with post viral fatigue for 4+ full weeks (no, not Covid, not flu, not RSV, not anything they swabbed for at haematology, but thankfully not EBV either). Like, 21+ hours a day in bed, and if I sat up for more than 15min to eat or drink, I’d have to lie flat for another hour. So sitting up to type was impossible, and I wrote this in pieces on my phone when I could, not being able to put it all together until I started improving a little bit in the past few days.

So apologies that it’s late, and for the blog silence for the past few months, but hey, 2023 can only get better from this dismal start, right?? Without further ado, let’s have a look back at 2022…

Happy 2021! (My year in review)

What. A. Year! I’m not even going to attempt to sugar-coat things, and any attempt to try and put things into perspective just sounds like a cliché after all this. But for a year where I was essentially under house arrest since March, it’s surprisingly not all bad. Above all else, I’m grateful to have spent the time with my husband and that we both were able to continue our office jobs from home at full pay and remarkable support. My sewing was both a welcome distraction and a balm in this year of chaos and uncertainty.

I’m going to try to use my usual year-end format again, though this was clearly a year that broke all attempts to contain it so let’s do what we can (clearly a motto for the year!)…